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A Shinto shrine (, jinja, archaic: shinsha, meaning: "place of the god(s)") is a structure whose main purpose is to house ("enshrine") one or more kami. Its most important building is used for the safekeeping of sacred objects and not for worship. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like gongen, -g?, jinja, jing?, mori, my?jin, -sha, taisha, ubusuna or yashiro. (For details, see the section Interpreting shrine names.)
Structurally, a Shinto shrine is usually characterized by the presence of a honden[note 1] or sanctuary, where the kami is enshrined. The honden may however be completely absent, as for example when the shrine stands on a sacred mountain to which it is dedicated, and which is worshipped directly. The honden may also be missing when there are nearby altar-like structures called himorogi or objects believed to be capable of attracting spirits called yorishiro that can serve as a direct bond to a kami. There may be a haiden (, meaning: "hall of worship") and other structures as well (see below). However, a shrine's most important building is used for the safekeeping of sacred objects rather than for worship.
Miniature shrines (hokora) can occasionally be found on roadsides. Large shrines sometimes have on their precincts miniature shrines, sessha () or massha ().[note 2] The portable shrines (mikoshi), which are carried on poles during festivals (matsuri) enshrine kami and are therefore true shrines.
In 927 CE, the Engi-shiki (, literally: "Procedures of the Engi Era") was promulgated. This work listed all of the 2,861 Shinto shrines existing at the time, and the 3,131 official-recognized and enshrined kami. In 1972, the Agency for Cultural Affairs placed the number of shrines at 79,467, mostly affiliated with the Association of Shinto Shrines (?). Some shrines, such as the Yasukuni Shrine, are totally independent of any outside authority. The number of Shinto shrines in Japan is estimated to be around 100,000. This figure may, or may not, include private shrines in homes and owned by small groups, abandoned or derelict shrines, roadside hokora, etc.
Ancestors are kami to be worshiped. Yayoi-period village councils sought the advice of ancestors and other kami, and developed instruments, yorishiro (), to evoke them. Yoshishiro means "approach substitute" and were conceived to attract the kami to allow them physical space, thus making kami accessible to human beings.
Village-council sessions were held in quiet spots in the mountains or in forests near great trees or other natural objects that served as yorishiro. These sacred places and their yorishiro gradually evolved into today's shrines, whose origins can be still seen in the Japanese words for "mountain" and "forest", which can also mean "shrine". Many shrines have on their grounds one of the original great yorishiro: a big tree, surrounded by a sacred rope called shimenawa ().[note 3]
The first buildings at places dedicated to worship were hut-like structures built to house some yorishiro. A trace of this origin can be found in the term hokura (), "deity storehouse", which evolved into hokora (written with the same characters ), and is considered to be one of the first words for shrine.[note 4]
True shrines arose with the beginning of agriculture, when the need arose to attract kami to ensure good harvests. These were, however, just temporary structures built for a particular purpose, a tradition of which traces can be found in some rituals.[clarification needed]
Hints of the first shrines can still be found here and there. ?miwa Shrine in Nara, for example, contains no sacred images or objects because it is believed to serve the mountain on which it stands--images or objects are therefore unnecessary. For the same reason, it has a worship hall, a haiden (), but no place to house the kami, called shinden (). Archeology confirms that, during the Yayoi period, the most common shintai () (a yorishiro actually housing the enshrined kami) in the earliest shrines were nearby mountain peaks that supplied stream water to the plains where people lived. Besides the already mentioned ?miwa Shrine, another important example is Mount Nantai, a phallus-shaped mountain in Nikko which constitutes Futarasan Shrine's shintai. Significantly, the name Nantai () means "man's body". The mountain not only provides water to the rice paddies below but has the shape of the phallic stone rods found in pre-agricultural J?mon sites.
