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|Culture of Slovenia|
Among the modes of expression of the culture of Slovenia, a nation-state in Central Europe, are music and dance, literature, visual arts, film, and theatre. A number of festivals take place, showcasing music and literature.
Pino Mlakar and Pia Mlakar were the most notable ballet dancers and members of the Ljubljana Opera and Ballet Company from 1946 to 1960. Pino Mlakar was also a full professor at the Academy for Theatre, Radio, Film, and Television (AGRFT) of the University of Ljubljana.
A number of music, theater, film, book, and children's festivals takes place in Slovenia each year. In 2012, Maribor was the European Capital of Culture.
Music festivals include the Ljubljana Summer Festival and Lent Festival. Historically, among the most popular music festivals was the Slovenska popevka festival. Between 1981 and 2000, the Novi Rock festival was notable for bringing rock music across the Iron curtain from the West to the Slovenian and then Yugoslav audience. In Titoist Yugoslavia, Jazz festival Ljubljana right after World War II has begun the long tradition of Jazz festivals in Slovenia.
The best-known stand-up comedy festival is the Punch Festival in Ljubljana.
Slovene film actors and actresses historically include Ida Kravanja, who played her roles as Ita Rina in the early European films, and Metka Bu?ar. After the WW II, one of the most notable film actors was Polde Bibi?, who played a number of roles in many films that were well received in Slovenia, including Don't Cry, Peter (1964), On Wings of Paper (1968), Kekec's Tricks (1968), Flowers in Autumn (1973), The Widowhood of Karolina ?a?ler (1976), Heritage (1986), Primo? Trubar (1985), and My Dad, The Socialist Kulak (1987). Many of these were directed by Matja? Klop?i?. He also performed in television and radio dramas. Altogether, Bibi? played over 150 theatres and over 30 film roles.
Film in Slovenia historically includes Karol Grossmann, Franti?ek ?ap, France ?tiglic, Igor Pretnar, Jo?e Poga?nik, Peter Zobec, Matja? Klop?i?, Bo?tjan Hladnik, Du?an Jovanovi?, Vitan Mal, Franci Slak, and Karpo Godina as its most established filmmakers. Contemporary film directors Filip Robar - Dorin, Jan Cvitkovi?, Damjan Kozole, Janez Lapajne, Marko Okorn, and Marko Naber?nik are among the representatives of the so-called "Renaissance of Slovenian cinema". Slovene screenwriters, who are not film directors, include Sa?a Vuga and Miha Mazzini. Women film directors include Polona Sepe, Hanna A. W. Slak, and Maja Weiss.
Most notable documentaries made by Slovenian directors include the humanitarian films by Tomo Kri?nar on the Nuba people.
Poetry in the Slovene language achieved its highest level with the Romantic poet France Pre?eren (1800-1849). In the 20th century, the Slovene literary fiction went through several periods: the beginning of the century was marked by the authors of Slovene Modernism, with the most influential Slovene writer and playwright, Ivan Cankar; it was then followed by expressionism (Sre?ko Kosovel), avantgardism (Anton Podbev?ek, Ferdo Delak) and social realism (Ciril Kosma?, Pre?ihov Voranc) before World War II, the poetry of resistance and revolution (Karel Destovnik Kajuh, Matej Bor) during the war, and intimism (Poems of the Four, 1953), post-war modernism (Edvard Kocbek), and existentialism (Dane Zajc) after the war. Short stories became a popular genre after the 1990s. There are several Slovene literary magazines that publish prose, poetry, essays, and local literary criticism.
Music of Slovenia historically includes numerous musicians and composers, such as the Renaissance composer Jacobus Gallus (1550-1591), who greatly influenced Central European classical music, and the Baroque composer Janez Krstnik Dolar (ca. 1620-1673).
