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Anthony Robert Kushner (born July 16, 1956) is an American playwright, author, and screenwriter. He received the Pulitzer Prize for Drama in 1993 for his play Angels in America, then adapted it for HBO in 2003. He co-authored the screenplay for the 2005 film Munich, and he wrote the screenplay for the 2012 film Lincoln. Both were critically acclaimed, and he received an Academy Award nomination for Best Adapted Screenplay for each. He received a National Medal of Arts from President Barack Obama in 2013.[1]
Kushner was born in Manhattan, the son of Sylvia (née Deutscher), a bassoonist, and William David Kushner, a clarinetist and conductor.[2][3] His family is Jewish, descended from immigrants from Russia and Poland.[4][5][6][7][8] Shortly after his birth, Kushner's parents moved to Lake Charles, Louisiana, the seat of Calcasieu Parish where he spent his childhood. During high school Kushner was active in policy debate. In 1974, Kushner moved back to New York to begin his undergraduate college education at Columbia University, where he received a Bachelor of Arts degree in Medieval Studies in 1978.[9] He attended the Tisch School of the Arts at NYU, graduating in 1984. During graduate school, he spent the summers of 1978-1981 directing both early original works (Masque of the Owls and Incidents and Occurrences During the Travels of the Tailor Max) and plays by Shakespeare (A Midsummer Night's Dream and The Tempest) starring the children attending the Governor's Program for Gifted Children (GPGC) in Lake Charles.
In a 2015 interview actress/producer Viola Davis revealed she had hired Kushner to write an as yet untitled biopic about the life of Barbara Jordan that she planned to star in.[17]
In 2016, Kushner worked on a screenplay version of August Wilson's play Fences; the resulting film Fences, directed by Denzel Washington, was released in December 2016.
Kushner is famous for frequent revisions and years-long gestations of his plays. Both Angels in America: Perestroika and Homebody/Kabul were significantly revised even after they were first published. Kushner has admitted that the original script version of Angels in America: Perestroika is nearly double the length of the theatrical version.[18] His newest completed work, the play The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, began as a novel more than a decade before said work finally opened on May 15, 2009.
In 2018, it was announced that Kushner was working on a script of a remake of West Side Story for Spielberg to direct.[19]
Kushner's criticism of Israel's treatment of the Palestinians and of the increased religious extremism in Israeli politics and culture has created some controversy with U.S. Jews,[20] including some opposition to his receiving an honorary doctorate at the 2006 commencement of Brandeis University. The Zionist Organization of America unsuccessfully lobbied the university to rescind its invitation to Kushner.[21] During the controversy, quotes critical of Zionism and Israel made by Kushner were circulated. Kushner said at the time that his quotes were "grossly mischaracterized." Kushner told the Jewish Advocate in an interview, "All that anybody seems to be reading is a couple of right-wing Web sites taking things deliberately out of context and excluding anything that would complicate the picture by making me seem like a reasonable person, which I basically think I am."[22] In an interview with the Jewish Independent, Kushner commented, "I want the state of Israel to continue to exist. I've always said that. I've never said anything else. My positions have been lied about and misrepresented in so many ways. People claim that I'm for a one-state solution, which is not true." However, he later stated that he hopes that "there might be a merging of the two countries because [they're] geographically kind of ridiculous looking on a map," although he acknowledged that political realities make this unlikely in the near future.[23] Kushner has even received backlash from family members due to his political views of Israel.[24]
On May 2, 2011, the Board of Trustees[25] of the City University of New York (CUNY), at their monthly public meeting, voted to remove (by tabling to avoid debate) Kushner's name from the list of people invited to receive honorary degrees, based on a statement by trustee Jeffrey S. Wiesenfeld about Kushner's purported statements and beliefs about Zionism and Israel.[26][27] In response, the CUNY Graduate Center Advocate began a live blog on the "Kushner Crisis" situation, including news coverage and statements of support from faculty and academics.[28] Three days later, CUNY issued a public statement that the Board is independent.[29] On May 6, three previous honorees stated they intended to return their degrees: Barbara Ehrenreich, Michael Cunningham and Ellen Schrecker.[11] Wiesenfeld said that if Kushner would renounce his anti-Israel statements in front of the board of trustees, he would be willing to vote for him.[30] The same day, the board of trustees moved to reverse its decision.[31] Kushner accepted the honorary doctorate at the June 3 graduation for the John Jay College of Criminal Justice.[32]
Kushner was quoted in the 2010 book It All Changed in an Instant: More Six-Word Memoirs on page 76. His six-word memoir was "At least I never voted Republican."
Personal life
Kushner and his partner, Mark Harris, held a commitment ceremony in April 2003,[33] the first same-sex commitment ceremony to be featured in the Vows column of The New York Times.[34] Harris is an editor of Entertainment Weekly and author of Pictures at a Revolution - Five Movies and the Birth of the New Hollywood. He is close friends with theatre director Michael Mayer, whom he met while studying at NYU.[35]
The Age of Assassins, New York, Newfoundland Theatre, 1982.
La Fin de la Baleine: An Opera for the Apocalypse, New York, Ohio Theatre, 1983.
The Heavenly Theatre, produced at New York University, Tisch School of the Arts, 1984.
