|Star Trek: The Next Generation|
Logo used throughout all seven seasons of the show
|Created by||Gene Roddenberry|
|Based on||Star Trek|
by Gene Roddenberry
|Theme music composer|
|Country of origin||United States|
|No. of seasons||7|
|No. of episodes||178|
|Running time||44 minutes|
|Production||Paramount Domestic Television|
|Budget||$1.3 million per episode|
|Original network||First-run syndication|
|Original release||September 28, 1987 -|
May 23, 1994
|Preceded by||Star Trek: The Animated Series|
|Followed by||Star Trek: Deep Space Nine|
|Related shows||Star Trek: The Original Series|
Star Trek: Picard
|Star Trek: The Next Generation at StarTrek.com|
Star Trek: The Next Generation (TNG) is an American science fiction television series created by Gene Roddenberry. It originally aired from September 28, 1987 to May 23, 1994 in syndication, spanning 178 episodes over the course of seven seasons. The third series in the Star Trek franchise, it is the second sequel to Star Trek: The Original Series. Set in the 24th century, when Earth is part of the United Federation of Planets, it follows the adventures of a Starfleet starship, the USS Enterprise-D, in its exploration of the Milky Way galaxy.
In the 1980s, Roddenberry--who had been responsible for the original Star Trek, Star Trek: The Animated Series (1973-74), and a series of films--had been tasked by Paramount to create a new series in the franchise. He decided to set it a century after the events of his original series. The Next Generation featured a new crew that starred Patrick Stewart as Captain Jean-Luc Picard, Jonathan Frakes as Commander William Riker, Brent Spiner as Lt. Commander Data, Michael Dorn as Lieutenant Worf, LeVar Burton as Lt. Commander Geordi La Forge, Marina Sirtis as counselor Deanna Troi, Gates McFadden as Dr. Beverly Crusher, and a new Enterprise. Roddenberry, Maurice Hurley, Rick Berman, Michael Piller, and Jeri Taylor served as executive producers at various times throughout its production. The series was broadcast in first-run syndication with dates and times varying among individual television stations.
The show was very popular, reaching almost 12 million viewers in its 5th season, with the series finale in 1994 being watched by over 30 million viewers. Following the show's success, Paramount commissioned Rick Berman and Michael Piller to create a fourth series in the franchise, Star Trek: Deep Space Nine, which launched in 1993. The characters from The Next Generation returned in the four films: Star Trek: Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrection (1998), and Star Trek: Nemesis (2002), and for the forthcoming television series Star Trek: Picard. The series is also the setting of numerous novels, comic books, and video games. The series received a number of accolades, including 19 Emmy Awards, two Hugo Awards, five Saturn Awards, and a Peabody Award.
The Star Trek franchise originated in the late 1960s, with the Star Trek television show which ran from 1966-1969. Star Trek: The Next Generation would mark the return of Star Trek to live-action broadcast television.
As early as 1972, Paramount Pictures started to consider making a Star Trek film because of the original series' popularity in syndication. However, with 1977's release of Star Wars, Paramount decided not to compete in the science fiction movie category and shifted their efforts to a new Star Trek television series. The Original Series actors were approached to reprise their roles; sketches, models, sets and props were created for Star Trek: Phase II until Paramount changed its mind again and decided to create feature films starring the Original Series cast.
By 1986, 20 years after the original Star Treks debut on NBC, the franchise's longevity amazed Paramount Pictures executives. Chairman Frank Mancuso Sr. and others described it as the studio's "crown jewel", a "priceless asset" that "must not be squandered". The series was the most popular syndicated television program 17 years after cancellation, and the Harve Bennett-produced, Original Series-era Star Trek films did well at the box office.William Shatner and Leonard Nimoy's salary demands for the film Star Trek IV: The Voyage Home (1986) caused the studio to plan for a new Star Trek television series. Paramount executives worried that a new series could hurt the demand for the films, but decided that it would increase their appeal on videocassette and cable, and that a series with unknown actors would be more profitable than paying the films' actors' large salaries. Roddenberry initially declined to be involved, but came on board as creator after being unhappy with early conceptual work. Star Trek: The Next Generation was announced on October 10, 1986, and its cast in May 1987.