During the medieval era, secular music was as popular as church music, including wandering minnesingers. By the time of the Protestant Reformation in the 16th century, music was used to proselytize. The first Slovenian hymnal, Eni Psalmi, was published in 1567. This period saw the rise of musicians like Jacobus Gallus and Jurij Slatkonja.
In 1701, Johann Berthold von Höffer (1667-1718), a nobleman and amateur composer from Ljubljana, founded the Academia Philharmonicorum Labacensis, as one of the oldest such institutions in Europe, based on Italian models.
Composers of Slovenian Lieder and art songs include Emil Adami? (1877-1936), Fran Gerbi? (1840-1917), Alojz Ger?ini? (1915-2008), Benjamin Ipavec (1829-1908), Davorin Jenko (1835-1914), Anton Lajovic (1878-1960), Kamilo Ma?ek (1831-1859), Josip Pav?i? (1870-1949), Zorko Prelovec (1887-1939), and Lucijan Marija ?kerjanc (1900-1973).
In the early 20th century, impressionism was spreading across Slovenia, which soon produced composers Marij Kogoj and Slavko Osterc. Avant-garde classical music arose in Slovenia in the 1960s, largely due to the work of Uro? Krek, Dane ?kerl, Primo? Ramov?, and Ivo Petri?, who also conducted the Slavko Osterc Ensemble. Jakob Je?, Darijan Bo?i?, Lojze Lebi? and Vinko Globokar have since composed enduring works, especially Globokar's L'Armonia, an opera.
Modern composers include Uro? Rojko, Toma? Svete, Brina Je?-Brezavek, Bo?idar Kantu?er and Aldo Kumar. Kumar's Sonata z igro 12 (A sonata with a play 12), a set of variations on a rising chromatic scale, is particularly notable.
The Slovene National Opera and Ballet Theatre serves as the national opera and ballet house.
Harmony singing is a deep-rooted tradition in Slovenia, and is at least three-part singing (four voices), while in some regions even up to eight-part singing (nine voices). Slovenian folk songs, thus, usually resounds soft and harmonious, and are very seldom in a minor.
Traditional Slovenian folk music is performed on Styrian harmonica (the oldest type of accordion), fiddle, clarinet, zithers, flute, and by brass bands of alpine type. In eastern Slovenia, fiddle and cimbalon bands are called velike goslarije.
From 1952 on, the Slavko Avsenik's band began to appear in broadcasts, movies, and concerts all over West Germany, inventing the original "Oberkrainer" country sound that has become the primary vehicle of ethnic musical expression not only in Slovenia, but also in Germany, Austria, Switzerland, and in the Benelux, spawning hundreds of Alpine orchestras in the process. The band produced nearly 1000 original compositions, an integral part of the Slovenian-style polka legacy. Avsenik's most popular instrumental composition is the polka that is titled "Na Golici" (in Slovene), or "Trompetenecho" (in German), and "Trumpet Echoes" (in English). Oberkrainer music, which the Avsenik Ensemble popularized, is always a strong candidate for the country (folk) music awards in Slovenia and Austria.
Many musicians followed Avsenik's steps, one of the most famous being Lojze Slak.
Among pop, rock, industrial, and indie musicians, the most popular in Slovenia include Laibach, an early 1980s industrial music group, and most recently the Slovenian pop a cappella band Perpetuum Jazzile.
Other popular bands, most largely unknown outside the country, include Negligence (thrash metal), Elvis Jackson (ska punk), La?ni Franz, Bohem, Puppetz (Indie), Tabu, Dru?tvo Mrtvih Pesnikov (pop-rock), Naio Ssaion (Gothic metal), Terrafolk, Leaf Fat (screamo), Avven, Perpetuum Jazzile, Carpe Diem, ?ank Rock, Big Foot Mama, Yogurt, Levitan, Dan D, Time to time, Flirrt, Zablujena generacija, Slon in Sade?, Katalena, Rock Partyzani, Shyam, Eroika, Hic et Nunc, Devil Doll (experimental rock), Chateau, Posodi mi jürja, Rok'n'band, ?uki, Juliette Justine, Zaklonie Prepeva, Psycho-Path, Dekadent (black metal) and Buldo?er (progressive rock), and most recently Perpetuum Jazzile with more than 12 million views combined for the two a cappella "Africa" performance videos since their publishing on YouTube in May 2009 until September 2011, earning them kudos from the song's co-writer, David Paich.