In 905 CE, Emperor Daigo ordered a compilation of Shinto rites and rules. Previous attempts at codification are known to have taken place, but, neither the Konin nor the Jogan Gishiki survive. Initially under the direction of Fujiwara no Tokihira, the project stalled at his death in April 909. Fujiwara no Tadahira, his brother, took charge and in 912 and in 927 the Engi-shiki (, literally: "Procedures of the Engi Era") was promulgated in fifty volumes. This, the first formal codification of Shinto rites and Norito (liturgies and prayers) to survive, became the basis for all subsequent Shinto liturgical practice and efforts. In addition to the first ten volumes of this fifty volume work (which concerned worship and the Department of Worship), sections in subsequent volumes addressing the Ministry of Ceremonies () and the Ministry of the Imperial Household () also regulated Shinto worship and contained liturgical rites and regulation. Felicia Gressitt Brock published a two-volume annotated English language translation of the first ten volumes with an introduction entitled Engi-shiki; procedures of the Engi Era in 1970.
The arrival of Buddhism in Japan in around the sixth century introduced the concept of a permanent shrine. A great number of Buddhist temples were built next to existing shrines in mixed complexes called jing?-ji (, literally: "shrine temple") to help priesthood deal with local kami, making those shrines permanent. Some time in their evolution, the word miya (?), meaning "palace", came into use indicating that shrines had by then become the imposing structures of today.
Once the first permanent shrines were built, Shinto revealed a strong tendency to resist architectural change, a tendency which manifested itself in the so-called shikinen seng?-sai (), the tradition of rebuilding shrines faithfully at regular intervals adhering strictly to their original design. This custom is the reason ancient styles have been replicated throughout the centuries to the present day, remaining more or less intact. Ise Grand Shrine, still rebuilt every 20 years, is its best extant example. The tradition of rebuilding shrines or temples is present in other religions,[example needed] but in Shinto it has played a particularly significant role in preserving ancient architectural styles. Izumo Taisha, Sumiyoshi Taisha, and Nishina Shinmei Shrine in fact represent each a different style whose origin is believed to predate Buddhism in Japan. These three styles are known respectively as taisha-zukuri, sumiyoshi-zukuri, and shinmei-zukuri (see below).
Shrines were not completely immune to change, and in fact show various influences, particularly that of Buddhism, a cultural import which provided much of Shinto architecture's vocabulary. The r?mon (, tower gate),[note 5] the haiden, the kair? (, corridor), the t?r?, or stone lantern, and the komainu, or lion dogs (see below for an explanation of these terms), are all elements borrowed from Buddhism.
Until the Meiji period (1868-1912), shrines as we know them today were rare. With very few exceptions like Ise Grand Shrine and Izumo Taisha, they were just a part of a temple-shrine complex controlled by Buddhist clergy. These complexes were called jing?-ji (, literally: "shrine temple"), places of worship composed of a Buddhist temple and of a shrine dedicated to a local kami. The complexes were born when a temple was erected next to a shrine to help its kami with its karmic problems. At the time, kami were thought to be also subjected to karma, and therefore in need of a salvation only Buddhism could provide. Having first appeared during the Nara period (710-794), the jing?-ji remained common for over a millennium until, with few exceptions, they were destroyed in compliance with the new policies of the Meiji administration in 1868.
The Shinto shrine went through a massive change when the Meiji administration promulgated a new policy of separation of kami and foreign Buddhas (shinbutsu bunri) with the Kami and Buddhas Separation Order (, Shinbutsu Hanzenrei). This event is of great historical importance partly because it triggered the haibutsu kishaku, a violent anti-Buddhist movement which in the final years of the Tokugawa shogunate and during the Meiji Restoration caused the forcible closure of thousands of Buddhist temples, the confiscation of their land, the forced return to lay life of monks, and the destruction of books, statues and other Buddhist property.
Until the end of Edo period, local kami beliefs and Buddhism were intimately connected in what was called shinbutsu sh?g? (?), up to the point where even the same buildings were used as both Shinto shrines and Buddhist temples.
After the law, the two would be forcibly separated. This was done in several stages. At first an order issued by the Jingijimuka in April 1868 ordered the defrocking of shas? and bett? (shrine monks performing Buddhist rites at Shinto shrines). A few days later, the 'Daij?kan' banned the application of Buddhist terminology such as gongen to Japanese kami and the veneration of Buddhist statues in shrines. The third stage consisted of the prohibition against applying the Buddhist term Daibosatsu (Great Bodhisattva) to the syncretic kami Hachiman at the Iwashimizu Hachiman-g? and Usa Hachiman-g? shrines. In the fourth and final stage, all the defrocked bett? and shas? were told to become "shrine priests" (kannushi) and return to their shrines. In addition, monks of the Nichiren sect were told not to refer to some deities as kami.
