They (Heinlein)
Get They Heinlein essential facts below. View Videos or join the They Heinlein discussion. Add They Heinlein to your topic list for future reference or share this resource on social media.
They Heinlein

"They" is a science fiction short story by American writer Robert A. Heinlein. It was first published in the April 1941 issue of Unknown, and can be found in Heinlein's short story collection The Unpleasant Profession of Jonathan Hoag.[1] It also appears in a number of multi-author anthologies.

Plot summary

The story concerns an unnamed man who is confined to a mental institution because he is suffering from the delusion that he is one of the few "real" entities in the universe, and that the other "real" entities have created the rest of the universe in a conspiracy to deceive him. He spends much of the story engaged in verbal sparring with the psychiatrist who is caring for him, and in pondering his predicament, trying to figure out a way to prove that his belief is true. On the final page of the story, the reader discovers that his belief is true; the god-like character "the Glaroon" is behind the conspiracy. However, this revelation is kept from the protagonist.


The story has been noted as "both a paranoid and a solipsistic fantasy", containing "the most complex discussion of those philosophical matters that have troubled [Heinlein] throughout these early years [of his career as a writer]."[2]

Gary K. Wolfe describes it as a "classically paranoid vision of the world", and states that the story only qualifies as fantasy because Heinlein does not offer any explanation of "who or what the Glaroon is and what its motives are".[3]

See also


  1. ^ Chalker, Jack L.; Mark Owings (1998). The Science-Fantasy Publishers: A Bibliographic History, 1923-1998. Westminster, MD and Baltimore: Mirage Press, Ltd. p. 308.
  2. ^ The Heritage of Heinlein: A Critical Reading of the Fiction, by Thomas D. Clareson and Joe Sanders; p. 45; published January 23, 2014 by McFarland & Company
  3. ^ Evaporating Genre: Strategies of Dissolution in the Postmodern Fantastic", by Gary K. Wolfe, in Edging Into the Future: Science Fiction and Contemporary Cultural Transformation, edited by Veronica Hollinger and Joan Gordon; published 2002 by University of Pennsylvania Press

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



Music Scenes