Slovenian post-WWII singer-songwriters include Frane Mil?inski (1914-1988), Toma? Pengov whose 1973 album Odpotovanja is considered to be the first singer-songwriter album in former Yugoslavia, Toma? Domicelj, Marko Brecelj, Andrej ?ifrer, Eva Sr?en, Neca Falk, and Jani Kova?i?. After 1990, Adi Smolar, Iztok Mlakar, Vita Mavri?, Vlado Kreslin, Zoran Predin, Peter Lov?in, and Magnifico have been popular in Slovenia, as well.
In the 1970s, Bratko Bibi?'s band Begnagrad is considered one of the direct influences on modern world music. Bibi?'s unique accordion style, often solo, with no accompaniment, has also made him a solo star.
Slovenia has also produced two renowned DJs: DJ Umek and Valentino Kanzyani. Specialising in a frantic brand of party techno and tech-house, the pair co-founded the label Recycled Loops as well as having many releases on labels such as Novamute, Primate, Intec, and Bassethound Records.
Slovenia has a strong tradition of live theatre. Both professional and amateur theatre are financially supported by the government. Professional theatre in Slovenia runs in a repertory system; the majority of professional theatres employ an ensemble of actors, and produce a season with four to twelve plays. The plays stay on repertory for a minimum of one season, but often, shows continue playing for a few years. There are four national theatres in Slovenia: Slovene National Theatre, Ljubljana, and Maribor National Drama Theatre, Slovene National Opera in Ljubljana and Slovene National Theatre in Nova Gorica. In addition, there are other nationally-funded repertory theatres Mestno Gledalisce Ljubljansko (City Theatre Ljubljana), Mladinsko Gledalisce Ljubljana, Presernovo gledalisce Kranj, Slovensko Ljudsko Gledalisce Celje, Mestno gledalisce Ptuj, Anton Podbevsek Teater Novo Mesto, Gledalisce Koper, Gledalisce Glej, and Mini Teater. Lastly, Slovenia also has two national repertory theatres dedicated to producing puppetry; Lutkovno gledalisce Ljubljana and Lutkovno gledalisce Maribor.
Independent, small producers are also active in Slovenia, including physical theatre (e.g., Betontanc), street theatre (e.g., Ana Monró Theatre), theatre sports championship Impro League, and improvisational theatre (e.g., IGLU Theatre).
First theatrical performances in Slovenia date all the way back to the 18th century. Between 1715 and 1727, Passion procession play was performed in the town of Skofja Loka. However, the first play written and performed in the Slovene language is Zupanova Micka by Anton Tomaz Linhart, which premiered on 28 December 1789. The play was very influential in the formation of national cultural and linguistic identity. Slovenia at the time was not a sovereign country, and Slovene was not recognized as a language. The majority of literary works and business transactions were conducted in the German language, and Slovene playwriting, as well as discussions regarding the nature of Slovene identity, were closely connected with the formation of theatre. In 1879 a Dramatic Society was formed in Ljubljana as a formal attempt to professionalize and institutionalize theatre and playwriting in Slovenia. Between 1879 and 1941, there are several initiatives leading towards the professionalization of Slovene theatre; the first theatre venue is opened in Ljubljana before the end of 19.century, and the Drama Society operates as a kind of three-pronged organization under one umbrella. There are research and international dialogue forming a sort of institute-like branch, there is an early drama school educating performers, and a repertory theatre with a year-long full season. Between 1920 and 1941, the government tries to suppress the theatre, which springs back to life after 1941, when Slovenia joins Yugoslavia. In 1952 additional seven professional repertory theatres are founded by the national government and large municipalities who both provide ongoing long-term funding. The late 50's, 60's and 70's mark the time of a new wave of experimental, independent theatre in Slovenia.