The Umbrella Oracle, Martha's Vineyard, The Yard, Inc..
Last Gasp at the Cataract, Martha's Vineyard, The Yard, Inc., 1984.
Yes, Yes, No, No: The Solace-of-Solstice, Apogee/Perigee, Bestial/Celestial Holiday Show, produced in St. Louis, Imaginary Theatre Company, Repertory Theatre of St. Louis, 1985, published in Plays in Process, 1987.
Reverse Transcription: Six Playwrights Bury a Seventh, A Ten-Minute Play That's Nearly Twenty Minutes Long, Louisville, Humana Festival of New American Plays, Actors Theatre of Louisville, March 1996.
A Dybbuk, or Between Two Worlds (adapted from Joachim Neugroschel's translation of the original Yiddish play by S. Ansky; produced in New York City at the Joseph Papp Public Theater, 1997), Theatre Communications Group, 1997.
The Good Person of Szechuan (adapted from the original play by Bertolt Brecht), Arcade, 1997.
(With Eric Bogosian and others) Love's Fire: Seven New Plays Inspired by Seven Shakespearean Sonnets, Morrow, 1998.
Terminating, or Lass Meine Schmerzen Nicht Verloren Sein, or Ambivalence, in Love's Fire, Minneapolis, Guthrie Theater Lab, January 7, 1998; New York: Joseph Papp Public Theater, June 19, 1998.
A Meditation from Angels in America (1994) Harper, San Francisco, ISBN0-06-251224-2
Thinking about the Longstanding Problems of Virtue and Happiness: Essays, a Play, Two Poems, and a Prayer (1995) Theatre Communications Group, New York, NY ISBN1-55936-100-X
"Three Screeds from Key West: For Larry Kramer," (1997) in We Must Love One Another or Die: The Life and Legacies of Larry Kramer, edited by Lawrence D. Mass, St. Martin's Press, New York, pp. 191-199. ISBN0-312-22084-7
Moises Kaufman (1997) Gross Indecency, afterword by Kushner, Vintage, New York, pp. 135-143. ISBN0-8222-1649-3
Plays by Tony Kushner (New York: Broadway Play Publishing, 1999), ISBN0-88145-102-9. Includes:
A Bright Room called Day (First published 1994)
The Illusion, freely adapted from Pierre Corneille's L'Illusion comique
Death & Taxes: Hydrotaphia, and Other Plays, (1998) Theatre Communications Group (New York, NY), ISBN1-55936-156-5. Includes:
Reverse transcription
Hydriotaphia: or the Death of Dr. Browne, (adaptation of Hydriotaphia, Urn Burial, a fictitious, imaginary account of Sir Thomas Browne's character not based upon fact)
"A Modest Proposal". American Theatre, January 1998: 20-22, 77-89.
"A Word to Graduates: Organize!". Nation, July 1, 2002.
"Only We Who Guard The Mystery Shall Be Unhappy". Nation, March 24, 2003.
Other works
La Fin de la Baleine: An Opera for the Apocalypse, (opera) - 1983
St. Cecilia or The Power of Music, (opera libretto based on Heinrich von Kleist's eighteenth-century story Die heilige Cäcilie oder Die Gewalt der Musik, Eine Legende)
Brundibar, (an opera in collaboration with Maurice Sendak)
West Side Story, a film by Steven Spielberg (2021) - screenplay
Interviews
Gerard Raymond, "Q & A With Tony Kushner," Theatre Week (December 20-26, 1993): 14-20.
Mark Marvel, "A Conversation with Tony Kushner," Interview, 24 (February 1994): 84.
David Savran, "Tony Kushner," in Speaking on Stage: Interviews with Contemporary American Playwrights, edited by Philip C. Kolin and Colby H. Kullman (Tuscaloosa: University of Alabama Press, 1996), pp. 291-313.
Robert Vorlicky, ed., Tony Kushner in Conversation (Ann Arbor: University of Michigan Press, 1998).
Contemporary Literary Criticism, Gale (Detroit), Volume 81, 1994.
Bloom, Harold, ed., Tony Kushner, New York, Chelsea House, 2005.
Brask, Anne, ed., "Ride on the Moon", Chicago, Randomhouse, 1990.
Brask, Per K., ed., Essays on Kushner's Angels, Winnipeg, Blizzard Publishing, 1995.
Dickinson, Peter. "Travels with Tony Kushner and David Beckham, 2002-2004." Theatre Journal, 57.3 (2005): 429-450.Fisher, James, The Theater of Tony Kushner, London, Routledge, 2002.[1]
Fisher, James, ed., Tony Kushner. New Essays on the Art and Politics of His Plays, London, McFarland & Company, 2006.
Geis, Deborah R., and Steven F. Kruger, Approaching the Millennium: Essays on Angels in America, University of Michigan Press, 1997.
Klüßendorf, Ricarda, "The Great Work Begins". Tony Kushner's Theater for Change in America, Trier, WVT, 2007.
Lioi, Anthony, "The Great Work Begins: Theater as Theurgy in Angels in America", in CrossCurrents, Fall 2004, Vol. 54, No 3
Solty, Ingar, "Tony Kushners amerikanischer Engel der Geschichte", in Das Argument 265, 2/2006, pp. 209-24 [2]