|One Flew Over the Cuckoo's Nest|
|Directed by||Milo? Forman|
|Based on||One Flew Over the Cuckoo's Nest|
by Ken Kesey
|Music by||Jack Nitzsche|
|Distributed by||United Artists|
|Box office||$163.3 million|
One Flew Over the Cuckoo's Nest is a 1975 American psychological comedy-drama film directed by Milo? Forman, based on the 1962 novel of the same name by Ken Kesey. The film stars Jack Nicholson as Randle McMurphy, a new patient at a mental institution, and features a supporting cast of Louise Fletcher, Will Sampson, Danny DeVito, Sydney Lassick, William Redfield, as well as Christopher Lloyd and Brad Dourif in their film debuts.
Filming began in January 1975 and lasted three months, taking place on location in Salem, Oregon, and the surrounding area, as well as on the Oregon coast. The producers decided to shoot the film in the Oregon State Hospital, an actual mental hospital, as this was also the setting of the novel. The hospital still functions today.
The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Night in 1934, an accomplishment not repeated until 1991 with The Silence of the Lambs. It also won numerous Golden Globe and BAFTA Awards. In 1993, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in the National Film Registry.
In Oregon in 1963, Randle Patrick McMurphy is in prison for statutory rape of a 15-year-old girl. He gets himself transferred to a mental institution to avoid hard labor. The ward is dominated by head nurse Mildred Ratched, a cold, passive-aggressive tyrant who intimidates her patients.
The other patients include anxious, stuttering 21-year-old Billy Bibbit; Charlie Cheswick, who is prone to temper tantrums; delusional, child-like Martini; the articulate, repressed homosexual Dale Harding; belligerent and profane Max Taber; epileptics Jim Sefelt and Bruce Fredrickson; quiet but violent-minded Scanlon; tall, deaf-mute Native American "Chief" Bromden; and several others with chronic conditions.
Ratched sees McMurphy's lively, rebellious presence as a threat to her authority, which she responds to by confiscating and rationing the patients' cigarettes and suspending their card-playing privileges. McMurphy finds himself in a battle of wills against Ratched. He steals a school bus, escaping with several patients to go fishing on the Pacific Ocean Coast and encouraging them to discover their own abilities and find self-confidence.
After an orderly tells him that the judge's time sentence doesn't apply for people who are deemed to be criminally insane, McMurphy makes plans to escape, encouraging Chief Bromden to throw a hydrotherapy console through a window. It is also revealed that McMurphy, Chief, and Taber are the only non-chronic patients involuntarily committed to the institution; the rest of them are self-committed and could leave at any time, but are too afraid to do so. After Cheswick bursts into a fit and demands his cigarettes, which had been rationed by Ratched as a result of the patients losing all their money to McMurphy, McMurphy fights with the orderlies, and Chief intervenes.
Ratched sends Chief, Cheswick, and McMurphy to the "shock shop" as a result of this insubordination. While awaiting their punishment, McMurphy offers Chief a stick of gum, and discovers he can speak and hear, having feigned his deaf-muteness to avoid engaging with anyone. After being subjected to electroconvulsive therapy, McMurphy returns to the ward pretending to be brain damaged, but then reveals that the treatment has made him even more determined to defeat Ratched. McMurphy and Chief make plans to escape, but decide to throw a secret Christmas party for their friends after Ratched and the orderlies leave for the night.
McMurphy sneaks two women, Candy and Rose, and bottles of alcohol into the ward; he bribes guard Turkle to allow this. After the party, McMurphy and Chief prepare to escape, inviting Billy to come with them. Billy refuses, but asks for a "date" with Candy; McMurphy arranges for him to have sex with her. McMurphy and the others get drunk, and McMurphy falls asleep instead of making his escape with Chief.
