|Directed by||Andrew L. Stone|
|Written by||Jerry Horwin, Seymour B. Robinson (story)|
H.S. Kraft (adaptation)
|Produced by||William LeBaron|
|Edited by||James B. Clark|
|Music by||Harold Arlen|
|Distributed by||20th Century Fox|
|Box office||$1.6 million (US rentals)|
Stormy Weather is a 1943 American musical film produced and released by 20th Century Fox. The film is one of two Hollywood musicals with an African American cast released in 1943, the other being MGM's Cabin in the Sky. The film is considered a primary showcase of some of the leading African American performers of the day, during an era when African American actors and singers rarely appeared in lead roles in mainstream Hollywood productions.
Stormy Weather takes its title from the 1933 song of the same title, which is performed almost an hour into the film. It is loosely based upon the life and times of its star, dancer Bill "Bojangles" Robinson.
"Mr. Bill" Williamson, a naturally talented dancer, recounts his past to some neighborhood children in a series of flashbacks, which show his return home in 1918 after serving in World War I, meeting a beautiful singer/dancer named Selina Rogers, who is the sister of one of his war buddies, and his travels to New Orleans to become a performer. Along the way he is reunited with Selina, who persuades her manager, Chick Bailey, to hire him for their show, but the jealous Chick fires Bill for outshining him on stage. Bill stages his own show but runs out of money to pay his dancers up front and they refuse to take the stage. Eventually, they do, due to a stroke of luck. At this point in Bill's story to the children, Cab Calloway drives up to collect "Mr. Bill" to appear in his benefit show, where he is reunited with Selina for good.
The character of Selina was invented for the film; Robinson did not have such a romance in real life. Dooley Wilson co-stars as Bill's perpetually broke friend, Gabe, and Emmett "Babe" Wallace appears as Chick Bailey.
Other performers in the movie are Cab Calloway and Fats Waller (both appearing as themselves), the Nicholas Brothers dancing duo, comedian F. E. Miller, singer Ada Brown, and Katherine Dunham with her dance troupe. Despite a running time of only 77 minutes, the film features some 20 musical numbers. This was Robinson's final film (he died in 1949); Waller died only a few months after its release.
The film's musical highlights include Waller performing his composition "Ain't Misbehavin'", Cab Calloway leading his band in his composition "Jumpin' Jive" accompanied by a Nicholas Brothers dance sequence, and a lengthy dance sequence built around the title song, featuring the vocals of Lena Horne and the dancing of Katherine Dunham. Horne also performs in several dance numbers with Robinson. It was one of her few non-MGM film appearances, and one of only two films from the 1930s-1940s in which Horne played a substantial role. Ford Dabney was a consultant on the music for the film.
The original release prints of Stormy Weather were processed in sepiatone. In 2001, Stormy Weather was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." It was released on DVD in North America in 2005.
The soundtrack has been released on CD by 20th Century Fox references 7822-11007, though Sunbeam Records released the soundtrack on vinyl in 1976. The Soundtrack Factory CD includes Lena Horne singing "Good For Nothin' Joe", a song that did not appear in the movie. Other songs include:
Shane Vogel suggests that Lena Horne and Katherine Dunham's performances of "Stormy Weather" in the film are, like Ethel Waters' performance of the song in The Cotton Club Parade of 1933, African American modernist critiques of American culture.
Although Stormy Weather and other musicals of the 1940s opened new roles for African Americans in Hollywood, breaking through old stereotypes and far surpassing limited roles previously available in race films produced for all-black audiences, it still perpetuates stereotypes. Notably, the musical numbers in the movie contain elements of minstrelsy. The performance of a cakewalk, for example, features flower headdresses reminiscent of the Little Black Sambo figures used in historical misrepresentations of Black American males.