After a short period in which it enjoyed popular favor, the process of separation of Buddhas and kami however stalled and is still only partially completed. To this day, almost all Buddhist temples in Japan have a small shrine (chinjusha) dedicated to its Shinto tutelary kami, and vice versa Buddhist figures (e.g. goddess Kannon) are revered in Shinto shrines.
The defining features of a shrine are the kami it enshrines and the shintai (or go-shintai if the honorific prefix go- is used) that houses it. While the name literally means "body of a kami", shintai are physical objects worshiped at or near Shinto shrines because a kami is believed to reside in them. In spite of what their name may suggest, shintai are not themselves part of kami, but rather just symbolic repositories which make them accessible to human beings for worship. It is said therefore that the kami inhabits them. Shintai are also of necessity yorishiro, that is objects by their very nature capable of attracting kami.
The most common shintai are man-made objects like mirrors, swords, jewels (for example comma-shaped stones called magatama), gohei (wands used during religious rites), and sculptures of kami called shinz? (),[note 6] but they can be also natural objects such as rocks, mountains, trees, and waterfalls. Mountains were among the first, and are still among the most important, shintai, and are worshiped at several famous shrines. A mountain believed to house a kami, as for example Mount Fuji or Mount Miwa, is called a shintai-zan (). In the case of a man-made shintai, a kami must be invited to reside in it (see the next subsection, Kanj?).
The founding of a new shrine requires the presence of either a pre-existing, naturally occurring shintai (for example a rock or waterfall housing a local kami), or of an artificial one, which must therefore be procured or made to the purpose. An example of the first case are the Nachi Falls, worshiped at Hiry? Shrine near Kumano Nachi Taisha and believed to be inhabited by a kami called Hiry? Gongen.
The first duty of a shrine is to house and protect its shintai and the kami which inhabits it. If a shrine has more than one building, the one containing the shintai is called honden; because it is meant for the exclusive use of the kami, it is always closed to the public and is not used for prayer or religious ceremonies. The shintai leaves the honden only during festivals (matsuri), when it is put in portable shrines (mikoshi) and carried around the streets among the faithful. The portable shrine is used to physically protect the shintai and to hide it from sight.
Often the opening of a new shrine will require the ritual division of a kami and the transferring of one of the two resulting spirits to the new location, where it will animate the shintai. This process is called kanj?, and the divided spirits bunrei (, literally: "divided spirit"), go-bunrei (), or wakemitama (). This process of propagation, described by the priests, in spite of this name, not as a division but as akin to the lighting of a candle from another already lit, leaves the original kami intact in its original place and therefore does not alter any of its properties. The resulting spirit has all the qualities of the original and is therefore "alive" and permanent. The process is used often--for example during Shinto festivals (matsuri) to animate temporary shrines called mikoshi.
The transfer does not necessarily take place from a shrine to another: the divided spirit's new location can be a privately owned object or an individual's house. The kanj? process was of fundamental importance in the creation of all of Japan's shrine networks (Inari shrines, Hachiman shrines, etc.).
Those worshiped at a shrine are generally Shinto kami, but sometimes they can be Buddhist or Taoist deities, as well as others not generally considered to belong to Shinto.[note 7] Some shrines were established to worship living people or figures from myths and legends. A famous example are the T?sh?-g? shrines erected to enshrine Tokugawa Ieyasu, or the many shrines dedicated to Sugawara no Michizane, like Kitano Tenman-g?.
Often the shrines which were most significant historically do not lie in a former center of power like Kyoto, Nara, or Kamakura. For example, Ise Grand Shrine, the Imperial household's family shrine, is in Mie prefecture. Izumo-taisha, one of the oldest and most revered shrines in Japan, is in Shimane Prefecture. This is because their location is that of a traditionally important kami, and not that of temporal institutions.
