|Origin||London, England, United Kingdom|
|Genres||Punk rock, new wave|
|1976-1979, 1991, 1995-1996, 2008|
|Labels||Virgin, EMI International, Receiver, Universal, Future Noise Music|
|Poly Styrene, Airport And Dean, Classix Nouveaux|
Poly Styrene (died 2011)|
Jak Airport (died 2004)
During their first incarnation (1976-79), X-Ray Spex were "deliberate underachievers" and only managed to release five singles and one album. Nevertheless, their first single, "Oh Bondage Up Yours!", is now acknowledged as a classic punk rock single and the album Germfree Adolescents is widely acclaimed as a classic album of the punk rock genre.
Initially, the band featured singer Poly Styrene (born Marion Joan Elliott-Said) (alternatively spelled Marian or Marianne) on vocals, Jak Airport (Jack Stafford) on guitars, Paul Dean on bass, Paul 'B. P.' Hurding on drums, and Lora Logic (born Susan Whitby) on saxophone. This latter instrument was an atypical addition to the standard punk instrumental line-up, and became one of the group's most distinctive features. Lora played on only one of the band's records. As she was only fifteen, playing saxophone was a hobby and she left the band to complete her education.
X-Ray Spex's other distinctive musical element was Poly Styrene's voice, which has been variously described as "effervescently discordant" and "powerful enough to drill holes through sheet metal". As Mari Elliot, Poly had released a reggae single for GTO Records in 1976, "Silly Billy", which had not charted. Born in 1957 in Bromley, Kent, of both Somali and British parentage, Poly Styrene became the group's public face, and remains one of the most memorable front-women to emerge from the punk movement. Unorthodox in appearance, she wore thick braces on her teeth and once stated that "I said that I wasn't a sex symbol and that if anybody tried to make me one I'd shave my head tomorrow". She later actually did at Johnny Rotten's flat prior to a concert at Victoria Park. Mark Paytress recounts in the liner notes for the 2002 compilation, The Anthology, that Jah Wobble, Rotten's longtime friend and bassist for his post-punk venture PiL, once described Styrene as a "strange girl who often talked of hallucinating. She freaked John out." Rotten, known more for his outspoken dislikes and disdain than for praise and admiration, said of X-Ray Spex in a retrospective punk documentary, "Them, they came out with a sound and attitude and a whole energy--it was just not relating to anything around it--superb."
Styrene was inspired to form a band by seeing the Sex Pistols in Hastings and, through their live performances, she and X-Ray Spex became one of the most talked about acts on the infant punk scene. The band played twice at the punk club The Roxy during its first 100 days. In March, the band played with The Drones and Chelsea. In April, they shared the bill with the Buzzcocks, Wire, and Johnny Moped. Their first Roxy gig was only their second live appearance. It was recorded and their anthem "Oh Bondage Up Yours!" was included on the influential Live at the Roxy WC2 album. Styrene was nineteen years old at the time of the recording. The publicity from this gig led to a "near residency", particularly on Sunday nights, at 'The Man in the Moon' pub, Kings Road, Chelsea, and record label interest.
In late September 1977, a studio recording of "Oh Bondage Up Yours!" was released as a single. Today, the 45 is regarded as their most enduring artefact, both as a piece of music and as a sort of proto-grrrl catchphrase. Opening with the spoken/screamed line, "Some people think little girls should be seen and not heard but I think, oh bondage, up yours!", the song could be interpreted as a premonition of the riot grrrl movement a good 15 years later, although Styrene herself insists it was more intended as an anti-consumerist/anti-capitalist jingle, and was not exclusively feminist in nature.
In November 1978, the band released their debut album. With the exception of "Identity", which was partially based on Styrene seeing a girl slash her wrists in a club toilet, the rest of Germfree Adolescents dealt with the anti consumerist theme. Indeed, The Guardian newspaper described the album as containing "unrivalled anti-consumerism anthems".
X-Ray Spex played at 'Front Row Festival', a three-week event at the Hope and Anchor, Islington in late November and early December 1977. This resulted in the band's inclusion, alongside the likes of Wilko Johnson, 999, The Only Ones, the Saints, The Stranglers, and XTC, on a double album of recordings from the festival. Then, in February 1978, before the release of their second single, X-Ray Spex recorded the first of two sessions for John Peel at BBC Radio 1. Their profile was further enhanced by playing a fortnight's residency at New York's CBGB's, even though the album Germ Free Adolescents was not released in America until 1992.
