Goddess of the harvest, agriculture, fertility and sacred law
|Member of the Twelve Olympians|
|Other names||Sito, Thesmophoros|
|Symbol||Cornucopia, wheat, torch, bread|
|Festivals||Thesmophoria, Eleusinian Mysteries|
|Parents||Cronus and Rhea|
|Siblings||Hestia, Hera, Hades, Poseidon, Zeus, Chiron|
|Consort||Iasion, Zeus, Poseidon|
|Children||Persephone, Despoina, Arion, Plutus, Philomelus, Iacchus|
In ancient Greek religion and mythology, Demeter (; Attic: ? D?m?t?r [d?:m:t?:r]; Doric: ? D?mt?r) is the Olympian goddess of the harvest and agriculture, presiding over grains and the fertility of the earth. She was also called Deo ().. Her cult titles include Sito (?), "she of the Grain", as the giver of food or grain, and Thesmophoros (, thesmos: divine order, unwritten law; , phoros: bringer, bearer), "giver of customs" and/or "legislator", in association with the secret female-only festival called the Thesmophoria.
Though Demeter is often described simply as the goddess of the harvest, she presided also over the sacred law, and the cycle of life and death. She and her daughter Persephone were the central figures of the Eleusinian Mysteries, a religious tradition that predated the Olympian pantheon, and which may have its roots in the Mycenaean period c. 1400-1200 BC. Demeter was often considered to be the same figure as the Anatolian goddess Cybele, and she was identified with the Roman goddess Ceres.
It is possible that Demeter appears in Linear A as da-ma-te on three documents (AR Zf 1 and 2, and KY Za 2), all three apparently dedicated in religious situations and all three bearing just the name (i-da-ma-te on AR Zf 1 and 2). It is unlikely that Demeter appears as da-ma-te in a Linear B (Mycenean Greek) inscription (PY En 609); the word , da-ma-te, probably refers to "households". On the other hand, , si-to-po-ti-ni-ja, "Potnia of the Grain", is regarded as referring to her Bronze Age predecessor or to one of her epithets.
Demeter's character as mother-goddess is identified in the second element of her name meter () derived from Proto-Indo-European (PIE) *méh?t?r (mother). In antiquity, different explanations were already proffered for the first element of her name. It is possible that Da (), a word which corresponds to G? () in Attic, is the Doric form of De (), "earth", the old name of the chthonic earth-goddess, and that Demeter is "Mother-Earth". Liddell & Scott find this "improbable" and Beekes writes, "there is no indication that [da] means "earth", although it has also been assumed in the name of Poseidon found in the Linear B inscription E-ne-si-da-o-ne, "earth-shaker". John Chadwick also argues that the d? element in the name of Demeter is not so simply equated with "earth".
M. L. West has proposed that Demeter, initially Damater, could be a borrowing from an Illyrian deity attested in the Messapic goddess Damatura, with a form d?- ("earth", from PIE *d(e)m-) attached to -matura ("mother"), akin to the Illyrian god Dei-paturos (dei-, "sky", attached to -paturos, "father"). The Lesbian form D?- may simply reflect a different dialectal pronunciation of the non-Greek name. The element De- may also be connected with Deo, an epithet of Demeter could derive from the Cretan word dea (), Ionic zeia (?)--variously identified with emmer, spelt, rye, or other grains by modern scholars--so that she is the Mother and the giver of food generally. This view is shared by British scholar Jane Ellen Harrison, who suggests that Démeter's name means Grain-Mother, instead of Earth-Mother.
Wanax (wa-na-ka) was her male companion (Greek?, Paredros) in Mycenaean cult. The Arcadian cult links her to the god Poseidon, who probably substituted the male companion of the Great Goddess; Demeter may therefore be related to a Minoan Great Goddess (Cybele).
An alternative Proto-Indo-European etymology comes through Potnia and Despoina, where Des- represents a derivative of PIE *dem (house, dome), and Demeter is "mother of the house" (from PIE *dems-méh?t?r). R. S. P. Beekes rejects a Greek interpretation, but not necessarily an Indo-European one.