Some shrines exist only in one locality, while others are at the head of a network of branch shrines (, bunsha). The spreading of a kami can be evoked by one or more of several different mechanisms. The typical one is an operation called kanj? (see the Re-enshrinement above), a propagation process through which a kami is invited to a new location and there re-enshrined. The new shrine is administered completely independent from the one it originated from.
However, other transfer mechanisms exist. In Ise Grand Shrine's case, for example, its network of Shinmei shrines (from Shinmei, ; another name for Amaterasu) grew due to two concurrent causes. During the late Heian period the cult of Amaterasu, worshiped initially only at Ise Grand Shrine, started to spread to the shrine's possessions through the usual kanj? mechanism. Later, branch shrines started to appear further away. The first evidence of a Shinmei shrine far from Ise is given by the Azuma Kagami, a Kamakura-period text which refers to Amanawa Shinmei-g?'s appearance in Kamakura, Kanagawa. Amaterasu began to be worshiped in other parts of the country because of the so-called tobi shinmei (?, flying Shinmei) phenomenon, the belief that she would fly to other locations and settle there. Similar mechanisms have been responsible for the spreading around the country of other kami.
The Ise Grand Shrine in Mie prefecture is, with Izumo-taisha, the most representative and historically significant shrine in Japan. The kami the two enshrine play fundamental roles in the Kojiki and Nihon Shoki, two texts of great importance to Shinto. Because its kami, Amaterasu, is an ancestor of the Emperor, Ise Grand Shrine is the Imperial Household's family shrine. Ise Grand Shrine is, however, dedicated specifically to the Emperor and in the past, even his mother, wife and grandmother needed his permission to worship there. Its traditional and mythological foundation date goes back to 4 BC, but historians believe it was founded around the 3rd to 5th century AD.
Izumo Taisha (in Shimane Prefecture) is so old that no document about its birth survives, and the year of foundation is therefore unknown. The shrine is the center of a series of popular sagas and myths. The kami it enshrines, ?kuninushi, created Japan before it was populated by Amaterasu's offspring, the Emperor's ancestors. Because of its physical remoteness, in historical times Izumo has been eclipsed in fame by other sites, but there is still a widespread belief that in October all Japanese gods meet there. For this reason, the month of October is also known as the "Month Without Gods" (, Kannazuki, one of its names in the old lunar calendar), while at Izumo Taisha alone it is referred to as the Month With Gods (?, Kamiarizuki).
Fushimi Inari Taisha is the head shrine of the largest shrine network in Japan, which has more than 32,000 members (about a third of the total). Inari Okami worship started here in the 8th century and has continued ever since, expanding to the rest of the country. Located in Fushimi-ku, Kyoto, the shrine sits at the base of a mountain also named Inari, and includes trails up the mountain to many smaller shrines. Another very large example is the Y?toku Inari Shrine in Kashima City, Saga Prefecture.
?ita Prefecture's Usa Shrine (called in Japanese Usa Jing? or Usa Hachiman-g?) is, together with Iwashimizu Hachiman-g?, the head of the Hachiman shrine network. Hachiman worship started here at least as far back as the Nara period (710-794). In the year 860, the kami was divided and brought to Iwashimizu Hachiman-g? in Kyoto, which became the focus of Hachiman worship in the capital. Located on top of Mount Otokoyama, Usa Hachiman-g? is dedicated to Emperor Ojin, his mother Empress Jung?, and female kami Hime no Okami.
Itsukushima Shrine is, together with Munakata Taisha, at the head of the Munakata shrine network (see below). Remembered for his torii raising from the waters, it is a UNESCO World Heritage Site. The shrine is dedicated to the three daughters of Susano-o no Mikoto, kami of seas and storms and brother of the great sun kami.
Kasuga Taisha is a Shinto shrine in the city of Nara, in Nara Prefecture, Japan. Established in 768 AD and rebuilt several times over the centuries, it is the shrine of the Fujiwara family. The interior is noted for its many bronze lanterns, as well as the many stone lanterns that lead up the shrine. The architectural style Kasuga-zukuri takes its name from Kasuga Taisha's honden.
