The Myddle Class
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The Myddle Class
The Myddle Class
The Myddle Class.JPEG.jpg
Background information
Origin Berkeley Heights, New Jersey, United States
1964 (1964)-1969 (1969)
Carole King
  • Dave Palmer
  • Rick Philp
  • Danny Mansolino
  • Chris Irby
  • Charles Larkey
  • Michael "Myke" Rosa

The Myddle Class was an American garage rock band from Berkeley Heights, New Jersey who were active in the 1960s. Signed to Tomorrow Records which was owned by songwriters Gerry Goffin and Carole King, they were one of the most popular live acts in the New Jersey/New York region during the 1960s and released several singles, enjoying hits in various local markets such as in Albany. In the late 1960s band members became involved in college and other musical projects. Band member Charles Larkey, who joined the Fugs in late 1967, later married Carole King, following her divorce from Goffin, and played bass on some of her recordings in the 1970s. The Myddle Class intended to record an album in 1969, but was thwarted due to the unexpected murder of guitarist Rick Philp. The band broke up shortly thereafter. Singer Dave Palmer later joined Steely Dan in the 1970s and sang on Carole King's hit "Jazzman".



The band was formed as the King Bees in 1964 made up of high school students from suburban Passaic Valley townships that border the Interstate 78 corridor in New Jersey.[1][2][3] The King Bees' initial lineup consisted of Dave Palmer on lead vocals and Rick Philp on guitar, Chris Irby on bass, Danny Mansolino on organ, and Mike Rosa on drums.[2][4] Dave Palmer and Rick Philp were from Warren Township and were students at Watchung Hills Regional High School.[2][5] Danny Mansolino from North Plainfield attended North Plainfield High School and had played accordion, but Rick Philp asked him to join on organ.[2] At first Chris Irby played bass, but when he decided to quit, drummer Myke Rosa from Berkeley Heights brought in Charles Larkey, a friend of his at Governor Livingston Regional High School.[2] Larkey was only just learning the bass when he joined, but he had good stage presence and dressed in all of the latest mod fashions from his father's store Larkey's in Newark.[2] According to Palmer:

I'd always sung in choir and "folk" groups but when the Rolling Stones hit in the '60s and I discovered it was a wonderful way to "get" women (not being of the "jock" or award winning Mr. popular student type myself) I devoted myself full time to pursuing a career in music...[5]

The King Bees became known for their exciting live shows, which would include songs such as "Shout", "She's Not There" and the original, "It's the Season".[2] After one show at the Berkeley Heights CYO in December 1964, the band met New York Post columnist Al Aronowitz, who was friends with Bob Dylan and arranged his first meeting with the Beatles at the Delmonico Hotel in New York, in which Dylan allegedly turned the fab four onto pot.[2][6][7] Aronowitz heard about the King Bees through his babysitter and despite his lack of experience in the business side of music, became the group's manager.[2] His house in Berkeley Heights became the group's base of operations.[2] Aronowitz introduced them to Carole King and Gerry Goffin, the well-known husband-and-wife song writing team, who were then living nearby in West Orange.[2] The pair agreed to write songs and produce the group.[2] In the fall of 1965 the King Bees changed their name to the Myddle Class to distinguish themselves from Danny Kortchmar's King Bees who just had just released a record on RCA Victor.[2] In October, Goffin and King signed the Myddle Class to their new label, Tomorrow Records, to be distributed by Atlantic-Atco.[1][2]


Their first single "Free As The Wind," backed with a full-band rendition of Bob Dylan's "Gates of Eden", was released on Tomorrow in December 1965.[1][8][9] "Free as the Wind" combined Goffin and King's commercial flair with garage-informed folk rock.[1][3]Billboard reviewed "Free as the Wind" in its December 1965 issue stating, "New label, new group and new Goffin-King material has smash hit possibilities. Folk rocker is a powerhouse!"[2] The song became a hit in Albany, New York, but despite the glowing Billboard review, it failed to catch on outside of the region.[1][2] Gaining popularity, the Myddle Class played at many of New York's leading clubs, such as the Night Owl and Cafe Au Go Go.[1][2] On December 11, 1965, the Myddle Class headlined a concert at the Summit High School Auditorium with opening acts the Forty Fingers and the Velvet Underground.[2][3][10] Al Aronowitz produced the show and had booked all of the bands including the Velvet Underground, who used the name "Velvet Underground" for the first time this night.[2] It was also their first live performance with Maureen Tucker on drums.[2]