Demeter was frequently associated with images of the harvest, including flowers, fruit, and grain. She was also sometimes pictured with her daughter Persephone. Demeter is not generally portrayed with any of her consorts; the exception is Iasion, the youth of Crete who lay with her in a thrice-ploughed field, and was sacrificed afterwards by a jealous Zeus with a thunderbolt.
Demeter is assigned the zodiac constellation Virgo the Virgin by Marcus Manilius in his 1st century Roman work Astronomicon. In art, constellation Virgo holds Spica, a sheaf of wheat in her hand and sits beside constellation Leo the Lion.
In Arcadia, she was known as "Black Demeter". She was said to have taken the form of a mare to escape the pursuit of her younger brother, Poseidon, and having been raped by him despite her disguise, dressed all in black and retreated into a cave to mourn and to purify herself. She was consequently depicted with the head of a horse in this region. A sculpture of the Black Demeter was made by Onatas.
In epic poetry and Hesiod's Theogony, Demeter is the Corn-Mother, the goddess of cereals who provides grain for bread and blesses its harvesters. This was her main function at Eleusis, and became panhellenic. In Cyprus, "grain-harvesting" was damatrizein. The main theme in the Eleusinian Mysteries was the reunion of Persephone with her mother Demeter, when new crops were reunited with the old seed, a form of eternity.
According to the Athenian rhetorician Isocrates, Demeter's greatest gifts to humankind were agriculture, particularly of cereals, and the Mysteries which give the initiate higher hopes in this life and the afterlife. These two gifts were intimately connected in Demeter's myths and mystery cults. In Hesiod, prayers to Zeus-Chthonios (chthonic Zeus) and Demeter help the crops grow full and strong. Demeter's emblem is the poppy, a bright red flower that grows among the barley.
In addition to her role as an agricultural goddess, Demeter was often worshipped more generally as a goddess of the earth. In Arcadia, she was represented as snake-haired, holding a dove and dolphin, perhaps to symbolize her power over the underworld, the air, and the water. In the cult of Flya, she was worshiped as Anesidora, one who sends up gifts from the underworld. There was a temple of Demeter under this name in Phlius in Attica. In Sparta, she was known as Demeter-Chthonia (chthonic Demeter). The Athenians called the dead "Demetrioi", and this may reflect a link between Demeter and ancient cult of the dead, linked to the agrarian-belief that a new life would sprout from the dead body, as a new plant arises from buried seed. This was probably a belief shared by initiates in Demeter's mysteries, as interpreted by Pindar: "Happy is he who has seen what exists under the earth, because he knows not only the end of life, but also his beginning that the Gods will give".
In the mysteries of Pheneos in Arcadia, Demeter was known as Cidaria. Her priest would put on the mask of Demeter, which was kept in a secret place. The cult may have been connected with both the underworld and a form of agrarian magic.
Theocritus described one of Demeter's earlier roles as that of a goddess of poppies:
Karl Kerényi asserted that poppies were connected with a Cretan cult which was eventually carried to the Eleusinian Mysteries in Classical Greece. In a clay statuette from Gazi, the Minoan poppy goddess wears the seed capsules, sources of nourishment and narcosis, in her diadem. According to Kerényi, "It seems probable that the Great Mother Goddess who bore the names Rhea and Demeter, brought the poppy with her from her Cretan cult to Eleusis and it is almost certain that in the Cretan cult sphere opium was prepared from poppies." Robert Graves speculated that the meaning of the depiction and use of poppies in the Greco-Roman myths is the symbolism of the bright scarlet color as signifying the promise of resurrection after death.
Demeter's epithets show her many religious functions. She was the "Corn-Mother" who blesses the harvesters. Some cults interpreted her as "Mother-Earth". Demeter may be linked to goddess-cults of Minoan Crete, and embody aspects of a pre-Hellenic Mother Goddess. It is possible that the title "Mistress of the labyrinth", which appears in a Linear B inscription, belonged originally to Sito ("[she] of the grain"), the Great Mother Demeter and that in the Eleusinian mysteries this title was kept by her daughter Persephone (Kore or Despoina). However, there is no evidence that the name of Potnia in Eleusis was originally Demeter.
