Kilamuwa Inscription
Learn about Kilamuwa inscription topic at defaultLogic. defaultLogic provides comprehensive technology and business learning resources.
The Kilamuwa Stela of King Kilamuwa

The Kilamuwa Stele is a 9th-century BC stele of King Kilamuwa, from the Kingdom of Bit-Gabbari. He claims to have succeeded where his ancestors had failed, in providing for his kingdom.[1] The inscription is known as KAI 24.

The Kilamuwa Stele was discovered in Sam'al during the 1888-1902 German Oriental Society expeditions led by Felix von Luschan and Robert Koldewey.[2][3][4][5][6] At the time of its discovery, it was considered to be the only Phoenician text found in Sam'al (numerous Aramaic texts had been found) and the northernmost Phoenician text found in Syria.[7]

It is currently located in the Vorderasiatisches Museum Berlin.

Description of the stele

The stele is a 16-line text in the Phoenician language and written in an Old Aramaic form of the Phoenician alphabet.[8]

King Kilamuwa is shown standing on the upper left and addressing four Mesopotamian gods with his right arm and finger, where he imitates his Mesopotamian lords in a gesture called "Ubanu tarrashu" which designates "you are my god". His left hand is draped at his left side holding a wilted lotus flower, a symbol of a king's death.[9] He is dressed in king's regalia with hat, and his figure stands at the beginning of the first nine lines of the text.

Translation

The translation of the stele:

"I am Kilamuwa, the son of King Chaya.
King Gabar reigned over Ya'diya but achieved nothing.
Then came Bamah, and he achieved nothing. Then there was my father Chaya, but he accomplished nothing. Then there was my brother
Sha'il, but he also accomplished nothing. But I Kilamuwa, the son of TML,[10] what I accomplished
not (even) their predecessors accomplished. My father's house was in the midst of powerful kings,
and each put forth his hand to eat it; but I was in the hand(s) of the kings like a fire that consumes
the beard or like a fire that consumes the hand. The king of the Danunians overpowered me, but I
hired against him the king of Assyria. He gave me a maid for the price of a sheep, and a man for the price of a garment.
I, Kilamuwa, the son of Chaya, sat upon my father's throne. In face of the former
kings the MSHKBM used to whimper like dogs. But I - to some I was a father, and to some I was a mother,
and to some I was a brother. Him who had never seen the face of a sheep I made owner of a flock; him who had never seen the face of an ox, I made owner
of a herd, and owner of silver and owner of gold; and him who had never seen linen from his youth, in my days they covered
with byssus. I grasped the MSHKBM by the hand, and they behaved (towards me) like an orphan towards (his) mother. Now, if any of my sons.
who shall sit in my place does harm to this inscription, may the MSHKBM not honour the B'RRM, not the B'RRM"
honour the MSHKBM! And if anyone smashes this inscription, may Baal-Tzemed who belongs to Gabar smash his head,
and may Baal-Hammon who belongs to BMH and Rakkabel, lord of the dynasty, smash his head!

[11]

Gallery

References

  1. ^ Kerrigan, The Ancients in Their Own Words, King Kilamuwa, p. 154-155.
  2. ^ Felix von Luschan et al, Ausgrabungen in Sendschirli. vol. 1: Einleitung und Inschriften, Spemann, 1893
  3. ^ Felix von Luschan and Carl Humann and Robert Koldewey, Ausgrabungen in Sendschirli. vol. 2: Ausgrabungsbericht und Architektur, Spemann, 1898
  4. ^ Felix von Luschan, Ausgrabungen in Sendschirli. vol. 3: Thorsculpturen, Georg Reimer, 1902
  5. ^ Felix von Luschan and Gustav Jacoby, Ausgrabungen in Sendschirli. vol. 4: Georg Reimer, 1911
  6. ^ Felix von Luschan and Walter Andrae, Ausgrabungen in Sendschirli. vol. 5: Die Kleinfunde von Sendschirli, Walter de Gruyter, 1943
  7. ^ Halevy, p.408, "La première confirmation de mes vues a été apportée par les inscriptions de Zindjirli, rédigées les unes en un dialecte local, les autres en araméen. Le phénicien semblait être absent. Il ne l'était pas. Le monument du roi Kalumu, découvert a Kindjirli par M. von Luschan et étudié récemment par M. le professeur Enno Littmann, constitue à la fois le texte phénicien le plus septentrional de la Syrie et un des plus précieux de l'épigraphie phénicienne en général."
  8. ^ The Kilamuwa Relief: Ethnicity, class and power in Iron Age North Syria, quote: "The inscription is in the Phoenician language, while the letters themselves are in an Aramaic script. This stands in sharp contrast to most inscriptions in the North Syrian region at this time, which were in Luwian or, more rarely, in Aramaic."
  9. ^ Kerrigan, p. 154.
  10. ^ Young, Ian (1993). "KLMW BR TML". Syria. Archéologie, Art et histoire. 70 (1): 95-98. Retrieved 2020.
  11. ^ Gibson, J. C. L. (1982). Textbook of Syrian Semitic Inscriptions Volume III Phoenician Inscriptions. Oxford: Oxford University Press. pp. 34-35.

Bibliography

External links


  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.

Kilamuwa_inscription
 



 



 
Music Scenes