|Seashores of Old Mexico|
|Studio album by|
|Released||October 13, 1987|
|Recorded||Pendernales Recording Studio, Spicewood, Texas|
|Producer||Merle Haggard, Willie Nelson|
|Willie Nelson chronology|
|Merle Haggard chronology|
Seashores of Old Mexico is a studio album by Merle Haggard and Willie Nelson. It is a sequel to their enormously successful 1983 duet album Pancho and Lefty and was released in 1987. They are backed by The Strangers. The only charting single was a cover of a 1979 Blaze Foley song, "If I Could Only Fly", which peaked at number 58 on the 1987 Billboard Hot Country Songs singles chart.
Haggard and Nelson, who would each be plagued with financial problems in the years ahead, chose to produce the album themselves. However, it did not contain a hit single like their previous duet album had and peaked on the Billboard country albums chart at number 31. The album is dominated with songs composed by Haggard, although Nelson does contribute "Why Do I Have to Choose." Two remakes are included: the title track, which Haggard had written and recorded in 1974, and Haggard's 1969 ballad "Silver Wings." Perhaps the biggest surprise on the album is the inclusion of the Beatles classic ballad "Yesterday", a song that Nelson had performed regularly in concert in the sixties but Haggard had cited as a marker of the end of the good ol' days on his 1982 hit "Are the Good Times Really Over (I Wish a Buck Was Still Silver)."
Martin Monkman of AllMusic believes the album pales in comparison to its predecessor, writing, "Alas, little of what made the earlier album so great is in evidence. At times the album sounds like a Merle Haggard record with Willie Nelson on hand as support." In his 2013 book The Running Kind, Haggard biographer David Cantwell is especially critical of Haggard's singing on "Yesterday": "His rich baritone, in especially fine form on Seashores' every other track, feels like it's been unexpectedly pumped with air and left out overnight in the chill and damp. His phrases, which normally snap off crisply or, more often, fade slowly like a sunset, here merely crumple."