The most common epithets of Demeter are:
Aganippe, ("the Mare who destroys mercifully", "Night-Mare")
Erinys,, ("Fury"), with a function similar with the function of the avenging Dike (Justice), goddess of moral justice based on custom rules who represents the divine retribution, and the Erinyes, female ancient chthonic deities of vengeance and implacable agents of retribution.
Ioulo ,("related with corn-sheafs") 
Karpophorus , ? ("fruit bearing").
Lusia, , ("Bather") 
Melaina,? ("black") .
The earliest recorded worship of a deity possibly equivalent to Demeter is found in Linear B Mycenean Greek tablets of c. 1400-1200 BC found at Pylos. The tablets describe worship of the "two queens and the king", which may be related to Demeter, Persephone and Poseidon. An early name which may refer to Demeter, si-to-po-ti-ni-ja (Sito Potnia), appears in Linear B inscriptions found at Mycenae and Pylos. In Crete, Poseidon was often given the title wa-na-ka (wanax) in Linear B inscriptions, in his role as king of the underworld, and his title E-ne-si-da-o-ne indicates his chthonic nature. In the cave of Amnisos, Enesidaon is associated with the cult of Eileithyia, the goddess of childbirth, who was involved with the annual birth of the divine child. During the Bronze Age, a goddess of nature dominated both in Minoan and Mycenean cults, and Wanax (wa-na-ka) was her male companion (paredros) in the Mycenean cult. Elements of this early form of worship survived in the Eleusinian cult, where the following words were uttered: "the mighty Potnia had born a strong son."
Tablets from Pylos record sacrificial goods destined for "the Two Queens and Poseidon" ("to the Two Queens and the King" :wa-na-ssoi, wa-na-ka-te). The "Two Queens" may be related with Demeter and Persephone, or their precursors, goddesses who were no longer associated with Poseidon in later periods.
Major cults to Demeter are known at Eleusis in Attica, Hermion (in Crete), Megara, Celeae, Lerna, Aegila, Munychia, Corinth, Delos, Priene, Akragas, Iasos, Pergamon, Selinus, Tegea, Thoricus, Dion (in Macedonia) Lykosoura, Mesembria, Enna (Sicily), and Samothrace.
Mysian Demeter had a seven-day festival at Pellené in Arcadia. The geographer Pausainias passed the shrine to Mysian Demeter on the road from Mycenae to Argos, and reports that according to Argive tradition the shrine was founded by an Archive named Mysius who venerated Demeter.
Demeter's two major festivals were sacred mysteries. Her Thesmophoria festival (11-13 October) was women-only. Her Eleusinian mysteries were open to initiates of any gender or social class. At the heart of both festivals were myths concerning Demeter as Mother and Persephone as her daughter.
In the Roman period, Demeter became conflated with the Roman agricultural goddess Ceres under the Interpretatio graeca. The worship of Demeter was formally merged with that of Ceres around 205 BC, along with the ritus graecia cereris, a Greek-inspired form of cult, as part of Rome's general religious recruitment of deities as allies against Carthage, towards the end of the Second Punic War. The cult originated in southern Italy (part of Magna Graecia) and was probably based on the Thesmophoria, a mystery cult dedicated to Demeter and Persephone as "Mother and Maiden". It arrived along with its Greek priestesses, who were granted Roman citizenship so that they could pray to the gods "with a foreign and external knowledge, but with a domestic and civil intention". The new cult was installed in the already ancient Temple of Ceres, Liber and Libera, Rome's Aventine patrons of the plebs; from the end of the 3rd century BC, Demeter's temple at Enna, in Sicily, was acknowledged as Ceres' oldest, most authoritative cult center, and Libera was recognized as Proserpina, Roman equivalent to Persephone. Their joint cult recalls Demeter's search for Persephone, after the latter's abduction into the underworld by Hades (or Pluto). At the Aventine, the new cult took its place alongside the old. It made no reference to Liber, whose open and gender-mixed cult continued to play a central role in plebeian culture, as a patron and protector of plebeian rights, freedoms and values. The exclusively female initiates and priestesses of the new "greek style" mysteries of Ceres and Proserpina were expected to uphold Rome's traditional, patrician-dominated social hierarchy and traditional morality. Unmarried girls should emulate the chastity of Proserpina, the maiden; married women should seek to emulate Ceres, the devoted and fruitful Mother. Their rites were intended to secure a good harvest, and increase the fertility of those who partook in the mysteries.
