Bodo VIII, Count of Stolberg-Wernigerode
Get Bodo VIII, Count of Stolberg-Wernigerode essential facts below. View Videos or join the Bodo VIII, Count of Stolberg-Wernigerode discussion. Add Bodo VIII, Count of Stolberg-Wernigerode to your topic list for future reference or share this resource on social media.
Bodo VIII, Count of Stolberg-Wernigerode
Bodo VIII, Count of Stolberg-Wernigerode
Botho der Glückseelige.jpg
Bodo VIII, Count of Stolberg-Wernigerode
Born(1467-01-04)4 January 1467
Died22 June 1538(1538-06-22) (aged 71)
Noble familyHouse of Stolberg
Spouse(s)Anna of Eppstein-Königstein
FatherHenry IX of Stolberg
MotherMatilda of Mansfeld

Count Bodo VIII of Stolberg-Wernigerode (nicknamed the Blissful; 4 January 1467 - 22 June 1538) was Count of Stolberg and Hohnstein and Lord of Wernigerode from 1511 until his death.


He was born in Stolberg, the son of Count Henry IX "the Elder" of Stolberg and his first wife Matilda, daughter of the Count Volrad of Mansfeld. He had a twin brother Henry the Younger.

Bodo spent some of his youth in southern Germany, where he was raised at the court of Count, later Duke Eberhard II of Württemberg, the brother of his stepmother. After providing knight services for several years, he made a journey to Jerusalem from 16 April 1493 to 9 February 1494.

He was a skillful diplomat. In 1491 and 1492, the financial situation in Stolberg necessitated an extraordinary transformation of the administration, in which the responsibility for the county's finances was transferred to the Treasurer and the administration was directed by educated officials. Because he was such an able administrator and negotiator, he was employed by the emperor, as well as his liege lords and larger estates. Sometimes he acted on a temporary basis, sometimes offices or business were given to him. The first to employ him, was Duke George of Saxony, whom he served as a captain in Coburg. George expanded his demands beyond what was normally expected of a vassal and sent Bodo to the Diet and other unusual missions.

Bodo's historic significance, however, does not lie in any specific service that he did for any particular prince, but primarily in his relationship with the largest prelate of the empire: Cardinal Albert, who was archbishop of Magdeburg and Mainz. From 1515 until his death, he was the Cardinal's councillor or chaimberlain for the dioceses of Magdeburg and Halberstadt, i.e. he represented the Cardinal, or acted on the Cardinal's behalf in the many matters of varying significance that were entrusted to the Cardinal. When confronted with the Reformation, the count followed his nature and that of his master, and acted mostly mild and conciliatory. Bodo enjoyed the unconditional confidence of the Cardinal, although he requested to be relieved of his duties after only a few years. His county and his family suffered from his prolonged absence and in 1524, he insisted that he be relieved from his duties. From that date, he would only provide advice from home.

Apart from his service to Cardinal Albert, Bodo also acted as councillor to Emperors Maximilian I and Charles V, who thanked him with special ceremonies in 1518 and 1521, respectively. In 1521, Charles V proposed to make him a member of the second Imperial Government at Nuremberg, but Bodo declined the offer.

Marriage and issue

Bodo married on 24 August 1500 at Königstein with Anna, the sister of Eberhard IV, who was the last Lord of Eppstein and from 1505 Count of Königstein. After Eberhard died childless in 1535, Königstein, including Eppstein, was inherited by Bodo's sons Louis (d. 1574) and Christopher (d. 1581).

Bodo and Anna had many children:


  • Eduard Jacobs (1893), "Stolberg-Wernigerode, Botho III. Graf zu", Allgemeine Deutsche Biographie (ADB) (in German), 36, Leipzig: Duncker & Humblot, pp. 327-329
  • Marek, Miroslav. "Genealogy of Stolberg". Genealogy.EU.[self-published source][better source needed]

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



Music Scenes