Paramount executive Rick Berman was assigned to the series at Roddenberry's request. Roddenberry hired a number of Star Trek veterans, including Bob Justman, D. C. Fontana, Eddie Milkis and David Gerrold. Early proposals for the series included one in which some of the original series cast might appear as "elder statesmen", and Roddenberry speculated as late as October 1986 that the new series might not even use a spaceship, as "people might travel by some [other] means" 100 years after the USS Enterprise. A more lasting change was his new belief that workplace interpersonal conflict would no longer exist in the future; thus, the new series did not have parallels to the frequent "crusty banter" between Kirk, Spock, and Leonard McCoy. According to series actor Patrick Stewart, Berman was more receptive than Roddenberry to the series addressing political issues.
The series' music theme combined the fanfare from the original series theme by Alexander Courage with Jerry Goldsmith's theme for Star Trek: The Motion Picture (1979). Some early episodes' plots derived from outlines created for Star Trek: Phase II. Additionally, some sets used in the Original Series-era films were redressed for The Next Generation, and in turn used for subsequent Original Series films. Part of the transporter room set in TNG was used in the original Star Treks transporter set.
Despite Star Treks proven success, NBC and ABC only offered to consider pilot scripts for the new series, and CBS offered to air a miniseries that could become a series if it did well. That the Big Three television networks treated Paramount's most appealing and valuable property as they would any other series offended the studio. Fox wanted the show to help launch the new network, but wanted it by March 1987, and would only commit to 13 episodes instead of a full season. The unsuccessful negotiations convinced the studio that it could only protect Star Trek with full control.
Paramount increased and accelerated the show's profitability by choosing to instead broadcast it in first-run syndication:123-124 on independent stations (whose numbers had more than tripled since 1980) and Big Three network affiliates. The studio offered the show to local stations for free as barter syndication. The stations sold five minutes of commercial time to local advertisers and Paramount sold the remaining seven minutes to national advertisers. Stations had to commit to purchasing reruns in the future, and only those that aired the new show could purchase the popular reruns of the Original Series.:222
The studio's strategy succeeded. Most of the 150 stations airing reruns of the original Star Trek wanted to prevent a competitor from airing the new show; ultimately, 210 stations covering 90% of the United States became part of Paramount's informal nationwide network for TNG. In early October 1987, more than 50 network affiliates pre-empted their own shows for the series pilot, "Encounter at Farpoint". One station predicted that "Star Trek promises to be one of the most successful programs of the season, network or syndicated". Special effects were by Industrial Light and Magic, a Division of Lucasfilm. The new show indeed performed well; the pilot's ratings were higher than those of many network programs, and ratings remained comparable to network shows by the end of the first season, despite the handicap of each station airing the show on a different day and time, often outside prime time. By the end of the first season, Paramount reportedly received $1 million for advertising per episode, more than the roughly $800,000 fee that networks typically paid for a one-hour show; by 1992, when the budget for each episode had risen to almost $2 million, the studio earned $90 million from advertising annually from first-run episodes, with each 30-second commercial selling for $115,000 to $150,000. The show had a 40% return on investment for Paramount, with $30 to $60 million in annual upfront net profit for first-run episodes and another $70 million for stripping rights for each of the about 100 episodes then available, so they did not need overseas sales to be successful.
|First aired||Last aired|
|1||26||September 28, 1987||May 16, 1988|
|2||22||November 21, 1988||July 17, 1989|
|3||26||September 25, 1989||June 18, 1990|
|4||26||September 24, 1990||June 17, 1991|
|5||26||September 23, 1991||June 15, 1992|
|6||26||September 21, 1992||June 21, 1993|
|7||26||September 20, 1993||May 23, 1994|
Star Trek: The Next Generation ran for seven seasons, from the fall of 1987 annually to the spring of 1994. At the end of that season the cast switched over to production of the Star Trek film Generations which was released before the end of 1994.
The Next Generation was shot on 35mm film, and the budget for each episode was $1.3 million, among the largest for a one-hour television drama. While the staff enjoyed the creative freedom gained by independence from a broadcast network's Standards and Practices department,:222 the first season was marked by a "revolving door" of writers, with Gerrold, Fontana, and others quitting after disputes with Roddenberry. Roddenberry "virtually rewrote" the first 15 episodes because of his "dogmatic" intention to depict human interaction "without drawing on the baser motives of greed, lust, and power". Writers found the show's "bible" constricting and ridiculous and could not deal with Roddenberry's ego and treatment of them. It stated, for example, that "regular characters all share a feeling of being part of a band of brothers and sisters. As in the original Star Trek, we invite the audience to share the same feeling of affection for our characters."
