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Jörgensmann at "Kulturhalle Jülchendorf", Germany 2009
Theo Jörgensmann belongs to the 2nd generation of European free jazz musicians. He was part of the clarinet Renaissance in the jazz and improvising music scene. Jörgensmann is one of a few clarinet players for whom unaccompanied solo recordings are a significant part of his work.
He started to play clarinet when he was 18 years old. From 1969 until 1972 Jörgensmann took private lessons from a music teacher at the Folkwang Hochschule in Essen. At the same time he started working with fellow musicians from the Ruhr industrial area. During this time he was also a chemical laboratory assistant. After a one and half year hitch in the German Army Jörgensmann worked with handicapped children and studied social pedagogics, but he never brought it to a conclusion. Since 1975 he has been a professional musician.
Since 2008 he is a member of Trio Hot with Albrecht Maurer, violin and Peter Jacquemyn, bass, and in 2009 he started the Deep Down Clarinet Duo together with the contrabass clarinet player Ernst Ulrich Deuker.
They also work together in the Tribal Trio, a clarinet trio with the French-American clarinetist Etienne Rolin. In 2009 Jörgensmann performed a few concerts with younger musicians from UK (Seb Rochford, Dominic Lash, Shabaka Hutchings and Noel Taylor) in London. In 2011 he formed a new trio - The Freedom Trio - with bassist Christian Sydney Ramond and acoustic guitar player Hagen Stüdemann. After a twelve-year break, he also works together again with pianist Bernd Köppen. Currently Jorgensmann is also working again with the "Clarinet Summit". The members of the group are Perry Robinson, Gianluigi Trovesi, Bernd Konrad, Albrecht Maurer, Sebastian Gramss and Günther "Baby" Sommer. In 2018, Jörgensmann was artist in residence at Singers Festival Warsaw, the biggest festival of Jewish culture in Poland.
Cinemascope - Oriental Traces (drizzly records 2010)
Grotesk, Grotesk (1980) (republished on erlkönig records 2004)
Snijbloemen a composition for clarinet, vibes, bass and percussion. (2000) Recorded Hat-Hut records hatOLOGY 539
Die Eroberung des Schönen an experimental opera for 3 writers, 1 actor, 1 painter and 1 musician. (1995) WDR-Tv production.
Der Garten a dance-theater-piece for 2 dancers, clarinet, bass clarinet, sound-maschine and percussion. (1994) Choreography: Claudia Lichtblau. Composition: Theo Jörgensmann/Eckard Koltermann
Hommage á Béla Bartók chamber music for violin, clarinet, bass clarinet and contra bass. (1994)
Aesthetic direction chamber music for violin, violoncello, clarinet, bass clarinet and percussion (1993)
Jörgensmann wrote in his book Kleine Ethik der Improvisation:
"To find the right balance between communication of motion and non-communication is the major part of improvised music; that communication of motion as a part of interaction in music is an opportunity to create a new structure of time, which the listener could perceive as a new kind of musical space; that the idea of jazz does not depend on a specific material and special form; that the essential aspect of jazz is the fact that jazz musicians discovered the fourth dimension of time in music (they call it swing)." 
Kleine Ethik der Improvisation: vom Wesen, Zeit und Raum, Material und Spontangestalt, by Theo Jörgensmann & Rolf-Dieter Weyer, with silhouettes of Hermann "Es" Richter ISBN3-924272-99-9
^Theo Jörgensmann, Bottrop, Klarinette documentary film, 16mm, colour, 30 min. director: Christoph Hübner (1987) "Archived copy". Archived from the original on 2007-03-11. Retrieved .CS1 maint: Archived copy as title (link)
^Kleine Ethik der Improvisation: vom Wesen, Zeit und Raum, Material und Spontangestalt, by Theo Jörgensmann & Rolf-Dieter Weyer, with silhouettes of Hermann "Es" Richter