The Kumano Sanzan shrine complex, head of the Kumano shrine network, includes Kumano Hayatama Taisha (Wakayama Prefecture, Shingu), Kumano Hongu Taisha (Wakayama Prefecture, Tanabe), and Kumano Nachi Taisha (Wakayama Prefecture, Nachikatsuura). The shrines lie between 20 and 40 km one from the other. They are connected by the pilgrimage route known as "Kumano Sankeimichi" (). The great Kumano Sanzan complex also includes two Buddhist temples, Seiganto-ji and Fudarakusan-ji.[note 8]
The religious significance of the Kumano region goes back to prehistoric times, and therefore predates all modern religions in Japan. The area was, and still is, considered a place of physical healing.
There are estimated to be around 80,000 shrines in Japan. The majority of Shinto shrines are associated with a shrine network. This counts only shrines with resident priests; if smaller shrines (such as roadside or household shrines) are included, the number would be double. These are highly concentrated; over one-third are associated with Inari (over 30,000 shrines), and the top six networks comprise over 90% of all shrines, though there are at least 20 networks with over 200 shrines.
|The ten largest shrine networks in Japan||Branch shrines||Head shrine|
|Inari shrines||32,000||Fushimi Inari Taisha (Kyoto)|
|Hachiman shrines||25,000||Usa Hachiman-g? (?ita Prefecture, Kyushu), Iwashimizu Hachiman-g? (Kyoto)|
|Shinmei shrines||18,000||Ise Jing? (Mie prefecture)|
|Tenjin shrines||10,500||Kitano Tenman-g? (Kyoto), Dazaifu Tenman-g? (Fukuoka prefecture, Kyushu)|
|Munakata shrines||8,500||Munakata Taisha (Fukuoka Prefecture, Kyushu), Itsukushima Shrine (Hiroshima)|
|Suwa shrines||5,000||Suwa Taisha (Nagano prefecture)|
|Hiyoshi shrines||4,000||Hiyoshi Taisha (Shiga prefecture)|
|Kumano shrines||3,000||Kumano Nachi Taisha (Wakayama prefecture)|
|Tsushima shrines||3,000||Tsushima Shrine (Aichi prefecture)|
|Yasaka shrines||3,000||Yasaka Shrine (Kyoto)|
The number of branch shrines gives an approximate indication of their religious significance, and neither Ise Grand Shrine nor Izumo-taisha can claim the first place. By far the most numerous are shrines dedicated to Inari, tutelary kami of agriculture popular all over Japan, which alone constitute almost a third of the total. Inari also protects fishing, commerce, and productivity in general. For this reason, many modern Japanese corporations have shrines dedicated to Inari on their premises. Inari shrines are usually very small and therefore easy to maintain, but can also be very large, as in the case of Fushimi Inari Taisha, the head shrine of the network. The kami is also enshrined in some Buddhist temples.
The entrance to an Inari shrine is usually marked by one or more vermilion torii and two white foxes. This red color has come to be identified with Inari because of the prevalence of its use among Inari shrines and their torii. The kitsune statues are at times mistakenly believed to be a form assumed by Inari, and they typically come in pairs, representing a male and a female, although sex is usually not obvious. These fox statues hold a symbolic item in their mouths or beneath a front paw - most often a jewel and a key, but a sheaf of rice, a scroll, or a fox cub are also common. Almost all Inari shrines, no matter how small, will feature at least a pair of these statues, usually flanking, on the altar, or in front of the main sanctuary.
A syncretic entity worshiped as both a kami and a Buddhist daibosatsu, Hachiman is intimately associated with both learning and warriors. In the sixth or seventh century, Emperor ?jin and his mother Empress Jing? came to be identified together with Hachiman. First enshrined at Usa Hachiman-g? in ?ita Prefecture, Hachiman was deeply revered during the Heian period. According to the Kojiki, it was ?jin who invited Korean and Chinese scholars to Japan, and for this reason he is the patron of writing and learning.
Because as Emperor ?jin he was an ancestor of the Minamoto clan, Hachiman became the tutelary kami (, ujigami) of the Minamoto samurai clan of Kawachi (Osaka). After Minamoto no Yoritomo became sh?gun and established the Kamakura shogunate, Hachiman's popularity grew and he became by extension the protector of the warrior class the sh?gun had brought to power. For this reason, the shintai of a Hachiman shrine is usually a stirrup or a bow.