In 1966 the Myddle Class released their follow-up single "Don't Let Me Sleep Too Long" which the band took from a demo by the Blues Project that would later become their hit "Wake Me Shake Me"--a song covered by many acts.[1][2][3][8][9] This hard-rocking single more accurately reflected the Myddle Class' live sound, and reached #2 on the Albany charts, but like their first single did not reach a wider market.[1][2] It was backed by "I Happen To Love You", subsequently covered by the Electric Prunes.[1][3][8][9] In 1966 Myddle Class opened for the Blues Project.[2]

Goffin and King's distribution deal with Atco fell apart.[2] They were able to sign a deal with Cameo-Parkway distribute the Tomorrow label.[2] The first release on the reconfigured Tomorrow label was by the Bach's Lunch, a female singing group, whose ranks included singer Darlene McCrea of the Cookies and the Raelettes.[2] The Myddle Class provided the instrumental backing on both sides.[2] The A-side was a remake of Goffin and King's "Will You Still Love Me Tomorrow", backed with Rick Philp and Dave Palmer's song "You Go On" on the B-side.[2] The band enjoyed regional successes, and were welcomed by enthusiastic crowds in Montreal and Boston.[2] They did a residency at Ungano's on the upper West Side of Manhattan, and a played a show to over 3000 people in Smithtown, Long Island, which was promoted by DJ Scott Ross.[2] The band encountered a number of discouraging setbacks around this time.[2] They had a successful audition with producer Tom Wilson for MGM Records, but apparently Al Aronowitz did not allow the deal to go through.[2] In February 1967 they opened for the Animals, but their set was marred by technical problems in the microphones and PA, resulting in poor reviews for the band's performance.[2]

In April 1967 the Myddle Class released one last single.[2] The A-side "Don't Look Back" was a cover of a Temptations song and was self-produced by the group.[1][2][8][9] On the flip-side was the song "Wind Chime Laughter", with song written by Philp and Palmer, but credited jointly to the Myddle Class and Goffin.[2][8][9] In August 1968 Allen Klein took over Cameo-Parkway and ousted the band's representatives at the label, including Neil Bogart (who later founded Casablanca Records), leaving their new single without any promotion.[2] Some members of the Myddle Class posed anonymously as models in photographs taken by Richard Avedon intended for advertisements.[2] One of Avedon's photographs of Charles Larkey appeared on the cover of Esquire in September 1967.[2] Larkey joined the Fugs in late 1967 for a series of shows at the Players Theater.[2]

Late period

By late 1967, with some of the band's members either away at college or pursuing other musical ventures, the Myddle Class was rarely performing live.[2] What little active time they had was used to record demos for Goffin and King songs intended for other artists.[2] They are rumored to have recorded and arranged demos of "Pleasant Valley Sunday" and "Porpoise Song" for the Monkees, as well as "Snow Queen", and "Fun and Games", but none of these pieces have ever been released to the public.[2] Of the demos that do exist are "Goin' Back", which became a single for the Byrds in October 1967 and was included on their Notorious Byrd Brothers album, as well as "I Can't Make It Alone" released by Dusty Springfield Dusty in Memphis.[2] Amongst the other demos from the sessions are "An Angel Walks Beside Me" and "Who Does He Love".[2] Dave Palmer and Rick Philp signed a publishing with Screen Gems-Columbia, the same publishers representing Goffin and King at this time.[2] But, a promise from Don Kirshner to sign the group to Colgems never materialized, nor did he attempt to have other artists record their songs.[2] The Myddle Class recorded demos of some of these Palmer & Philp songs, such as "Man on the Bridge".[2]

Gerry Goffin and Carole King divorced and separately relocated to California in early 1968.[2] Charles Larkey and Carole King began an intimate affair that would eventually lead to marriage.[2] Rick Philp and Charles Larkey spent the summer of that year in Los Angeles working up arrangements with Carole King for songs that would appear on Now That Everything's Been Said, the album by her group the City.[2] David Palmer co-wrote the song "Paradise City" with King, which appeared on that album.[5] Danny Kortchmar replicated Rick's guitar parts for the Myddle Class' last recordings, released in 1969.[2] In the fall of 1968 Danny Mansolino, Dave Palmer, and Rick Philp were residing in Boston and collaborated on songs with pianist Lloyd Baskin.[2] In March 1969 they recorded a number of songs in the studio, including a new Goffin and King composition "Mr. Charlie", and a couple by Palmer and Philp, "Redbeard" (their nickname for Al Aronowitz) and "Keys to the Kingdom".[2] An album was planned for the band to record in the summer of 1969, but any future chances of the band re-activating were dashed when guitarist Rick Philp was murdered by his former roommate in Boston in May.[2][3] By this point, the band's enthusiasm was had long receded, and they broke up shortly thereafter.[2]


