âI'm just trying to share my own way I look at music, with others.
âMusicians, non-musicians, whoever is interested. And try to show a few basic things that I think are kind of true for everybody.
âOne of which is that an individual's taste and his own judgment, what he likes, and what he doesn't like, is his own God-given right, you could say.
âEveryone has the right to like what they like, not like what they don't like, listen to the kind of music they want to, not listen to the kind of music they don't like. Say what you like, say what you don't like.
âThere's a kind of a code about that. A human right, a spiritual right.
âAnd I want to encourage that in people. I want people, and musicians, to realize their own judgment and have them think for themselves about how they see art, especially. And trying to portray that and say that in various ways.
âShare things I do, or just my opinion.
âSo improvisation is a big interest, with a lot of musicians. So I have my own ideas about what it is, and I know there are an infinite number of other ideas, so I'm just throwing my own idea into the pot here. About âWhat is improvisation?'
âWe did 5 shorts on that, so have a look.â — Chick
Chick Corea: So this is the beginning. First one. Here we go. So we're going to cover improvisation and Bill's going to — we're going to talk a little bit. We want to define it first.
Bill Rooney: Start at the beginning.
CC: I though that was a good idea, because when people ask me — musicians ask me, they say, âWell, how about improvising? How do you improvise? What's it all about? What do you do? What do you think about?â All these various questions. I think to myself, well you know, I've never seen a satisfactory definition of improvisation. So, I want to try to give you what my — what I think of when I think of improvisation, which is something natural. Something natural you do.
Improvising is living. Like, what I'm doing now is improvising. I have a thought in my head and I'm trying to get it out using the cumbersome medium of the english language. It's really difficult. I mean I could go like this — [ plays a phrase ]. See that?
I don't have to then try to say in words what that was because that was improvisation. But to try and define it in words, it's the natural thing you do that you already decided that you're going to do something and you're going to make a movement. So with improvisation, the decision that — there are decisions that have to be made. What kind of freedoms and what kind of rules.
There's freedoms, then there's rules that you make. And that's how you come about deciding how much improvisation there's going to be. Like, you determine a pattern. Let's use the term âpattern.â So let's take, for an example, a pattern. I thought it would be good to start demonstrating right away, rather than trying to put a verbal definition.
So, you take a pattern, how much freedom or how much rules and decisions you want in it. Let's take an example. I thought we'd use âArmando's Rhumba.â Some people know âArmando's Rhumbaâ.
This tune here — [ plays âArmando's Rhumbaâ]
Okay here's the first phrase of âArmando's Rhumba.â It's written right here. If you can read music it's starting right at âA.â
So, thats the first phrase. If I'm going to play it exactly I'm going to play that exactly. [ Plays âArmando's Rhumbaâ ]
Not much improvisation cause I already decided. So let me play the same phrase and keep everything pretty much the same but let me change the melody a little bit. I could do something like — [ plays âArmando's Rhumbaâ ]
That was a lot of change, I mean comparatively. Or I could do — [ plays âArmando's Rhumbaâ]
Or I could do even closer. I could change the tempo. [ Plays âArmando's Rhumbaâ ]
It's endless. So with that kind of thing you have the pattern and you decide how closely you want to stick to the pattern and the improvisation part comes as what freedom you give.
For instance, what if I say to myself, I decide — it's all decisions. What if I decide I'm going to play something before I start the melody? I'm going to improvise something and then play the melody. So I'm going to go add it, it's free, I can play what I want. [ Plays tune and âArmando's Rhumbaâ ]
There you go. Like, play something even stranger: [ Plays tune and âArmando's Rhumbaâ ]
See there. There would be an infinite number of ways to take a theme. So thats one basic way to describe improvisation. It's what you decide will be there as a pattern and what you decide you'll be free about interpretive. Improvisation.