During the Japanese medieval period, Hachiman worship spread throughout Japan among not only samurai, but also the peasantry. There are 25,000 shrines in Japan dedicated to him, the second most numerous after those of the Inari network. Usa Hachiman-g? is the network's head shrine together with Iwashimizu Hachiman-g?. However, Hakozaki Shrine and Tsurugaoka Hachiman-g? are historically no less significant shrines, and are more popular.
Headed by Ky?sh?'s Munakata Taisha and Itsukushima Shrine, shrines in this network enshrine the Three Female Kami of Munakata (, Munakata Sanjoshin), namely Chikishima Hime-no-Kami, Tagitsu Hime-no-Kami, and Tagori Hime-no-Kami. The same three kami are enshrined elsewhere in the network, sometimes under a different name. However, while Munakata Taisha enshrines all three in separate islands belonging to its complex, branch shrines generally do not; which kami they enshrine depends on the history of the shrine and the myths tied to it.
The Tenjin shrine network enshrines 9th-century scholar Sugawara no Michizane. Sugawara had originally been enshrined to placate his spirit, not to be worshiped. Michizane had been unjustly exiled in his life, and it was therefore necessary to somehow placate his rage, believed to be the cause of a plague and other disasters. Kitano Tenman-g? was the first of the shrines dedicated to him. Because in life he was a scholar, he became the kami of learning, and during the Edo period schools often opened a branch shrine for him. Another important shrine dedicated to him is Dazaifu Tenman-g?.
While the ritsury? legal system was in use, visits by commoners to Ise were forbidden. With its weakening during the Heian period, commoners also started being allowed in the shrine. The growth of the Shinmei shrine network was due to two concomitant causes. During the late Heian period, goddess Amaterasu, worshiped initially only at Ise Grand Shrine, started to be re-enshrined in branch shrines in Ise's own possessions through the typical kanj? mechanism. The first evidence of a Shinmei shrine elsewhere is given by the Azuma Kagami, a Kamakura period text which refers to Amanawa Shinmei-g?'s appearance in Kamakura. Amaterasu spread to other parts of the country also because of the so-called tobi shinmei (?, literally: "flying Shinmei") phenomenon, the belief that Amaterasu flew to other locations and settled there.
Kumano shrines enshrine the three Kumano mountains: Hong?, Shing?, and Nachi (the Kumano Gongen (?)). The point of origin of the Kumano cult is the Kumano Sanzan shrine complex, which includes Kumano Hayatama Taisha () (Wakayama Prefecture, Shingu), Kumano Hongu Taisha (Wakayama Prefecture, Tanabe), and Kumano Nachi Taisha (Wakayama Prefecture, Nachikatsuura). There are more than 3,000 Kumano shrines in Japan.
The following is a list and diagram illustrating the most important parts of a Shinto shrine:
The general blueprint of a Shinto shrine is Buddhist in origin. The presence of verandas, stone lanterns, and elaborate gates is an example of this influence. The composition of a Shinto shrine is extremely variable, and none of its many possible features is necessarily present. Even the honden can be missing if the shrine worships a nearby natural shintai.
However, since its grounds are sacred, they are usually surrounded by a fence made of stone or wood called tamagaki, while access is made possible by an approach called sand?. The entrances themselves are straddled by gates called torii, which are usually the simplest way to identify a Shinto shrine.
A shrine may include within its grounds several structures, each built for a different purpose. Among them are the honden or sanctuaries, where the kami are enshrined, the heiden or hall of offerings, where offers and prayers are presented, and the haiden or hall of worship, where there may be seats for worshippers. The honden is the building that contains the shintai, literally, "the sacred body of the kami".[note 9] Of these, only the haiden is open to the laity. The honden is usually located behind the haiden and is often much smaller and unadorned. Other notable shrine features are the temizuya, the fountain where visitors cleanse their hands and mouth, and the shamusho (), the office which oversees the shrine. Buildings are often adorned by chigi and katsuogi, variously oriented poles which protrude from their roof (see illustration above).
