Style Wars
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Style Wars
Style Wars
Stylewars cover.jpg
Directed by Tony Silver
Produced by Tony Silver and Henry Chalfant
Starring Various
Music by Various
Distributed by Public Art Films, Plexifilm
Release date
1983 (on television), 1984 (in theatres)
Running time
70 minutes
Director's Cut: 111 minutes
Country United States
Language English

Style Wars is an American 1983 documentary film on hip hop culture and its American roots, directed by Tony Silver and produced in collaboration with Henry Chalfant. The film has an emphasis on graffiti, although bboying and rapping are covered to a lesser extent. The film was originally aired on PBS television on January 18th, 1984, and was subsequently shown in several film festivals to much acclaim, including the Vancouver Film Festival. It also won the Grand Jury Prize: Documentary at the Sundance Film Festival.[1]

The documentary captures and includes many historical moments of hip hop culture during its earliest days in the 1970s onward towards the early 1980s.

Background

The documentary shows both the young artists struggling to express themselves through their art, and their points of view on the subject of graffiti, as well as the views of then New York City Mayor Ed Koch, one-armed, now deceased graffiti writer Case/Kase 2, graffiti writer Skeme and his mother, graffiti "villain" Cap, now deceased graffiti writer Dondi, Seen and Shy 147, graffiti documentarian (and co-producer of the film) Henry Chalfant, breakdancer Crazy Legs of Rock Steady Crew, police officers, art critics, subway maintenance workers, as well as several "people on the street".

While Style Wars promoted the idea that graffiti is a form of creative expression, not every person within the film held this same belief. In fact, throughout the film we see ways in which institutions such as the government and law enforcement tried arduously to prevent graffiti in New York City. For example, the city spent a large sum of money on negative subway advertisements that portrayed graffiti as a crime. On top of this, the mayor (who at the time was Ed Koch) pushed for the building of fences that would block off the entrances to subways where graffiti artists would create their work. Additionally, he had police guard dogs put into these areas to scare away those who may enter. Both Koch and The New York City Police Department rallied endlessly at an attempt to convince the city's youth that graffiti is vandalism and that if they participated in it they would ruin their futures.[2]

Another perspective on graffiti shown in this film is that of well known artists. Many of them state that the reason why these teens spray paint murals on the sides of buildings is because they do not have any other place to do so, not because they want to intentionally break the law. Additionally, these individuals see potential for those that are involved in the culture beyond the streets. In the same way, they appreciate the art while simultaneously disagreeing with exactly how they do it. This in a way makes them middlemen within this documentary.[3]

Reception

In 2009, A. O. Scott of The New York Times examined the film:

'Style Wars is a work of art in its own right too, because it doesn't just record what these artists are doing, it somehow absorbs their spirit and manages to communicate it across the decades so that we can find ourselves, so many years later, in the city, understanding what made it beautiful'.[4]

Featured graffiti artists

Featured break dancers

Featured music

DVD release

The digitally remastered DVD edition also contains:

2011 restoration auction

On June 9, 2011 it was announced that Red Hot Chili Peppers bassist, Flea along with actors Brad Pitt and James Franco and director Spike Jonze were donating items to an eBay auction that would raise money for restoring the film negatives for Style Wars. The Auction ended on June 11, 2011.[5]

References in other media

DJ Mutt used quotes from the movie in his song titled "Big Lights, Big City" taken from his album Treading Water. Black Star used a clip from the movie in the intro to the song "Respiration" on the Black Star album. The Drum and Bass group Ganja Kru, composed of DJ Hype, DJ Zinc, and Pascal, used quotes from the movie in their song titled "Plague That Never Ends". Swedish band The Radio Dept. used audio samples from the film in their single "Never Follow Suit" from the album Clinging to a Scheme.[6]

References

  1. ^ Fox, Margalit (5 March 2008). "Tony Silver, 72, Documentary Director, Dies". New York Times. Retrieved 2012. 
  2. ^ ^4
  3. ^ ^4
  4. ^ Scott, A.O. "Critics' Picks: Style Wars". Critics' Picks: Style Wars. New York Times. Retrieved 2009. 
  5. ^ "Flea donates bass guitar to charity auction". Express.co.uk. 2011-06-09. Retrieved . 
  6. ^ "The Radio Dept. - Never Follow Suit (Song Lyrics)". The Radio Dept. Official Site. Retrieved 2015. 

External links

Awards
Preceded by
-
Sundance Grand Jury Prize: Documentary
1984
Succeeded by
Seventeen

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.

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Music Scenes