Beginning in the 5th century BCE in Asia Minor, Demeter was also considered equivalent to the Phrygian goddess Cybele. Demeter's festival of Thesmophoria was popular throughout Asia Minor, and the myth of Persephone and Adonis in many ways mirrors the myth of Cybele and Attis.
Some late antique sources syncretized several "great goddess" figures into a single deity. The Platonist philosopher Apuleius, writing in the late 2nd century, identified Ceres (Demeter) with Isis, having her declare:
I, mother of the universe, mistress of all the elements, first-born of the ages, highest of the gods, queen of the shades, first of those who dwell in heaven, representing in one shape all gods and goddesses. My will controls the shining heights of heaven, the health-giving sea-winds, and the mournful silences of hell; the entire world worships my single godhead in a thousand shapes, with divers rites, and under many a different name. The Phrygians, first-born of mankind, call me the Pessinuntian Mother of the gods; ... the ancient Eleusinians Actaean Ceres; ... and the Egyptians who excel in ancient learning, honour me with the worship which is truly mine and call me by my true name: Queen Isis.
Demeter's most well-known relationship is with her daughter, Persephone, queen of the underworld. Both Hesiod and the Homeric Hymn to Demeter(2), describe Persephone as the daughter of Zeus and his older sister, Demeter, though no myths exist describing her conception or birth. The exception is a fragment of the lost Orphic theogony, which preserves part of a myth in which Zeus mates with his mother, Rhea, in the form of a snake, explaining the origin of the symbol on Hermes' staff. Their daughter is said to be Persephone, whom Zeus in turn mates with to conceive Dionysus. According to the Orphic fragments, "After becoming the mother of Zeus, she who was formerly Rhea became Demeter."
Before her abduction by Hades, Persephone was known as Kore ("maiden"), and there is some evidence that the figures of Persephone Queen of the Underworld and Kore daughter of Demeter were originally considered separate goddesses. However, they must have become conflated with each other by the time of Hesiod in the 7th century BC. Demeter and Persephone were often worshiped together and were often referred to by joint cultic titles. In their cult at Eleusis, they were referred to simply as "the goddesses", often distinguished as "the older" and "the younger"; in Rhodes and Sparta, they were worshiped as "the Demeters"; in the Thesmophoria, they were known as "the thesmophoroi" ("the legislators"). In Arcadia they were known as "the Great Goddesses" and "the mistresses". In Mycenaean Pylos, Demeter and Persephone were probably called the "queens" (wa-na-ssoi).
Both Homer and Hesiod, writing c. 700 BC, described the agricultural hero Iasion as a consort of Demeter, saying they had intercourse in a "thrice-ploughed fallow". According to Hesiod, this union resulted in the birth of Plutus.
According to Diodorus Siculus, in his Bibliotheca historica written in the 1st century BC, Demeter and her husband Zeus were also the parents of Dionysus. Diodorus described the myth of Dionysus' double birth (once from the earth, i.e. Demeter, when the plant sprouts) and once from the vine (when the fruit sprouts from the plant). Diodorus also related a version of the myth of Dionysus' destruction by the Titans ("sons of Gaia"), who boiled him, and how Demeter gathered up his remains so that he could be born a third time (Diod. iii.62). Diodorus states that Dionysus' birth from Zeus and his older sister Demeter was somewhat of a minority belief, possibly via conflation of Demeter with her daughter, as most sources state that the parents of Dionysus were Zeus and Persephone, and later Zeus and Semele.