Ratched arrives in the morning to find the ward in disarray and most of the patients passed out. She discovers Billy and Candy together, and aims to embarrass Billy in front of everyone. Billy manages to overcome his stutter and stand-up to Ratched. When she threatens to tell his mother, Billy cracks under the pressure and reverts to stuttering. Ratched has him placed in the doctor's office. Moments later, McMurphy punches an orderly when trying to escape out of a window with the Chief, causing other orderlies to intervene. Meanwhile, Billy commits suicide by slitting his throat with broken glass. Ratched tries to ease the situation by calling for the day's routine to continue as usual, and an enraged McMurphy strangles Ratched. The orderlies subdue McMurphy, saving Ratched's life.
Some time later, Ratched is wearing a neck brace and speaking with a weak voice, and Harding now leads the now-unsuspended card-playing. McMurphy is nowhere to be found, leading to rumors that he has escaped. Later that night, Chief sees McMurphy being returned to his bed. He greets him, elated that McMurphy had kept his promise not to escape without him, but notices McMurphy is unresponsive and physically limp, and discovers lobotomy scars on his forehead. Chief tearfully hugs McMurphy and says, "You're coming with me," before smothering him to death with a pillow. He then lifts the hydrotherapy fountain off the floor, smashes it through the window and window gates, and escapes, all while the remaining prisoners, particularly Max, having been woken up by the noise of the window breaking, watch and cheer him on.
The title comes from a nursery rhyme read to Chief Bromden as a child by his grandmother, mentioned in the book:
Vintery, mintery, cutery, corn,
Apple seed and apple thorn,
Wire, briar, limber lock
Three geese in a flock
One flew East
One flew West
And one flew over the cuckoo's nest.
Actor Kirk Douglas--who had originated the role of McMurphy in the 1963-64 Broadway stage version of the Ken Kesey novel--had purchased the film rights to the story, and tried for a decade to bring it to the big screen, but was unable to find a studio willing to make it with him. Eventually, he sold the rights to his son Michael Douglas, who succeeded in getting the film produced--but the elder Douglas, by then nearly 60, was considered too old for the McMurphy role, Gene Hackman, James Caan, Marlon Brando, and Burt Reynolds were also considered, but all four turned down the role, which ultimately went to 38-year-old Jack Nicholson. Douglas brought in Saul Zaentz as co-producer.
The film's first screenwriter, Lawrence Hauben, introduced Douglas to the work of Milo? Forman, whose 1967 Czechoslovak film The Firemen's Ball had certain qualities that mirrored the goals of the present script. Forman flew to California and discussed the script page by page, outlining what he would do, in contrast with other directors who had been approached who were less than forthcoming. Forman wrote in 2012: "To me, [the story] was not just literature, but real life, the life I lived in Czechoslovakia from my birth in 1932 until 1968. The Communist Party was my Nurse Ratched, telling me what I could and could not do; what I was or was not allowed to say; where I was and was not allowed to go; even who I was and was not".
Zaentz, a voracious reader, felt an affinity with Kesey, and so after Hauben's first attempt he asked Kesey to write the screenplay. Kesey participated in the early stages of script development, but withdrew after creative differences with the producers over casting and narrative point of view; ultimately he filed suit against the production and won a settlement.
Hal Ashby, who had been an early consideration for director, suggested Jack Nicholson for the role of McMurphy. Nicholson had never played this type of role before. Production was delayed for about six months because of Nicholson's schedule. Douglas later stated in an interview that "that turned out to be a great blessing: it gave us the chance to get the ensemble right".
Danny DeVito, Douglas' oldest friend, was the first to be cast, having played one of the patients, Martini, who he plays in the subsequent film, in the 1971 off-Broadway production. Chief Bromden, played by Will Sampson, was found through the referral of Mel Lambert (who portrayed the harbormaster in the fishing scene), a used car dealer Douglas met on an airplane flight when Douglas told him they wanted a "big guy" to play the part. Lambert's father often sold cars to Native American customers and six months later called Douglas to say: "the biggest sonofabitch Indian came in the other day!"