Mark Bourne of The DVD Journal wrote of season one: "A typical episode relied on trite plot points, clumsy allegories, dry and stilted dialogue, or characterization that was taking too long to feel relaxed and natural." Other targets of criticism included poor special effects and plots being resolved by the deus ex machina of Wesley Crusher saving the ship. However, Patrick Stewart's acting skills won praise, and critics noted that characters were given greater potential for development than those of the original series. Both actors and producers were unsure whether Trekkies loyal to the original show would accept the new one, but one critic stated as early as October 1987 that The Next Generation, not the movies or the original show, "is the real Star Trek now".
While the events of most episodes of season one were self-contained, many developments important to the show as a whole occurred during the season. The recurring nemesis Q was introduced in the pilot, the alien Ferengi had their sentinel showing in "The Last Outpost", the holodeck was introduced, and the romantic backstory between William Riker and Deanna Troi was investigated. "The Naked Now", one of the few episodes that depicted Roddenberry's fascination (as seen in the show's bible) with sex in the future, became a cast favorite.
Later episodes in the season set the stage for serial plots. The episode "Datalore" introduced Data's evil twin brother Lore, who made several more appearances in episodes in subsequent seasons. "Coming of Age" dealt with Wesley Crusher's efforts to get into Starfleet Academy while also hinting at the threat to Starfleet later faced in "Conspiracy". "Heart of Glory" explored Worf's character, Klingon culture, and the uneasy truce between the Federation and the Klingon Empire, three themes that played major roles in later episodes. Tasha Yar left the show in "Skin of Evil", becoming the first regular Star Trek character to die permanently (although the character was seen again in two later episodes) in either series or film. The season finale, "The Neutral Zone", established the presence of two of TNG most enduring villains: the Romulans, making their first appearance since the Original Series, and, through foreshadowing, the Borg.
The premiere became the first television episode to be nominated for a Hugo Award since 1972. Six of the season's episodes were each nominated for an Emmy Award. "11001001" won for Outstanding Sound Editing for a Series, "The Big Goodbye" won for Outstanding Costume Design for a Series, and "Conspiracy" won for Outstanding Achievement in Makeup for a Series. "The Big Goodbye" also won a Peabody Award, the first syndicated program and only Star Trek episode to do so.
The top two episodes for Nielsen ratings were "Encounter at Farpoint" with 15.7, and "Justice" with 12.7. The season ran from 1987 to 1988.
The series underwent significant changes during its second season. Beverly Crusher was replaced as Chief Medical Officer by Katherine Pulaski, played by Diana Muldaur, who had been a guest star in "Return to Tomorrow" and "Is There in Truth No Beauty?", two episodes from the original Star Trek series. The ship's recreational area, Ten-Forward, and its mysterious bartender/advisor, Guinan, played by Whoopi Goldberg, appeared for the first time. Owing to the 1988 Writers Guild of America strike, the number of episodes produced was cut from 26 to 22, and the start of the season was delayed. Because of the strike, the opening episode, "The Child", was based on a script originally written for Star Trek: Phase II, while the season finale, "Shades of Gray", was a clip show.
Nevertheless, season two as a whole was widely regarded as significantly better than season one. Benefiting from Paramount's commitment to a multiyear run and free from network interference due to syndication, Roddenberry found writers who could work within his guidelines and create drama from the cast's interaction with the rest of the universe. The plots became more sophisticated and began to mix drama with comic relief. Its focus on character development received special praise. Co-executive producer Maurice Hurley has stated that his primary goal for the season was to plan and execute season-long story arcs and character arcs. Hurley wrote the acclaimed episode "Q Who", which featured the first on-screen appearance of the Borg. Season two focused on developing the character Data, and two episodes from the season, "Elementary, Dear Data" and "The Measure of a Man", featured him prominently.Miles O'Brien also became a more prominent character during the second season, while Geordi La Forge took the position of Chief Engineer. Klingon issues continued to be explored in episodes such as "A Matter of Honor" and "The Emissary", which introduced Worf's former lover K'Ehleyr. Five second-season episodes were nominated for six Emmy Awards, and "Q Who" won for Outstanding Sound Editing for a Series and Outstanding Sound Mixing for a Drama Series. The season ran from 1988 to 1989.