In Arcadia, a major Arcadian deity known as Despoina ("Mistress") was said to be the daughter of Demeter and Poseidon. According to Pausanias, a Thelpusian tradition said that during Demeter's search for Persephone, Poseidon pursued her. Demeter turned into a horse in order to avoid her younger brother's advances, but he turned into a stallion and mated with the goddess, resulting in the birth of the horse god Arion and a daughter "whose name they are not wont to divulge to the uninitiated". Elsewhere he says that the Phigalians assert that the offspring of Poseidon and Demeter, was not a horse but in fact Despoina, "as the Arcadians call her".
|Divine Consort||Offspring||Mortal Consort||Offspring|
Demeter's daughter Persephone was abducted to the underworld by Hades, who received permission from her father Zeus to take her as his bride. Demeter searched for her ceaselessly, preoccupied with her grief. The seasons halted; living things ceased their growth, then began to die. Faced with the extinction of all life on earth, Zeus sent his messenger Hermes to the underworld to bring Persephone back. Hades agreed to release her if she had eaten nothing while in his realm; but Persephone had eaten a small number of pomegranate seeds. This bound her to Hades and the underworld for certain months of every year, either the dry Mediterranean summer, when plant life is threatened by drought, or the autumn and winter. There are several variations on the basic myth; the earliest account, the Homeric Hymn to Demeter, relates that Persephone is secretly slipped a pomegranate seed by Hades and in Ovid's version, Persephone willingly and secretly eats the pomegranate seeds, thinking to deceive Hades, but is discovered and made to stay. Contrary to popular perception, Persephone's time in the underworld does not correspond with the unfruitful seasons of the ancient Greek calendar, nor her return to the upper world with springtime. Demeter's descent to retrieve Persephone from the underworld is connected to the Eleusinian Mysteries.
The myth of the capture of Persephone seems to be pre-Greek. In the Greek version, Ploutos (?, wealth) represents the wealth of the corn that was stored in underground silos or ceramic jars (pithoi). Similar subterranean pithoi were used in ancient times for funerary practices. At the beginning of the autumn, when the corn of the old crop is laid on the fields, she ascends and is reunited with her mother Demeter, for at this time the old crop and the new meet each other.
According to the personal mythology of Robert Graves, Persephone is not only the younger self of Demeter, she is in turn also one of three guises of the Triple Goddess - Kore (the youngest, the maiden, signifying green young grain), Persephone (in the middle, the nymph, signifying the ripe grain waiting to be harvested), and Hecate (the eldest of the three, the crone, the harvested grain), which to a certain extent reduces the name and role of Demeter to that of group name. Before her abduction, she is called Kore; and once taken she becomes Persephone ('she who brings destruction').
Demeter's search for her daughter Persephone took her to the palace of Celeus, the King of Eleusis in Attica. She assumed the form of an old woman, and asked him for shelter. He took her in, to nurse Demophon and Triptolemus, his sons by Metanira. To reward his kindness, she planned to make Demophon immortal; she secretly anointed the boy with ambrosia and laid him in the flames of the hearth, to gradually burn away his mortal self. But Metanira walked in, saw her son in the fire and screamed in fright. Demeter abandoned the attempt. Instead, she taught Triptolemus the secrets of agriculture, and he in turn taught them to any who wished to learn them. Thus, humanity learned how to plant, grow and harvest grain. The myth has several versions; some are linked to figures such as Eleusis, Rarus and Trochilus. The Demophon element may be based on an earlier folk tale.
Homer's Odyssey (c. late 8th century BC) contains perhaps the earliest direct references to the myth of Demeter and her consort Iasion, a Samothracian hero whose name may refer to bindweed, a small white flower that frequently grows in wheat fields. In the Odyssey, Calypso describes how Demeter, "without disguise", made love to Iasion. "So it was when Demeter of the braided tresses followed her heart and lay in love with Iasion in the triple-furrowed field; Zeus was aware of it soon enough and hurled the bright thunderbolt and killed him." In ancient Greek culture, part of the opening of each agricultural year involved the cutting of three furrows in the field to ensure its fertility.
