Plutarch relates that the word labrys was a Lydian word for "axe": '' ? ?.[a] Many scholars including Evans assert that the word labyrinth is derived from labrys and thus, would imply "house of the double axe". A priestly corporation in Delphi was named "Labyades". The original name was probably "Labryades", servants of the double axe. In Roman times at Patrai and Messene, a goddess Laphria was worshipped, commonly identified with Artemis. Her name was said to be derived from the region around Delphi.
In Crete the "double axe" is not a weapon, however, and it always accompanies women, not a male god.Beekes regards the relation of labyrinth with labrys as speculative, and rather proposes a relation with laura (), "narrow street", or to the Carian theonym Dabraundos (?).
It is also possible that the word labyrinth is derived from the Egyptian, meaning: "the temple at the entrance of the lake". The Egyptian labyrinth near Lake Moeris is described by Herodotus and Strabo. The inscription in Linear B, on tablet Gg 702, reads (da-pu2-ri-to-jo-po-ti-ni-ja.) The conventional reading is ("mistress of the labyrinth"). According to some modern scholars it could read *, or something similar, and hence be without a certain link with either the or the labyrinth.[b]
A link has also been posited with the double axe symbols at Çatalhöyük, dating to the Neolithic age. In Labraunda in Caria, as well as in the coinage of the Hecatomnid rulers of Caria, the double axe accompanies the storm god Zeus Labraundos. Arthur Evans notes, "It seems natural to interpret names of Carian sanctuaries such as Labranda in the most literal sense as the place of the sacred labrys, which was the Lydian (or Carian) name for the Greek ? [pelekys], or double-edged axe" and "[o]n Carian coins, indeed of quite late date, the labrys, set up on its long pillar-like handle, with two dependent fillets, has much the appearance of a cult image".
Minoan double axe
In ancient Crete, the double axe was an important sacred symbol of the supposed Minoan religion. In Crete the double axe only accompanies female goddesses, never male gods. It seems that it was the symbol of the arche of the creation (Mater-arche). Small versions were used as votive offerings and have been found in considerable numbers; the Arkalochori Axe is a famous example.
Ancient Thracian Odrysian Kingdom
The double axe appears to have carried important symbolism the ancient Thracian Odrysian kingdom related to the Thracian religion and to the royal power. It is argued that in ancient Thrace the double axe was an attribute of Zalmoxis, the god of thunder. The double axe appears on coins from Thrace and is believe to be the symbol of the kings of the Odrysae, who believed they could trace their lineage to Zalmoxis. A fresco from the Thracian tomb near Aleksandrovo in south-east Bulgaria, dated to c.4th BCE, depicts a large-size naked man wielding a double axe.
Double axes in the Near East
In the Near East and other parts of the region, eventually, axes of this sort often are wielded by male divinities and appear to become symbols of the thunderbolt, a symbol often found associated with the axe symbol. In Labraunda of Caria the double-axe accompanies the storm-god Zeus Labraundos. Similar symbols have been found on plates of Linear pottery culture in Romania. The double-axe is associated with the Hurrian god of sky and storm Teshub. His Hittite and Luwian name was Tarhun. Both are depicted holding a triple thunderbolt in one hand and a double axe in the other hand. Similarly, Zeus throws his thunderbolt to bring storm. The labrys, or pelekys, is the double axe Zeus uses to invoke storm and, the relatively modern Greek word for lightning is "star-axe" ( astropeleki) The worship of the double axe was kept up in the Greek island of Tenedos and in several cities in the south-west of Asia Minor, and it appears in later historical times in the cult of the thunder god of Asia Minor (Zeus Labrayndeus).
In the context of the mythical Attic king Theseus, the labyrinth of Greek mythology is frequently associated with the Minoan palace of Knossos. This is based on the reading of Linear B da-pu2-ri-to-jo-po-ti-ni-ja as ("mistress of the labyrinth").[c] It is uncertain, however, that labyrinth can be interpreted as "place of the double axes" and moreover that this should be Knossos; many more have been found, for example, at the Arkalachori Cave, where the famous Arkalochori Axe was found.[original research?]
On Greek coins of the classical period (e. g. Pixodauros) a type of Zeus venerated at Labraunda in Caria that numismatists call Zeus Labrandeus (? ?) stands with a sceptre upright in his left hand and the double-headed axe over his shoulder.
While double axes are common in modern high fantasy settings, in reality they were not commonly used in combat.
Double-bit axes were common in North American forestry, one blade would be sharp and used for felling whilst the other was a little blunter for limbing. As the forest workers (lumberjacks) were often away from civilisation for long periods of time they needed a way to amuse themselves. Thus the sport of double-bit axe throwing was born. In recent decades the sport has been formalised with Swedish company Gränsfors Bruk writing the rules most widely accepted. There are now multiple clubs across Europe that throw double-bit. Important to note that the sport of Double-bit was formalised in the 1990s, whilst hatchet throwing was formalised in 2006.
^"Herakles, having slain Hippolyte and taken her axe away from her with the rest of her arms, gave it to Omphale. The kings of Lydia who succeeded her carried this as one of their sacred insignia of office and passed it down from father to son until it was passed to Candaules, who disdained it and gave it to one of his companions to carry. When Gyges rebelled and was making war upon Candaules, Arselis came with a force from Mylasa to assist Gyges; Arselis then slew Candaules and his companion and took the axe to Caria with the other spoils of war. And, having set up a statue of Zeus, Arselis put the axe in his hand and invoked the god, Labrandeus."
^See Melena's overview in the third volume of the Companion to Linear B, p. 73 (available here).
^Cf. the parallel construction of a-ta-na-po-ti-ni-ja, perhaps referring to the "Mistress of Athens", i. e. Athena, on a different tablet (KN V 52) from Knossos.
^"Women fought, as war leaders and in the ranks; women fought in troops, as regular soldiers; and the principal symbol of the Great Goddess, appearing widely throughout the Mediterranean and Asia Minor, was the double-headed battle axe or labrys."
^The forms taken by the labrys were classified by Caterina Mavriyannaki.
^Mavriyannaki, Caterina (1983). "La double hache dans le monde hellénique à l'âge de bronze" [The Double Axe in the Hellenic World at the Bronze Age]. Revue Archéologique. Nouvelle Série, Fasc. 2 (in French) (2): 195-228. JSTOR41737054.