The perfective aspect (abbreviated PFV), sometimes called the aoristic aspect, is a grammatical aspect that describes an action viewed as a simple whole; i.e., a unit without interior composition. The perfective aspect is distinguished from the imperfective aspect, which presents an event as having internal structure (such as ongoing, continuous, or habitual actions). The term perfective should be distinguished from perfect (see below).
The distinction between perfective and imperfective is more important in some languages than others. In Slavic languages, it is central to the verb system. In other languages such as German, the same form such as ich ging ("I went", "I was going") can be used perfectively or imperfectively without grammatical distinction. In other languages such as Latin, the distinction between perfective and imperfective is made only in the past tense (e.g., Latin veni "I came" vs. veniebam "I was coming", "I used to come"). However, perfective should not be confused with tense--perfective aspect can apply to events in the past, present, or future.
The perfective is often thought of as for events of short duration (e.g., "John killed the wasp"). However, this is not necessarily true--a perfective verb is equally right for a long-lasting event, provided that it is a complete whole; e.g., Tarquinius Superbus regnavit annos quinque et viginti (Livy) "Tarquin the Proud reigned for 25 years." It simply "presents an occurrence in summary, viewed as a whole from the outside, without regard for the internal make-up of the occurrence."
The perfective is also sometimes described as referring to a "completed" action, but it would be more accurate to say that it refers to an action or situation that is seen as a complete whole; e.g., the Russian perfective future ? ? ? "I shall kill you" refers to an event that has not yet been completed.
The essence of the perfective is an event seen as a whole. However, most languages that have a perfective use it for various similar semantic roles--such as momentary events and the onsets or completions of events, all of which are single points in time and thus have no internal structure. Other languages instead have separate momentane, inchoative, or cessative aspects for those roles, with or without a general perfective.
When translating into English from a language that has these aspects, the translator sometimes uses separate English verbs. For example, in Spanish, the imperfective sabía can be translated "I knew" vs. the perfective supe "I found out", podía "I was able to" vs. pude "I succeeded", quería "I wanted to" vs. quise "I tried to", no quería "I did not want to" vs. no quise "I refused". The Polish perfective aspect is translated into English as a simple tense and the imperfective as a continuous; for example the imperfective "ogl?da?em" is translated into "I was watching", while the perfective "obejrza?em" is translated into "I watched". Such distinctions are often language-specific.
Languages may mark perfective aspect with morphology, syntactic construction, lexemes/particles, or other means.
|verb root ending
in a consonant
|verb root ending
in a vowel
|Singular||? (-?)||? (-?)||- (-y?)||- (-y?)|
|Plural||? (-?)||(-)||- (-y?)||- (-y)|
The terms perfective and perfect should not be confused.
A perfect tense (abbreviated PERF or PRF) is a grammatical form used to describe a past event with present relevance, or a present state resulting from a past situation. For example, "I have put it on the table" implies both that I put the object on the table and that it is still there; "I have been to France" conveys that this is a part of my experience as of now; and "I have lost my wallet" implies that this loss is troublesome at the present moment. A perfect tense does not necessarily have to be perfective in aspect. For example, "I have been waiting here for an hour" and "I have been going to that doctor all my life" are perfect but also imperfective in aspect.
There are some languages, however, such as Modern Greek, where the perfect tense is always perfective.
Hindi-Urdu (aka Hindustani) has 3 grammatical aspects: Habitual, Perfective and Progressive. Each aspect is constructed from its participle and a number of auxiliary verbs can be used with the aspectual participles such as: hon? (to be, to happen), rêhn? (to stay, to remain), j?n? (to go), ?n? (to come), & karn? (to do). These verbs themselves can be made into aspectual participles and can be used with the default auxiliary verb hon? (to be), hence forming sub-aspects that combine the nuance of two aspects. The auxiliary rêhn? (to stay) gives a nuance of continuity of the perfective state, j?n? (to go) is used to construct the passive voice (in its habitual subaspect) and also shows that the action is completed (in its perfective subaspect), karn? (to do) gives the nuance that the perfective action is repeated habitually.
|1 The auxiliary j?n? (to go) can only be used with the perfective aspect participle if the verb is transitive or intransitive but volitional. So, *hu? j?n? is not valid construction. marn? (to die) is intransitive but it's a volitional action and hence "mar? j?n?" is a valid construction.|
|Note: Most nuances generated by the auxiliaries are not uniquely expressed in English and hence many verbs above have the same translation in English but don't have the same nuances in Hindi-Urdu.|
Conjugating the auxiliary verbs which are in the infinitive form above into their aspectual forms using the auxiliary hon? (to be) gives the following subaspectual forms of the perfective aspect in their infinitive form:
|1 When the auxiliary j?n? (to go) is used, only transitive and volitional intransitive verbs can be put into the habitual and perfective subaspect. So, *hu? j?t? hon? & *hu? g?y? hon? are not valid constructions.|
|2 The construction "hu? j? rah? hon?" somehow is a valid construction but it means the same (but more emphasised) as "hot? j? rah? hon?" which is the progressive subaspect of the habitual aspect using the auxiliary j?n? (to go).|
|3 this usage of this verb is limited to contexts such as "dying in a videogame"|