Season 2 marked the addition of the "Ten Forward" set at Paramount, located at Stage 8 at the studios. The set was designed by Herman Zimmerman, and in the show was a place for the crew to relax, hang out together, and eat or have drinks. Inside, it featured a bar looking out on large windows, and outside it featured a star field, or with use of green-screen special effects, other scenes.
Before the production of the third season in the summer of 1989, some personnel changes were made. Head writer Maurice Hurley was let go and Michael Piller took over for the rest of the series. Creator and executive producer Gene Roddenberry took less of an active role due to his declining health. Roddenberry gave Piller and Berman the executive producer jobs, and they remained in that position for the rest of the series' run, with Berman overseeing the production as a whole and Piller being in charge of the creative direction of the show and the writing room. Doctor Crusher returned from her off-screen tenure at Starfleet Medical to replace Doctor Pulaski, who had remained a guest star throughout the second season. An additional change was the inclusion of the fanfare that was added to the opening credits of the second season, to the end of the closing credits. Ronald D. Moore joined the show after submitting a spec script that became "The Bonding". He became the franchise's "Klingon guru", meaning that he wrote most TNG episodes dealing with the Klingon Empire (though he wrote some Romulan stories, as well, such as "The Defector"). Writer/producer Ira Steven Behr also joined the show in its third season. Though his tenure with TNG lasted only one year, he later went on to be a writer and showrunner of spin-off series Star Trek: Deep Space Nine. Six third-season episodes were nominated for eight Emmys. "Yesterday's Enterprise" won for Outstanding Sound Editing for a Series and "Sins of the Father" won for Best Art Direction for a Series. After a chiropractor warned that the cast members risked permanent skeletal injury, new two-piece wool uniforms replaced the first two seasons' extremely tight spandex uniforms. The season finale, the critically acclaimed episode "The Best of Both Worlds", was the first season-ending cliffhanger, a tradition that continued throughout the remainder of the series. The season ran from 1989 to 1990.
The Season 3 finale and bridge to Season 4, "The Best of Both Worlds" went on to be one of the most acclaimed Star Trek episodes noted by TV Guides "100 Most Memorable Moments in TV History", ranking 70th out of 100 in March 2001. It has routinely been ranked among the top of all Star Trek franchise episodes.
Brannon Braga and Jeri Taylor joined the show in its fourth season. The fourth season surpassed the Original Series in series length with the production of "The Best of Both Worlds, Part II". A new alien race, the Cardassians, made their first appearance in "The Wounded". They later were featured in Star Trek: Deep Space Nine. The season finale, "Redemption", was the 100th episode, and the cast and crew (including creator Gene Roddenberry) celebrated the historic milestone on the bridge set. Footage of this was seen in the Star Trek 25th-anniversary special hosted by William Shatner and Leonard Nimoy which aired later in the year. Seven fourth-season episodes were nominated for eight Emmys. "The Best of Both Worlds, Part II" won for both Outstanding Sound Editing in a Series and Outstanding Sound Mixing for a Series. Character Wesley Crusher left the series in season four to go to Starfleet Academy. "Family" was the only Star Trek episode not to have a bridge scene during the entire episode and is the only TNG episode where Data does not appear on-screen. The season ran from 1990 to 1991.
The fifth season's seventh episode, "Unification", opened with a dedication to Star Trek creator Gene Roddenberry (though the prior episode, "The Game", aired four days after his death). Roddenberry, though he had recently died, continued to be credited as executive producer for the rest of the season. The cast and crew learned of his death during the production of "Hero Worship", a later season-five episode. Seven fifth-season episodes were nominated for eight Emmys. "Cost of Living" won for Outstanding Individual Achievement in Costume Design for a Series and Outstanding Individual Achievement in Makeup for a Series, and "A Matter of Time" and "Conundrum" tied for Outstanding Individual Achievement in Special Visual Effects. In addition, "The Inner Light" became the first television episode since the 1968 original series Star Trek episode "The City on the Edge of Forever" to win a Hugo Award for Best Dramatic Presentation. Season five had the introduction of a jacket for Picard, worn periodically throughout the rest of the show's run. The observation lounge set was altered with the removal of the gold model starships across the interior wall and the addition of lighting beneath the windows. Recurring character Ensign Ro Laren was introduced in the fifth season. The season ran from 1991 to 1992.
