Written Cantonese is the written form of Cantonese, the most complete written form of Chinese after that for Mandarin Chinese and Classical Chinese. Written Chinese was originally developed for Classical Chinese, and was the main literary language of China until the 19th century. Written vernacular Chinese first appeared in the 17th century and a written form of Mandarin became standard throughout China in the early 20th century. While the Mandarin form can in principle be read and spoken word for word in other Chinese varieties, its intelligibility to non-Mandarin speakers is poor to incomprehensible because of differences in idioms, grammar and usage. Modern Cantonese speakers have therefore developed their own written script, sometimes creating new characters for words that either do not exist or have been lost in standard Chinese.
With the advent of the computer and standardization of character sets specifically for Cantonese, many printed materials in predominantly Cantonese-speaking areas of the world are written to cater to their population with these written Cantonese characters.
Before the 20th century, the standard written language of China was Classical Chinese, which has grammar and vocabulary based on the Chinese used in ancient China, Old Chinese. However, while this written standard remained essentially static for over two thousand years, the actual spoken language diverged further and further away. Some writings based on local vernacular speech did exist but these were rare. In the early 20th century, Chinese reformers like Hu Shih saw the need for language reform and championed the development of a vernacular that allowed modern Chinese to write the language the same way they speak. The vernacular language movement took hold, and the written language was standardised as vernacular Chinese. Mandarin was chosen as the basis for the new standard.
The standardisation and adoption of written Mandarin pre-empted the development and standardisation of vernaculars based on other varieties of Chinese. No matter which dialect one spoke, one still wrote in standardised Mandarin for everyday writing. However, Cantonese is unique amongst the non-Mandarin varieties in having a widely used written form. Cantonese-speaking Hong Kong used to be a British colony isolated from mainland China before 1997, so most HK citizens do not speak Mandarin. Written Cantonese was developed as a means of informal communication. Still, Cantonese speakers must use standard written Chinese, or even literary Chinese, in most formal written communications, since written Cantonese may be unintelligible to speakers of other varieties of Chinese.
Historically, written Cantonese has been used in Hong Kong for legal proceedings in order to write down the exact spoken testimony of a witness, instead of paraphrasing spoken Cantonese into standard written Chinese. However, its popularity and usage has been rising in the last two decades, the late Wong Jim being one of the pioneers of its use as an effective written language. Written Cantonese has become quite popular in certain tabloids, online chat rooms, instant messaging, and even social networking websites; this would be even more evident since the rise of localism in Hong Kong from the 2010s, where the articles written by those localist media are written in Cantonese. Although most foreign movies and TV shows are subtitled in Standard Chinese, some, such as The Simpsons, are subtitled using written Cantonese. Newspapers have the news section written in Standard Chinese, but they may have editorials or columns that contain Cantonese discourses, and Cantonese characters are increasing in popularity on advertisements and billboards.
It has been stated that written Cantonese remains limited outside Hong Kong, including other Cantonese-speaking areas in Guangdong Province. However, colloquial Cantonese advertisements are sometimes seen in Guangdong, suggesting that written Cantonese is widely understood and is regarded favourably, at least in some contexts.
Some sources will use only colloquial Cantonese forms, resulting in text similar to natural speech. However, it is more common to use a mixture of colloquial forms and standard Chinese forms, some of which are alien to natural speech. Thus the resulting "hybrid" text lies on a continuum between two norms: standard Chinese and colloquial Cantonese as spoken.
A good source for well documented written Cantonese words can be found in the scripts for Cantonese opera. Readings in Cantonese colloquial: being selections from books in the Cantonese vernacular with free and literal translations of the Chinese character and romanized spelling (1894) by James Dyer Ball has a bibliography of printed works available in Cantonese characters in the last decade of the nineteenth century. A few libraries have collections of so-called "wooden fish books" written in Cantonese characters. Facsimiles and plot precis of a few of these have been published in Wolfram Eberhard's Cantonese Ballads. See also Cantonese love-songs, translated with introduction and notes by Cecil Clementi (1904) or a newer translation of these by Peter T. Morris in Cantonese love songs : an English translation of Jiu Ji-yung's Cantonese songs of the early 19th century (1992). Cantonese character versions of the Bible, Pilgrims Progress, and Peep of Day, as well as simple catechisms, were published by mission presses. The special Cantonese characters used in all of these were not standardized and show wide variation.
A Hong Kong billboard in Written Cantonese with a mixture of English words in the typical code switch style of Hong Kong speech.