After leaving Cameo-Parkway and joining Buddah Records, Neal Bogart posthumously reissued "Don't Let Me Sleep Too Long" b/w "I Happen to Love You" on a single for Buddah in mid-1969, but it had little impact.[2] An unreleased song, "Lovin' Season" originally titled "It's the Season" dated back to 1965, appeared on a Buddah sampler LP Rock And Roll With Buddah distributed at the National Entertainment Conference (N.E.C) held in Memphis, February, 1970.[2] Danny Mansolino and Myke Rosa joined Jake and the Family Jewels for two Polydor albums in 1969 and 1970.[2] They brought in Dave Palmer as vocalist on a 1971 album as the Quinames Band cut for Elektra Records, where Rosa was now a staff producer.[1][2] The Quinames Band's ranks included Ken Pine, who had played alongside Charlie Larkey in the Fugs, and Jerry Burnham.[2] Dave Palmer joined Steely Dan and was featured as a vocalist on their early records and sang on Carole King's 1974 hit "Jazzman".[1][2][3][5] Charles Larkey and Carole King married in September 1970, just as she was beginning to establish herself as a top recording act in the early 1970s.[1][2]

The Myddle Class's work has come to the attention of garage rock collectors and enthusiasts. Their songs have been included on several compilations such as Mindrocker: the Complete Series Volumes 1-3, issued by Past & Present Records and Boulders, Volume 3, put out by Moxie.[11][12][13]

Membership circa 1965-1967

  • Dave Palmer (vocals)
  • Rick Philp (guitar)
  • Danny Mansolino (organ)
  • Charles Larkey (bass)
  • Michael "Myke" Rosa (drums)


  • "Free as the Wind" b/w "Gates of Eden" (Tomorrow 7501, November 1965)
  • "Don't Let Me Sleep too Long" b/w "I Happen to Love You" (Tomorrow 7503, June 1966)
  • "Don't Look Back" b/w "Wind Chime Laughter" (Tomorrow 912, June 1967)
  • "Don't Let Me Sleep Too Long" b/w "I Happen to Love You" (Buddah 150, November 1969)[8][9]


  1. ^ a b c d e f g h i j k l m "The Myddle Class: Artist Biography". AllMusic. All Media Network, LLC. Retrieved 2015. 
  2. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk Bishop, Chris (July 14, 2005). "The Myddle Class". Garage Hangover. Garage Hangover. Retrieved 2016. 
  3. ^ a b c d e f g Hayden, Jack. "Mid-Atlantic Spotlight: The Myddle Class - Don't Let Me Sleep Too Long / I Happen To Love You". On the Flip Side. On the Flip Side. Retrieved 2016. 
  4. ^ Cianci, Bob (2006). Great Rock Drummers of the Sixties (Second ed.). 7777 Bluemound Road P.O. Box 13819 Milwaukee, Wisconsin 53213: Hal Leonard Corporation. p. 214. ISBN 0634099256. 
  5. ^ a b c d DiCorcia, Bob (January 1, 1997). "David Palmer: Q & A". The Steely Dan Reader. The Steely Dan Reader. Retrieved 2016. 
  6. ^ Harrison, Andrew (August 27, 2014). "When Dylan Met the Beatles - History in a Handshake?". The Guardian. Guardian News and Media Limited. Retrieved 2016. 
  7. ^ "Bob Dylan Turns The Beatles on to Cannabis". The Beatles Bible. The Beatles Bible. Retrieved 2016. 
  8. ^ a b c d e f Markesich, Mike (2012). Teen Beat Mayhem (First ed.). Branford, Connecticut: Priceless Info Press. p. 170. ISBN 978-0-9856482-5-1. 
  9. ^ a b c d e f "The Myddle Class - Discography". 45cat. 45cat Website. Retrieved 2015. 
  10. ^ "December 11: The Velvet Underground at Summit High School". Jewish Currents: Activist Politics & Art. Jewish Currents. December 10, 2013. Retrieved 2015. 
  11. ^ Deming, Mark. "Mindrocker: The Complete Series, Vols. 1-13". AllMusic. All Media Network, LLC. Retrieved 2016. 
  12. ^ "Various - Mindrocker". Discogs. Discogs. Retrieved 2016. 
  13. ^ "Various - Boulders Volume 3". Discogs. Discogs. Retrieved 2016. 

A memoir written by girlfriend to Rick Philp and friend to the group, and particularly to Carole King

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



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