Slovenia's visual arts, architecture, and design are shaped by a number of architects, designers, painters, sculptors, photographers, graphics artists, as well as comics, illustration, and conceptual artists. The most prestigious institutions exhibiting works of Slovene visual artists are the National Gallery of Slovenia and the Museum of Modern Art.
Modern architecture in Slovenia was introduced by Max Fabiani, and in the mid-war period, Jo?e Ple?nik and Ivan Vurnik. In the second half of the 20th century, the national and universal styles were merged by the architects Edvard Ravnikar and Marko Mu?i?.
Milko Bambi? is known for the first Slovene comic strip Little Negro Bu-ci-bu, an allegory of Mussolini's career, and as the creator of the Three Hearts (Tri srca) brand, still used today by Radenska. After WW II, both the comics and animated advertisements drawn by Miki Muster gained popularity in Slovenia.
The first Slovenian animated feature film was the 1998 Socialization of a Bull, made by Zvonko ?oh and Milan Eri? who together drew fifty thousand frames during the ten years of its making. The first entirely computer made animations are the 2003 Perkmandeljc and the 2008 ?ikorja an' kafe, both made by Du?an Kastelic.
A number of conceptual visual art groups were formed, including OHO, Group 69, and IRWIN. Nowadays, the Slovene visual arts are diverse, based on tradition, reflect the influence of neighbouring nations, and are intertwined with modern European movements.
The most known among Slovene interior designers is the designer of Scandinavian design-inspired 1952 Rex chair, Niko Kralj. His design is included in the collection of the Museum of Modern Art MOMA in New York City.
Elan SCX is one of the best industrial design items that changed the world ski industry. They were designed by the internationally known Slovenian Elan company. Elan skis were depicted, even before Elan SCX, in the 1985 James Bond, film series part A View to a Kill with Roger Moore. In the romantic comedy film Working Girl, Katharine Parker (Sigourney Weaver) was depicted as skiing on the RC ELAN model skis and poles.
In 1917 Hinko Smrekar illustrated the notable Fran Levstik's Martin Krpan book about the Slovene folk hero. The children's books illustrators include a number of women illustrators, such as Marlenka Stupica, Marija Lucija Stupica, An?ka Go?nik Godec, Marjanca Jemec Bo?i?, and Jelka Reichman.
Recently, Lila Prap's illustrations gained popularity in Japan, where children's cartoons based on her illustrations have been televised.
Historically, painting and sculpture in Slovenia were in the late 18th and the 19th century marked by Neoclassicism (Matev? Langus), Biedermeier (Giuseppe Tominz), and Romanticism (Mihael Stroj). The first art exhibition in Slovenia was organized in the late 19th century by Ivana Kobilica, a woman-painter who worked in the realistic tradition. Impressionist artists include Matej Sternen, Matija Jama, Rihard Jakopi?, Ivan Grohar, whose The Sower (Slovene: Sejalec) was depicted on the EUR0.05 Slovenian euro coins, and Franc Berneker, who introduced impressionism to Slovenia. Espressionist painters include Veno Pilon and Tone Kralj, whose picture book, reprinted thirteen times, is now the most recognizable image of the folk hero Martin Krpan.
In 1841, Janez Puhar (1814-1864) invented a process for photography on glass, recognized on 17 June 1852 in Paris by the Académie Nationale Agricole, Manufacturière et Commerciale. Gojmir Anton Kos was a notable realist painter and photographer between First World War and WW II.
The renewal of Slovene sculpture begun with Alojz Gangl (1859-1935), who made the first public monument of the notable Enlightenment figure Valentin Vodnik and provided The Genius of the Theatre and other statues for the Slovenian National Opera and Ballet Theatre building.