With the creation of Star Trek: Deep Space Nine, Rick Berman and Michael Piller's time were split between The Next Generation and the new show. Three sixth-season episodes were nominated for Emmys. "Time's Arrow, Part II" won for both Outstanding Individual Achievement in Costume Design for a Series and Outstanding Individual Achievement in Hairstyling for a Series, and "A Fistful of Datas" won for Outstanding Individual Achievement in Sound Mixing for a Drama Series. The highest Nielsen-rated episode of Season 6 was "Relics", with a rating of 13.9. The episode featured Original Series character Scotty played by James Doohan. Additionally, NASA astronaut Mae Jemison played Lt. Palmer in "Second Chances". The season 6 finale cliffhanger includes a cameo by Stephen Hawking (Part I of "Descent"). The season ran from 1992 to 1993.
The seventh season was The Next Generations last, running from 1993 to 1994. The penultimate episode, "Preemptive Strike", concluded the plot line for the recurring character Ensign Ro Laren and introduced themes that continued in Star Trek: Deep Space Nine and Star Trek: Voyager. The Next Generation series finale, "All Good Things...", was a double-length episode (separated into two parts for reruns) that aired the week of May 19, 1994, revisiting the events of the pilot and providing a bookend to the series. Toronto's SkyDome played host to a massive event for the series finale. Thousands of people packed the stadium to watch the final episode on the stadium's JumboTron. Five seventh-season episodes were nominated for nine Emmys, and the series as a whole was the first syndicated television series nominated for Outstanding Drama Series. To this day, The Next Generation is the only syndicated drama to be nominated in this category. "All Good Things..." won for Outstanding Individual Achievement in Special Visual Effects, and "Genesis" won for Outstanding Individual Achievement in Sound Mixing for a Drama Series. "All Good Things..." also won the second of the series' two Hugo Awards. "All Good Things..." also achieved the highest Nielsen rating for all of Season 7, with a rating of 17.4.
Although the cast members were contracted for eight seasons,Paramount ended The Next Generation after seven, which disappointed and puzzled some of the actors, and was an unusual decision for a successful television show. Paramount then made films using the cast, which it believed would be less successful if the show were still on television. An eighth season also would likely have reduced the show's profitability due to higher cast salaries and a lower price per episode when sold as strip programming.
The show's strong ratings continued to the end; the 1994 series finale was ranked number two among all shows that week, between hits Home Improvement and Seinfeld, and was watched by over 30 million viewers.TNG was the most-watched Star Trek show, with a peak audience of 11.5 million during its fifth season prior to the launch of DS9. Between 1988 and 1992 it picked up half a million to a million additional viewers per year.
Adjusted Nielsen ratings for Star Trek TV shows:
Science fiction authors noted how Star Trek: The Next Generation influenced their careers.
Star Trek: The Next Generation aired for 7 seasons beginning on September 28, 1987 and ending on May 23, 1994.
The series begins with the crew of the Enterprise-D put on trial by an omnipotent being known as Q, who became a recurring character. The god-like entity threatens the extinction of humanity for being a race of savages, forcing them to solve a mystery at nearby Farpoint Station to prove their worthiness to be spared. After successfully solving the mystery and avoiding disaster, the crew departs on its mission to explore strange new worlds.
Subsequent stories focus on the discovery of new life and sociological and political relationships with alien cultures, as well as exploring the human condition. Several new species are introduced as recurring antagonists, including the Ferengi, the Cardassians, and the Borg. Throughout their adventures, Picard and his crew are often forced to face and live with the consequences of difficult choices.