On 30 April 1978, the band appeared at the Rock Against Racism gig at Victoria Park, Bow, Tower Hamlets. Also on the bill were Steel Pulse, The Clash, The Ruts, Sham 69, Generation X and Tom Robinson Band. Later in the year, to promote the album, X-Ray Spex embarked on their first, and only, full UK tour. Exhausted by touring, Poly Styrene left the band in mid 1979, though she is seen performing with the band in the 1980 film, DOA. She released a solo album, Translucence, before joining the Hare Krishna movement (as did Logic, who left the band aged 16 in 1977 to form a new group called Essential Logic).
Without Styrene, the group lost its momentum and split up. Hurding and Airport went on to form Classix Nouveaux, while Paul Dean and Rudi Thompson went on to form Agent Orange with Anthony "Tex" Doughty, who later become a founding member of Transvision Vamp.
The first incarnation of X-Ray Spex existed from mid-1976 to 1979, during which time they released five singles--"Oh Bondage Up Yours!", "Identity", "The Day the World Turned Day-Glo", "Germfree Adolescents", and "Highly Inflammable"--and one album, Germfree Adolescents. One retrospective review described the singles as "not only riveting examples of high-energy punk, but contained provocative, thoughtful lyrics berating the urban synthetic fashions of the 70s and urging individual expression".
The same reviewer in The Virgin Encyclopedia of Popular Music sums up the band's 1970s contribution as "one of the most inventive, original and genuinely exciting groups to emerge during the punk era".
In 1991 X-Ray Spex reformed for a surprise sell-out gig at the Brixton Academy where Poly appeared in a blue foam dress with an army helmet (to her regret). The group reformed again in 1995 with a line-up of Styrene, Dean and Logic to release a new album Conscious Consumer. Although heralded as the first in a trilogy, the album was not a commercial success. Styrene later explained that touring and promotional work suffered an abrupt end when she was run over by a fire engine in central London, suffering a fractured pelvis. The following year X-Ray Spex played at the 20th Anniversary of Punk Festival in Blackpool minus Poly Styrene, overcoming her last-minute decision to withdraw by recruiting a replacement female singer named 'Poly Filla'. The band subsequently disbanded, but later releases include a compilation of the group's early records, a live album, and an anthology of all the aforementioned.
On 28 April 2008, Poly Styrene gave a performance of "Oh Bondage Up Yours!" in front of more than 10,000 people at the Love Music Hate Racism free concert in Victoria Park, East London
The band including original bass player Paul Dean, played what was described as a raucous comeback gig and in front of an audience of 3,000 full at The Roundhouse in London on 6 September 2008. The gig consisted of Germfree Adolescents in its entirety, with the exception of "Plastic Bag". A DVD and CD of the Roundhouse performance was released in November 2009 on the Year Zero Label by Future Noise Music. Symond Lawes, working as Concrete Jungle Productions, together with Poly Styrene, produced the live show at Camden Roundhouse in 2008.
Styrene is the subject of an upcoming documentary Poly Styrene: I Am A Cliché that is being crowd-funded as of March 2017. The documentary was directed by Paul Sng and was co-written by Styrene's daughter Celeste Bell (who also narrates) and author Zoë Howe. The documentary comes in conjunction with the 40-year anniversary Germfree Adolescents. "This film will be a celebration of the life and work of my mother, an artist who deserves to be recognized as one of the greatest front women of all time; a little girl with a big voice whose words are more relevant than ever" Bell said. Bell and Howe will also be co-authoring a biography about Styrene that is set for released in November 2018.
Listing of those various artist compilation albums mentioned in the text of the main article:
An essential ingredient of any punk collection
It was a tremendous record... Whatever else X-Ray Spex might achieve, Oh Bondage had already done more than most groups manage in an entire career
Revolt-in-plastic punk. Weird arty stuff with saxophone
A colourful explosion of sound
They aimed their fluorescent bile at the vapidity and sterility of the modern world, specifically the increasingly consumerist nature of society, in classic sax-drenched anthems
The whole record is a thunderingly radical and real; production is straightforward and merely delivers the sound of a scorching, hectic band unto the listener
With anti-fashion icon Poly Styrene as frontwoman, and a 15-year-old Lora Logic on sax, X-Ray Spex offered neon DIY rock'n'roll that proved punk wasn't all self-harm and safety pins.