As already explained above, before the Meiji Restoration it was common for a Buddhist temple to be built inside or next to a shrine, or vice versa. If a shrine housed a Buddhist temple, it was called a jing?ji (). Analogously, temples all over Japan adopted tutelary kami (/, chinju) and built temple shrines (, jisha) to house them. After the forcible separation of Buddhist temples and Shinto shrines (shinbutsu bunri) ordered by the new government in the Meiji period, the connection between the two religions was officially severed, but continued nonetheless in practice and is still visible today.
Shrine buildings can have many different basic layouts, usually named either after a famous shrine's honden (e.g. hiyoshi-zukuri, named after Hiyoshi Taisha), or a structural characteristic (e.g. irimoya-zukuri, after the hip-and gable roof it adopts. The suffix -zukuri in this case means "structure".)
The honden's roof is always gabled, and some styles also have a veranda-like aisle called hisashi (a 1-ken wide corridor surrounding one or more sides of the core of a shrine or temple). Among the factors involved in the classification, important are the presence or absence of:
(The gallery at the end of this article contains examples of both styles.)
Proportions are also important. A building of a given style often must have certain proportions measured in ken (the distance between pillars, a quantity variable from one shrine to another or even within the same shrine).
The oldest styles are the tsumairi shinmei-zukuri, taisha-zukuri, and sumiyoshi-zukuri, believed to predate the arrival of Buddhism.
The two most common are the hirairi nagare-zukuri and the tsumairi kasuga-zukuri. Larger, more important shrines tend to have unique styles.
The following are the two most common shrine styles in Japan.
The flowing style (, nagare-zukuri) or flowing gabled style (?, nagare hafu-zukuri) is a style characterized by a very asymmetrical gabled roof (kirizuma-yane (?) in Japanese) projecting outwards on the non-gabled side, above the main entrance, to form a portico (see photo). This is the feature which gives the style its name, the most common among shrines all over the country. Sometimes the basic layout consisting of an elevated core (, moya) partially surrounded by a veranda called hisashi (all under the same roof) is modified by the addition of a room in front of the entrance. The honden varies in roof ridge length from 1 to 11 ken, but is never 6 or 8 ken. The most common sizes are 1 and 3 ken. The oldest shrine in Japan, Uji's Ujigami Shrine, has a honden of this type. Its external dimensions are 5×3 ken, but internally it is composed of three sanctuaries (, naiden) measuring 1 ken each.
Kasuga-zukuri () as a style takes its name from Kasuga Taisha's honden. It is characterized by the extreme smallness of the building, just 1×1 ken in size. In Kasuga Taisha's case, this translates in 1.9 m × 2.6 m. The roof is gabled with a single entrance at the gabled end, decorated with chigi and katsuogi, covered with cypress bark and curved upwards at the eaves. Supporting structures are painted vermillion, while the plank walls are white.
The following four styles predate the arrival in Japan of Buddhism:
This style is rare, but historically important. It is unique in that the honden, is missing. It is believed shrines of this type are reminiscent of what shrines were like in prehistorical times. The first shrines had no honden because the shintai, or object of worship, was the mountain on which they stood. An extant example is Nara's ?miwa Shrine, which still has no honden. An area near the haiden (hall of worship), sacred and taboo, replaces it for worship. Another prominent example of this style is Futarasan Shrine near Nikk?, whose shintai is Mount Nantai. For details, see Birth and evolution of Shinto shrines above.
Shinmei-zukuri () is an ancient style typical of, and most common at, Ise Grand Shrine, the holiest of Shinto shrines. It is most common in Mie prefecture. Characterized by an extreme simplicity, its basic features can be seen in Japanese architecture from the Kofun period (250-538 CE) onwards and it is considered the pinnacle of Japanese traditional architecture. Built in planed, unfinished wood, the honden is either 3×2 ken or 1×1 ken in size, has a raised floor, a gabled roof with an entry on one of the non-gabled sides, no upward curve at the eaves, and decorative logs called chigi and katsuogi protruding from the roof's ridge. The oldest extant example is Nishina Shinmei Shrine.
