|The Man Who Wasn't There|
Theatrical release poster
|Directed by||Joel Coen|
|Produced by||Ethan Coen|
|Music by||Carter Burwell|
|Box office||$18.9 million|
The Man Who Wasn't There is a 2001 American neo-noircrime film written, produced and directed by Joel and Ethan Coen. Billy Bob Thornton stars in the title role. Also featured are Tony Shalhoub, Scarlett Johansson, James Gandolfini, and Coen regulars Frances McDormand, Michael Badalucco, Richard Jenkins and Jon Polito. Joel Coen won the Best Director Award at the 2001 Cannes Film Festival. Ethan Coen, Joel Coen's brother and co-director of the film, did not receive the Best Director Award as he was not credited as a director.
This was the last film to be produced and distributed by Gramercy Pictures until it was revived in 2015.
In 1949, Ed Crane is a low-key barber in the town of Santa Rosa, California. He is married to Doris, a bookkeeper with a drinking problem, and he works in a barber shop that is owned by his brother-in-law, Frank. A customer named Creighton Tolliver tells Ed that he is a businessman looking for investors to put up $10,000 in a new technology called dry cleaning. Ed decides to collect money by anonymously blackmailing Doris's boss, "Big Dave" Brewster, whom he knows to be having an affair with Doris. Dave embezzles money from his department store to pay the blackmail. However, Brewster soon pieces together the scheme, and beats Tolliver until he implicates Ed. Dave confronts Ed at the store and attempts to kill him, but Ed stabs Dave fatally with a cigar knife.
After irregularities in the store's books are found, the police arrest Doris for embezzlement and Dave's murder. Ed is persuaded to hire Freddy Riedenschneider, a defense attorney from Sacramento, who arrives and takes up residence in the most expensive hotel in town. He proceeds to live lavishly on Doris's defense fund, which Frank obtained by mortgaging the barber shop. It is all for nothing, because on the morning of the trial Doris hangs herself in her cell. It is later revealed that she was pregnant when she hanged herself, but had not had sex with Ed for many years. Riedenschneider leaves town, and Frank, now deeply in debt, starts drinking heavily.
Ed makes regular visits to Rachel "Birdy" Abundas, a friend's teenage daughter, to hear her play the piano. Tormented by loneliness, he imagines helping her start a musical career and becoming her manager. The fantasy is crushed when a music teacher tells him that Birdy has no talent. Driving back from visiting the teacher, Birdy makes a pass at Ed and attempts to perform oral sex on him, causing Ed to lose control of the car and crash.
Ed wakes up in a hospital bed and two police officers arrest him for murder. Tolliver's beaten body has been found with Ed's investment contract. The police speculate that Ed coerced Doris into embezzling the investment money, and when Tolliver found out, he was killed. Ed mortgages his house and hires Riedenschneider for his defense. During Riedenschneider's opening statement, Frank attacks Ed, and a mistrial is declared. With no means left for his defense, Ed throws himself on the mercy of the court. The tactic fails, and the judge sentences him to death.
While waiting on death row, Ed writes his story to sell to a pulp magazine. Shortly before his execution, Ed sees a UFO outside the jailhouse. As Ed is electrocuted, he reflects on his fate, regretting none of his decisions and hoping to see Doris in the afterlife, both of them free of the mortal world's imperfections.
The film was well received by audiences and praised for its technique and performances. The film holds an 81% "fresh" rating on the movie-review aggregator site Rotten Tomatoes, and a 73/100 average on Metacritic.
Billy Bob Thornton was highly praised in the role of Ed Crane. Richard Schickel for Time said that, "Affectlessness is not a quality much prized in movie protagonists, but Billy Bob Thornton, that splendid actor, does it perfectly as Ed Crane, a taciturn small-town barber, circa 1949."
Jonathan Rosenbaum for the Chicago Reader said that "Joel and Ethan Coen stay true to their bent for dense heroes and neonoir, and to their unshakable conviction that life usually turns out to be splendidly horrific."
Tim Robey for the Daily Telegraph said that it's "A perfectly executed illustration of what is not, quite, great about the Coen brothers, which is a kind of grandstanding, and another kind of weirdly alienating insincerity."
|The Man Who Wasn't There|
|Soundtrack album by |
Carter Burwell and various artists
|Released||October 30, 2001|
|Coen Brothers film soundtracks chronology|
The original soundtrack to The Man Who Wasn't There consists of classical music, mainly piano sonatas by Ludwig van Beethoven, interspersed with cues composed by Carter Burwell. The film is the ninth on which Burwell has collaborated with the Coen Brothers.
Compositions by Carter Burwell except where otherwise noted.