Written Cantonese contains many characters not used in standard written Chinese in order to transcribe words not present in the standard lexicon, and for some words from Old Chinese when their original forms have been forgotten. Despite attempts by the government of Hong Kong in the 1990s to standardize this character set, culminating in the release of the Hong Kong Supplementary Character Set (HKSCS) for use in electronic communication, there is still significant disagreement about which characters are correct in written Cantonese, as many of the Cantonese words existed as descendants of Old Chinese words, but are being replaced by some new invented Cantonese words due to the Hong Kong Government's lack of knowledge about some of the Cantonese words.
General estimates of vocabulary differences between Cantonese and Mandarin range from 30 to 50 percent. Donald B. Snow, the author of Cantonese as Written Language: The Growth of a Written Chinese Vernacular, wrote that "It is difficult to quantify precisely how different" the two vocabularies are. Snow wrote that the different vocabulary systems are the main difference between written Mandarin and written Cantonese. Ouyang Shan made a corpus-based estimate concluding that one third of the lexical items used in regular Cantonese speech do not exist in Mandarin, but that between the formal registers the differences were smaller. He analyzed a radio news broadcast and concluded that of its lexical items, 10.6% were distinctly Cantonese. Here are examples of differing lexical items in a sentence:
|Gloss||Written Cantonese||Standard Written Chinese|
|is||? haih||? sih (Mandarin: shì)|
|not||? m?h||? b?t (Mandarin: bù)|
|they/them||keúih-deih||t?-mùhn? (Mandarin: t?men)|
|(possessive marker)||? ge||? d?k (Mandarin: de)|
|Is it theirs?||?
haih-m?h-haih keúih-deih ge?
Sih-b?t-sih t?-mùhn d?k?
In the above table the two Chinese sentences are grammatically identical, using an A-not-A question to ask "Is it theirs?" (referring to some prior mentioned thing). But the characters are all different, though they correspond 1:1.
There are certain words that share a common root with standard written Chinese words. However, because they have diverged in pronunciation, tone, and/or meaning, they are often written using a different character. One example is the doublet ? lòih (standard) and ? lèih (Cantonese), meaning "to come." Both share the same meaning and usage, but because the colloquial pronunciation differs from the literary pronunciation, they are represented using two different characters. Some people argue that representing the colloquial pronunciation with a different (and often extremely complex) character is superfluous, and would encourage using the same character for both forms since they are cognates (see Derived characters below).
Some Cantonese words have no equivalents in Mandarin, though equivalents may exist in classical or other varieties of Chinese. Cantonese writers have from time to time reinvented or borrowed a new character if they are not aware of the original one. For example, some suggest that the common word ? (leng), meaning pretty in Cantonese but also looking into the mirror in Mandarin, is in fact the character ?.
Today those characters can mainly be found in ancient rime dictionaries such as Guangyun. Some scholars have made some "archaeological" efforts to find out what the "original characters" are. Often, however, these efforts are of little use to the modern Cantonese writer, since the characters so discovered are not available in the standard character sets provided to computer users, and many have fallen out of usage.
In Southeast Asia, Cantonese people may adopt local Malay words into their daily speech, such as using the term ? /l?y/ rather than saying ? /ts?i:n/ which would be what the Hong Kong Cantonese would say, meaning money and written ?.
Cantonese particles may be added to the end of a sentence or suffixed to verbs to indicate aspect. There are many such particles; here are a few.
Some Cantonese loanwords are written in existing Chinese characters.