Sumiyoshi-zukuri () takes its name from Sumiyoshi Taisha's honden in ?saka. The building is 4 ken wide and 2 ken deep, and has an entrance under the gable. Its interior is divided in two sections, one at the front (, gejin) and one at the back (, naijin) with a single entrance at the front. Construction is simple, but the pillars are painted in vermilion and the walls in white.
The style is supposed to have its origin in old palace architecture. Another example of this style is Sumiyoshi Jinja, part of the Sumiyoshi Sanjin complex in Fukuoka Prefecture. In both cases, as in many others, there is no veranda.
Taisha-zukuri or ?yashiro-zukuri () is the oldest shrine style, takes its name from Izumo Taisha and, like Ise Grand Shrine's, has chigi and katsuogi, plus archaic features like gable-end pillars and a single central pillar (shin no mihashira). Because its floor is raised on stilts, it is believed to have its origin in raised-floor granaries similar to those found in Toro, Shizuoka prefecture.
The honden normally has a 2×2 ken footprint (12.46 × 12.46 m in Izumo Taisha's case), with an entrance on the gabled end. The stairs to the honden are covered by a cypress bark roof. The oldest extant example of the style is Kamosu Jinja's honden in Shimane Prefecture, built in the 16th century.
Many other architectural styles exist, most of them rare. (For details, see Shinto architecture § Other styles.)
Shrine nomenclature has changed considerably since the Meiji period. Until then, the vast majority of shrines were small and had no permanent priest. With very few exceptions, they were just a part of a temple-shrine complex controlled by Buddhist clergy. They usually enshrined a local tutelary kami, so they were called with the name of the kami followed by terms like gongen; ubusuna (), short for "ubusuna no kami", or guardian deity of one's birthplace; or great kami (, my?jin). The term jinja (), now the most common, was rare. Examples of this kind of pre-Meiji use are Tokus? Daigongen and Kanda My?jin.
Today, the term "Shinto shrine" in English is used in opposition to "Buddhist temple" to mirror in English the distinction made in Japanese between Shinto and Buddhist religious structures. This single English word however translates several non equivalent Japanese words, including jinja () as in Yasukuni Jinja; yashiro (?) as in Tsubaki ?kami Yashiro; miya (?) as in Watarai no Miya; -g? (?) as in Iwashimizu Hachiman-g?; jing? () as in Meiji Jing?; taisha () as in Izumo Taisha; mori (?); and hokora/hokura ().
Shrine names are descriptive, and a difficult problem in dealing with them is understanding exactly what they mean. Although there is a lot of variation in their composition, it is usually possible to identify in them two parts. The first is the shrine's name proper, or meish? (), the second is the so-called sh?g? (), or "title".
Very often the meish? will be the name of the kami enshrined. An Inari Shrine for example is a shrine dedicated to kami Inari. Analogously, a Kumano Shrine is a shrine that enshrines the three Kumano mountains. A Hachiman Shrine enshrines kami Hachiman. Tokyo's Meiji Shrine enshrines the Meiji Emperor. The name can also have other origins, often unknown or unclear.
The second part of the name defines the status of the shrine.
These names are not equivalent in terms of prestige: a taisha is more prestigious than a -g?, which in turn is more important than a jinja.
Shrines that are part of a World Heritage Site are marked with a dagger ().
A kannushi (, "kami master") or shinshoku (, "kami employee") is a priest responsible for the maintenance of a shrine, as well as for leading worship of a given kami. These two terms were not always synonyms. Originally, a kannushi was a holy man who could work miracles and who, thanks to purification rites, could work as an intermediary between kami and man, but later the term evolved to being synonymous with shinshoku, a man who works at a shrine and holds religious ceremonies there. Women can also become kannushi, and it is common for widows to succeed their husbands.
A miko () is a shrine maiden who has trained for and taken up several duties at a shrine including assistance of shrine functions such as the sale of sacred goods (including amulets known as omamori, paper talisman known as ofuda, wood tablets known as ema and among other items), daily tidying of the premises, and performing the sacred kagura dances on certain occasions.
Taisha-zukuri, Izumo Taisha