|"The Devil Went Down to Georgia"|
|Single by Charlie Daniels|
|from the album Million Mile Reflections|
|Released||May 21, 1979|
|Genre||Bluegrass, country, country rock|
James W. Marshall
|Charlie Daniels singles chronology|
The song is written in the key of D minor. Vassar Clements originally wrote the basic melody an octave lower, in a tune called "Lonesome Fiddle Blues" released on Clements' self-titled 1975 album on which Charlie Daniels played guitar. The Charlie Daniels Band moved it up an octave and put words to it. The song's verses are closer to being spoken rather than sung (i.e., recitation), and tell the story of a boy named Johnny, in a variant on the classic deal with the Devil. The performances of Satan and Johnny are played as instrumental bridges. The song was the band's biggest hit, reaching number three on the Billboard Hot 100, prevented from further chart movement by "After The Love Has Gone" by Earth, Wind and Fire and "My Sharona" by The Knack. It is featured in the 1980 film Urban Cowboy, whose choreographer, Patsy Swayze, claims that she set the song's tempo. "How fast can you dance it?" Daniels asked. "How fast can you play it?" Swayze replied, but considering that the song was recorded in December 1978 and Urban Cowboy was filmed in 1979, it would have been impossible for Swayze to set the recorded song's tempo.
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The song is an uptempo bluegrass song about the Devil's failed attempt to "steal" a young man's soul through a fiddle-playing contest that involved enticing the young man's participation using a worldly prize. The song begins with a disappointed Devil arriving in Georgia, having stolen far fewer souls than expected, when he comes upon a fiddle-playing young man named Johnny. At that moment, Johnny happens to be playing his fiddle impressively "hot." Out of desperation, the Devil, who as it turns out also plays the fiddle, offers Johnny the wager which involves challenging the young man to a fiddle-playing contest. The Devil offers to give Johnny a golden fiddle if the young man plays better than he does; otherwise, the Devil will gain Johnny's soul. Although Johnny believes taking the Devil's bet might be a sin, he wagers his soul without fear, confidently boasting he is "the best that's ever been."
The Devil plays his fiddle first, to a contemporary, rock music theme with the backing of demon musicians. When the Devil's performance ends, Johnny compliments him and takes his own turn, making reference to four songs. Two are traditional songs of Appalachia -- "Fire on the Mountain" (also the name of Daniels' 1974 album) and "Granny Does Your Dog Bite?" (the latter traditionally known as "Granny Will Your Dog Bite?"). The third is an unnamed square dance melody that includes the patter, "Chicken in the bread pan pickin' out dough." (The country music standard "Ida Red," as most famously recorded by Bob Wills & His Texas Playboys, includes the lyric "Chicken in the bread pan pickin' out dough / Granny will your dog bite, no child no.") The last is a traditional American southern folk song "The House of the Rising Sun." The four songs are not performed but are only mentioned by reference. The Devil is impressed, admits defeat, and lays a golden fiddle at Johnny's feet. Johnny repeats his claim to be the best player ever and dares the Devil to a rematch in the future.
Johnny's final boast, as originally recorded for the Million Mile Reflections album, goes "I done told you once, you son of a bitch, I'm the best that's ever been." To accommodate radio airplay (both Country and Top 40 formats), the 45 RPM single release overdubbed that portion of the lyric as "'Cause I told you once, you son of a gun, I'm the best that's ever been." (The uncensored album version appears on the soundtrack of the movie Urban Cowboy, and it is this version that has been used on numerous music compilations since then.) Thus, Johnny maintains his virtue, keeping his soul from the Devil by displaying his musical virtuosity in performing traditional songs of America's South.
The ballad's story is a derivative of the traditional deal with the Devil motif. Charlie Daniels has stated in interviews, "I don't know where it came from, but it just did. Well, I think I might know where it came from, it may have come from an old poem called 'The Mountain Whippoorwill' that Stephen Vincent Benét wrote many, many years ago (1925), that I had in high school."
The original version of the song spent fourteen weeks on the Hot Country Singles charts in 1979, peaking at number 1 and holding the position for one week. It spent two weeks at a peak of number 3 on the Billboard Hot 100. The single was certified Platinum by the RIAA on December 20, 1989 for sales of over one million copies in the United States.
Since it became available as a download in the digital era, it has also sold 2.297 million digital copies in the US as of November 2016.
In June 1998, Epic Records re-released the song to country radio, but accidentally sent out the version in which the line "son of a bitch" was uncensored. This error was quickly corrected, and the song re-entered the country charts at number 62 for the chart dated June 20, 1998. It spent seven weeks on the chart and peaked at number 60.
In 1993, a sequel to the song, titled "The Devil Comes Back to Georgia", was recorded and released by Daniels and fiddle player Mark O'Connor, featuring guest performances by Travis Tritt (as the devil), Marty Stuart (as Johnny) and Johnny Cash as the narrator. The song can be found on Mark O'Connor's album, Heroes.
In the sequel, the devil, his anger unabated ten years after his defeat at young Johnny's hands, decides to take up the boy's challenge to "c'mon back if you ever wanna try again". With Johnny now an adult and married with an infant son, the devil is convinced that Johnny's sinful pride will be his undoing, so he takes back the golden fiddle he lost to Johnny, and forces him to practice with his old fiddle before their rematch.
Though the lyrics of the song state that "Johnny's the best that's ever been", reiterating his bold claim in the original song, the sequel's lyrics do not reveal who won the rematch, but the music video persuasively shows that, once again, Johnny does not lose.