|Media type||Print (Hardback & Paperback)|
The Fifty Worst Films of All Time (and How They Got That Way) is a 1978 book by Harry Medved, with Randy Dreyfuss and Michael Medved. It presents the authors' choices for the 50 worst sound films ever made. Each film's entry includes a story synopsis, the authors' opinions of its quality, and a selection of contemporary reviews of the film.
In compiling their list, the authors divided films under a few categories:
The authors also used egregious examples to represent less reputable film genres, such as blaxploitation films (Trouble Man), Japanese monster movies (Godzilla vs. Hedorah), Spaghetti Westerns (Return of Sabata) and jungle movies (Daughter of the Jungle) alongside anime (Alakazam the Great), disaster movies (Airport 1975), sexploitation films (Myra Breckinridge), Elvis Presley vehicles (Spinout), and mainstream films like At Long Last Love, Bring Me the Head of Alfredo Garcia, Hurry Sundown, King Richard and the Crusaders, Say One for Me.
The book intentionally excludes silent films because the authors consider them to be "a separate and unique art form and that judging them alongside talkies would be like weighing apples together with oranges". It limits the foreign films considered to only those distributed in the United States, judging it unfair to evaluate local obscurities denied an international release alongside mainstream Hollywood products, while realizing that it would not only be difficult for the authors to view the films, but unlikely that any readers would ever come across them.
The Medveds continued the theme of "celebrating" bad cinema with the publication The Golden Turkey Awards, instituted in 1980 which again showcased bad and obscure films, and The Hollywood Hall of Shame which examined in some detail several major Hollywood financial disasters, focusing on both the artistic treatments coupled with the technical and organizational ineptitude in the mounting of these films.
It has been said that The Fifty Worst Films of All Time marked the beginning of an explosion of "worst in cinema" prizes nearly resulting in "a state of redundancy almost approaching that of ordinary prizes."