Milo? Forman had considered Shelley Duvall for the role of Candy; coincidentally, she, Nicholson, and Scatman Crothers (who portrays Turkle) would all later appear as part of the main cast of the 1980 film adaptation of The Shining. While screening Thieves Like Us (1974) to see if she was right for the role, he became interested in Louise Fletcher, who had a supporting role, for the role of Nurse Ratched. A mutual acquaintance, the casting director Fred Roos, had already mentioned Fletcher's name as a possibility. Even so, it took four or five meetings, over a year, (during which the role was offered to other actresses such as Jeanne Moreau, Colleen Dewhurst, Ellen Burstyn, Angela Lansbury, Anne Bancroft, and Geraldine Page) for Fletcher to secure the role of Nurse Ratched. Her final audition was late in 1974, with Forman, Zaentz, and Douglas. The day after Christmas, her agent called to say she was expected at the Oregon State Hospital in Salem on January 4 to begin rehearsals.
In 2016, Fletcher recalled that Nicholson's salary was "enormous", while the rest of the cast worked at or close to scale. She put in 11 weeks, earning $10,000 before taxes.
Prior to commencement of filming, a week of rehearsals started on January 4, 1975, in Oregon, during which the actors watched the patients in their daily routine and at group therapy. Jack Nicholson and Louise Fletcher also witnessed electroconvulsive therapy being performed on a patient.
The producers decided to shoot the film in the Oregon State Hospital, an actual mental hospital, as this was also the setting of the novel. The hospital's director, Dean Brooks, was supportive of the filming and eventually ended up playing the character of Dr. John Spivey in the film. Brooks identified a patient for each of the actors to shadow, and some of the cast even slept on the wards at night. He also wanted to incorporate his patients into the crew, to which the producers agreed. Douglas recalls that it was not until later that he found out that many of them were criminally insane.
As Forman did not allow the actors to see the day's filming, this led to the cast losing confidence in him, while Nicholson also began to wonder about his performance. Douglas convinced Forman to show Nicholson something, which he did, and restored the actor's confidence.
Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical militant group the Weather Underground were being interviewed while hiding from the law. However, Forman said he had terminated Wexler's services over artistic differences. Both Wexler and Butler received Academy Award nominations for Best Cinematography for One Flew Over the Cuckoo's Nest, though Wexler said there was "only about a minute or two minutes in that film I didn't shoot".
According to Butler, Nicholson refused to speak to Forman: "...[Jack] never talked to Milo? at all, he only talked to me".
The production went over the initial budget of $2 million and over-schedule, but Zaentz, who was personally financing the movie, was able to come up with the difference by borrowing against his company, Fantasy Records. The total production budget came to $4.4 million.
The film premiered at the Sutton and Paramount Theatres in New York City on November 19, 1975. It was the second-highest-grossing film released in 1975 in the United States and Canada with a gross of $109 million, one of the seventh-highest-grossing films of all time at the time. As it was released toward the end of the year, most of its gross was in 1976 and was the highest-grosser for calendar year 1976 with rentals of $56.5 million.
Critics praised the film, sometimes with reservations. Roger Ebert said:
Milo? Forman's One Flew Over the Cuckoo's Nest is a film so good in so many of its parts that there's a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet, there are those moments of brilliance.
A comedy that can't quite support its tragic conclusion, which is too schematic to be honestly moving, but it is acted with such a sense of life that one responds to its demonstration of humanity if not to its programmed metaphors.
The edgy nature of the film extends into the score, giving it a profoundly disturbing feel at times-even when it appears to be relatively normal. The music has a tendency to always be a little off-kilter, and from time to time, it tilts completely over into a strange little world of its own ...
The film went on to win the "Big Five" Academy Awards at the 48th Oscar ceremony. These include the Best Actor for Jack Nicholson, Best Actress for Louise Fletcher, Best Direction for Forman, Best Picture, and Best Adapted Screenplay for Lawrence Hauben and Bo Goldman. The film currently has a 94% "Certified Fresh" rating at Rotten Tomatoes based on reviews from 83 critics, with an average rating of 9.10/10. The website's critics consensus reads: "The onscreen battle between Jack Nicholson and Louise Fletcher serves as a personal microcosm of the culture wars of the 1970s - and testament to the director's vision that the film retains its power more than three decades later."