|Written form of Cantonese||Jyutping||Cantonese pronunciation||English word||English Pronunciation||Written form of Mandarin|
|baa1 si2||/pa:i:/||bus||/b?s/|| (Taiwan)|
|zyu1 gu1 lik1||/t?y:?ku:?l?k?/||chocolate||/'tkl?t/|
|saam1 man4 zi6||/sa:m?m?nt?i:?/||sandwich||/'sænw?d?/|
|si6 baa1 naa2||/?ì:pá:n?:/||spanner or wrench|
|?||si6 do1 be1 lei2||/?i:?t?:?p?:?lei/||strawberry||/'str?:b?ri/|
|baai1 baai3||/pa:i?pa:i?/||bye bye||/'ba?ba?/|
|saam1 man4 jyu4||/sa:m?m?njy:/||salmon||/'sæm?n/|
|pe1 paai2||/p: p:i/||poker|
|daan6 taat1||/tà:n.t?á:t?/||egg tart|
|diu1 si2||[tí:u.sǐ:]||deuce||(Before the final game of tennis )|
|si3 luk1 gaa2||[sī:lók?.kǎ:]||snooker||?|
|(?)||si3 taat1 (daa2)||[sī:.t?á:t? tǎ:]||starter|
|si3 be1 taai1||[sī:.p?́: t?á:i]||spare tire||?|
Often used to describe people with waist and abdomen fat
|si3 do1 fong4||[sī:.t?́: f?̏:?]||storeroom|
|saan1 aai1||[sá:n ?á:i]||cyanide|
|luk3 sik1 maa2||[lōk?.sék? mǎ:]||Six Sigma||?|
|tin1 naa4 seoi2||[t?í:nnȁ: s?̌y]||thinner||,|
|bei2 gou1||[pěikóu]||bagel||(Mainland China),(Taiwan)|
|bei2 gin1 nei4||[pěikí:nnȅi]||bikini|
|baa1 si1 dak1 siu1 duk6||/pá:.sí tk?.si:ú.tk?/||pasteurized|
|baa1 lai4 mou2||[pá:l?̏imǒu]||beret|
|baa1 sin1 / pat6 sen1||[pá:sí:n] / /pt?.s:n/||percent||,?(Taiwan)|
|gu2 lung4 seoi2||[kǔ:.lȍ? s?̌y]||Cologne water||?(Mainland China)|
|kaa1 sik1 gei1||[k?á:.sék? kéi]||cassette|
|kaa1 si2||[k?á:.sǐ:]||cast / class||1. ?|
|gaap3 baa1 din1||[kā:p?.pá:.tí:n]||gabardine|
|?||taa1 fei1 aa3 zau2||[t?á:.féi ?ā:.ts?̌u]||tafia / taffia||?|
|dung1 lat1||[tó?.l?́t?]||doughnut||?(Mainland China)|
|naai2 sik1||[nǎ:i.sék?]||milk shake|
Cantonese characters, as with regular Chinese characters, are formed in one of several ways:
Some characters already exist in standard Chinese, but are simply reborrowed into Cantonese with new meanings. Most of these tend to be archaic or rarely used characters. An example is the character ?, which means "child". The Cantonese word for child is represented by ?(jai), which has the original meaning of "young animal".
Many characters used in Cantonese writings are formed by putting a mouth radical (?) on the left hand side of another better-known character (e.g. ?), usually a standard Chinese character. This indicates that the new character sounds like the standard character, but is only used phonetically in the Cantonese context. (An exception is ?, which does not sound like ? (sheep), but sounds like the sound that sheep make.) The characters which are commonly used in Cantonese writing include:
There is evidence that the mouth radical in such characters can, over time, be replaced by a Signific, which indicates the meaning of the character. The new character is then a semantic compound. For instance, ? (l?m, "bud"), written with the signific ? ("cover"), is instead written in older dictionaries as ?, with the mouth radical.
Other common characters are unique to Cantonese or are different from their Mandarin usage, including: ?, ?, ?, ?, ?, ?, ? etc. The characters which are commonly used in Cantonese writing include:
The words represented by these characters are sometimes cognates with pre-existing Chinese words. However, their colloquial Cantonese pronunciations have diverged from formal Cantonese pronunciations. For example, ? ("without") is normally pronounced mòuh in literature. In spoken Cantonese, ? (móuh) has the same usage, meaning, and pronunciation as ?, except for tone. ? represents the spoken Cantonese form of the word "without", while ? represents the word used in Classical Chinese and Mandarin. However, ? is still used in some instances in spoken Cantonese, such as ? ("no matter what happens"). Another example is the doublet ?/?, which means "come". ? (lòih) is used in literature; ? (lèih) is the spoken Cantonese form.
Though all Cantonese words can be found in the current encoding system, input workarounds are commonly used by those not familiar with them. Some Cantonese writers use simple romanization (e.g., use D as ?), symbols (add a Latin letter "o" in front of another Chinese character; e.g., ? is defined in Unicode but will not display if not installed on the device in use, hence the proxy o? is often used), homophones (e.g., use ? as ?), and Chinese characters which have different meanings in Mandarin (e.g., ?, ?, ?; etc.) For example,
|Gloss||you||being||there||good||(final particle),||thousand||pray||don't||mess with||him||(genitive particle)||things/stuff.|
|Translation||You'd better stay there, and under no circumstances mess with his/her stuff.|