Hesiod expanded on the basics of this myth. According to him, the liaison between Demeter and Iasion took place at the wedding of Cadmus and Harmonia in Crete. Demeter, in this version, had lured Iasion away from the other revelers. Hesiod says that Demeter subsequently gave birth of Plutus.
In Arcadia, located in what is now southern Greece, the major goddess Despoina was considered the daughter of Demeter and Poseidon Hippios, Horse-Poseidon. In the associated myths, Poseidon represents the river spirit of the underworld, and he appears as a horse as often happens in northern European folklore. The myth describes how he pursued his older sister, Demeter, who hid from him among the horses of King Onkios, but even in the form of a mare, she could not conceal her divinity. In the form of a stallion, Poseidon caught and raped his older sister. Demeter was furious at Poseidon's assault; in this furious form, she became known as Demeter Erinys. Her anger at Poseidon drove her to dress all in black and retreat into a cave in order to purify herself, an act which was the cause of a universal famine. Demeter's absence caused the death of crops, of livestock, and eventually of the people who depended on them (later Arcadian tradition held that it was both her rage at Poseidon and her loss of her daughter that caused the famine, merging the two myths). Demeter washed away her anger in the River Ladon, becoming Demeter Lousia, the "bathed Demeter".
"In her alliance with Poseidon," Kerényi noted, "she was Earth, who bears plants and beasts, and could therefore assume the shape of an ear of grain or a mare." She bore a daughter Despoina (: the "Mistress"), whose name should not be uttered outside the Arcadian Mysteries, and a horse named Arion, with a black mane and tail.
At Phigaleia, a xoanon (wood-carved statue) of Demeter was erected in a cave which, tradition held, was the cave into which Black Demeter retreated. The statue depicted a Medusa-like figure with a horse's head and snake-like hair, holding a dove and a dolphin, which probably represented her power over air and water:
The second mountain, Mount Elaius, is some thirty stades away from Phigalia, and has a cave sacred to Demeter surnamed Black ... the Phigalians say, they concluded that this cavern was sacred to Demeter and set up in it a wooden image. The image, they say, was made after this fashion. It was seated on a rock, like to a woman in all respects save the head. She had the head and hair of a horse, and there grew out of her head images of serpents and other beasts. Her tunic reached right to her feet; on one of her hands was a dolphin, on the other a dove. Now why they had the image made after this fashion is plain to any intelligent man who is learned in traditions. They say that they named her Black because the goddess had black apparel. They cannot relate either who made this wooden image or how it caught fire. But the old image was destroyed, and the Phigalians gave the goddess no fresh image, while they neglected for the most part her festivals and sacrifices, until the barrenness fell on the land.
Another myth involving Demeter's rage resulting in famine is that of Erysichthon, king of Thessaly. The myth tells of Erysichthon ordering all of the trees in one of Demeter's sacred groves to be cut down. One tree, a huge oak, was found to be covered with votive wreaths, symbols of the prayers Demeter had granted, and so Erysichthon's men refused to cut it down. The king used an axe to cut it down himself, killing a dryad nymph in the process. The nymph's dying words were a curse on Erysichthon. Demeter punished the king by calling upon Limos, the spirit of unrelenting and insatiable hunger, to enter his stomach. The more the king ate, the hungrier he became. Erysichthon sold all his possessions to buy food, but was still hungry. Finally, he sold his own daughter, Mestra, into slavery. Mestra was freed from slavery by her former lover, Poseidon, who gave her the gift of shape-shifting into any creature at will to escape her bonds. Erysichthon used her shape-shifting ability to sell her numerous times to make more money to feed himself, but no amount of food was enough. Eventually, Erysichthon ate himself.
The -, however, cannot be explained from Greek. But there is a Messapic Damatura or Damatira, and she need not be dismissed as a borrowing from Greek; she matches the Illyrian Deipaturos both in the agglutination and in the transfer to the thematic declension (-os, -a). (It is noteworthy that sporadic examples of a thematically declined ? are found in inscriptions.) Damater/ Demeter could therefore be a borrowing from Illyrian. An Illyrian D?- may possibly be derived from *D(e)m-