Septimal Quarter Tone
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Septimal Quarter Tone
Septimal quarter tone approximated by 24-tet About this soundPlay 
Septimal minor third on C About this soundPlay .

A septimal quarter tone (in music) is an interval with the ratio of 36:35 (About this soundplay ), which is the difference between the septimal minor third (About this soundplay ) and the Just minor third (About this soundplay ), or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone. The septimal quarter tone can be viewed either as a musical interval in its own right, or as a comma; if it is tempered out in a given tuning system, the distinction between the two different types of minor thirds is lost. The septimal quarter tone may be derived from the harmonic series as the interval between the thirty-fifth and thirty-sixth harmonics.

Composer Ben Johnston uses a small seven ("7") as an accidental to indicate a note is lowered by 36/35 (?49 cents), or an upside-down seven ("7 upside-down") to indicate a note is raised by the same amount.[1][2] The Maneri-Sims notation system designed for 72-et uses the accidentals Sims flagged arrow down.svg and Sims flagged arrow up.svg for a quarter tone (36:35 or 48.77 cents) up and down.

The septimal quarter tone is tempered out by twelve-tone equal temperament, but not in any of 19-TET, 22-TET, 24-TET, or 31-TET. 22-TET and 24-TET offer a very close match to the septimal quarter tone.

Just harmonic seventh chord on C About this soundPlay just .

The septimal quarter tone is the difference between the 9:5 just minor seventh and the harmonic seventh.

References

  1. ^ Douglas Keislar; Easley Blackwood; John Eaton; Lou Harrison; Ben Johnston; Joel Mandelbaum; William Schottstaedt. p.193. "Six American Composers on Nonstandard Tunnings", Perspectives of New Music, Vol. 29, No. 1. (Winter, 1991), pp. 176-211.
  2. ^ "Ben Johnston's Extended Just Intonation- A Guide for Interpreters", John Fonville, p.113, Perspectives of New Music, Vol. 29, No. 2 (Summer, 1991), pp. 106-137.

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