Kesey himself claimed never to have seen the movie, but said he disliked what he knew of it, a fact confirmed by Chuck Palahniuk, who wrote, "The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked."
|Academy Awards||Best Picture||Michael Douglas and Saul Zaentz||Won|
|Best Director||Milo? Forman||Won|
|Best Actor||Jack Nicholson||Won|
|Best Actress||Louise Fletcher||Won|
|Best Supporting Actor||Brad Dourif||Nominated|
|Best Screenplay - Adapted from Other Material||Lawrence Hauben and Bo Goldman||Won|
|Best Cinematography||Haskell Wexler and Bill Butler||Nominated|
|Best Film Editing||Richard Chew, Lynzee Klingman and Sheldon Kahn||Nominated|
|Best Original Score||Jack Nitzsche||Nominated|
|American Cinema Editors Awards||Best Edited Feature Film||Richard Chew, Lynzee Klingman and Sheldon Kahn||Nominated|
|Bodil Awards||Best Non-European Film||Milo? Forman||Won|
|British Academy Film Awards||Best Film||Won|
|Best Direction||Milo? Forman||Won|
|Best Actor in a Leading Role||Jack Nicholson||Won|
|Best Actress in a Leading Role||Louise Fletcher||Won|
|Best Actor in a Supporting Role||Brad Dourif||Won|
|Best Screenplay||Lawrence Hauben and Bo Goldman||Nominated|
|Best Cinematography||Haskell Wexler and Bill Butler||Nominated|
|Best Editing||Richard Chew, Lynzee Klingman and Sheldon Kahn||Won|
|Chicago International Film Festival||Best Feature||Milo? Forman||Nominated|
|César Awards||Best Foreign Film||Nominated|
|David di Donatello Awards||Best Foreign Director||Milo? Forman||Won|
|Best Foreign Actor||Jack Nicholson||Won|
|Directors Guild of America Awards||Outstanding Directorial Achievement in Motion Pictures||Milo? Forman||Won|
|Golden Globe Awards||Best Motion Picture - Drama||Won|
|Best Actor in a Motion Picture - Drama||Jack Nicholson||Won|
|Best Actress in a Motion Picture - Drama||Louise Fletcher||Won|
|Best Director - Motion Picture||Milo? Forman||Won|
|Best Screenplay - Motion Picture||Lawrence Hauben and Bo Goldman||Won|
|New Star of the Year - Actor||Brad Dourif||Won|
|Golden Screen Awards||Won|
|Grammy Awards||Best Album of Best Original Score Written for a Motion Picture or Television Special||Jack Nitzsche||Nominated|
|Kansas City Film Critics Circle Awards||Best Director||Milo? Forman||Won|
|Kinema Junpo Awards||Best Foreign Director||Won|
|Los Angeles Film Critics Association Awards||Best Film||Won[a]|
|Nastro d'Argento||Best Foreign Director||Milo? Forman||Won|
|National Board of Review Awards||Top Ten Films||3rd Place|
|Best Actor||Jack Nicholson||Won|
|National Film Preservation Board||National Film Registry||Inducted|
|National Society of Film Critics Awards||Best Actor||Jack Nicholson||Won|
|New York Film Critics Circle Awards||Best Actor||Won|
|Best Supporting Actress||Louise Fletcher||Runner-up|
|Online Film & Television Association Awards||Hall of Fame - Motion Picture||Won|
|People's Choice Awards||Favorite Motion Picture||Won|
|Sant Jordi Awards||Best Foreign Actor||Jack Nicholson (also for Carnal Knowledge and The Passenger)||Won|
|Writers Guild of America Awards||Best Drama Adapted from Another Medium||Lawrence Hauben and Bo Goldman||Won|