The series ended in its seventh season with a two-part episode "All Good Things...", which brought the events of the series full circle to the original confrontation with Q. An interstellar anomaly that threatens all life in the universe forces Picard to leap from his present, past, and future to combat the threat. Picard was successfully able to show to Q that humanity could think outside of the confines of perception and theorize on new possibilities while still being prepared to sacrifice themselves for the sake of the greater good. The series ended with the crew of the Enterprise portrayed as feeling more like a family and paved the way for four consecutive motion pictures that continued the theme and mission of the series.
|Season 1||Season 2||Season 3||Season 4|
|Season 5||Season 6||Season 7|
For a more complete list, see List of Star Trek: The Next Generation cast members#Appearances
|Character||Season 1||Season 2||Season 3||Season 4||Season 5||Season 6||Season 7|
|William T. Riker||Yes||Yes||Yes||Yes||Yes||Yes||Yes|
|Geordi La Forge||Yes||Yes||Yes||Yes||Yes||Yes||Yes|
|Wesley Crusher||Yes||Yes||Yes||Yes||2 ep.||No||2 ep.|
|Tasha Yar||Yes||No||1 ep.||No||No||No||1 ep.|
This section needs expansion. You can help by adding to it. (September 2018)
Star Trek had a number of story arcs within the larger story, and oftentimes different episodes contributed to two or more different story or character arcs. Some are epitomized by the aliens the characters interact with, for example, TNG introduced the Borg and the Cardassians. The Klingons and Romulans had been introduced in The Original Series (1966-1969); however, the Klingons were somewhat rebooted with a "turtle-head" look, although a retcon was given to explain this in an Enterprise episode. Other story arcs are epitomized by the appearances of a certain character such as Q or Ro Laren or by technology like the holodeck.
Certain episodes go deeper into the Klingon alien saga, which are famous for having an actual Klingon language made for them in the Star Trek universe. The Klingon stories usually involve Worf, but not all Worf-centric shows are focused on Klingons. The famous Duras sisters, a Klingon duo Lursa and B'Etor, were introduced on TNG in 1991 in the episode "Redemption" and they later appeared in the film Generations.
One of the science fiction technologies featured in Star Trek: The Next Generation was an artificial reality machine called the "Holodeck", and several award-winning episodes featured plots centering on the peculiarities of this device. Some episodes focused on malfunctions in the holodeck, and in one case how a crew member became addicted to the environment created by the technology. The dangers of technology that allows illusion is one of ongoing themes of Star Trek going back to the 1st pilot, "The Cage" where aliens' power of illusion to create an artificial reality is explored. One of the plots is whether a character will confront a reality or retreat to a world of fantasy.
The Next Generations average of 20 million viewers often exceeded both existing syndication successes such as Wheel of Fortune and network hits including Cheers and L.A. Law. Benefiting in part from many stations' decision to air each new episode twice in a week, it consistently ranked in the top ten among hour-long dramas, and networks could not prevent affiliates from preempting their shows with The Next Generation or other dramas that imitated its syndication strategy.:124 Star Trek: The Next Generation received 18 Emmy Awards and, in its seventh season, became the first and only syndicated television show to be nominated for the Emmy for Best Dramatic Series. It was nominated for three Hugo Awards and won two. The first-season episode "The Big Goodbye" also won the Peabody Award for excellence in television programming.
In 1997, the episode "The Best of Both Worlds, Part I" was ranked No. 70 on TV Guides 100 Greatest Episodes of All Time. In 2002, Star Trek: The Next Generation was ranked #46 on TV Guides 50 Greatest TV Shows of All Time list, and in 2008, was ranked No. 37 on Empires list of the 50 greatest television shows.
On October 7, 2006, one of the three original filming models of the USS Enterprise-D used on the show sold at a Christie's auction for US$576,000, making it the highest-selling item at the event. The buyer of the piece was Microsoft co-founder Paul Allen, owner of the Museum of Pop Culture in Seattle. The piece is on display within the Science Fiction Museum.
In 2012, Entertainment Weekly listed the show at No. 7 in the "25 Best Cult TV Shows from the Past 25 Years", saying, "The original Star Trek was cult TV before cult TV was even a thing, but its younger, sleeker offspring brought, yes, a new generation into the Trekker fold, and reignited the promise of sci-fi on television." Although TNG did develop a cult following, it was noted for its prime-time general audience viewership also.
The flute from "The Inner Light" was valued at only a few hundred to perhaps US$1,000 when it went to auction, but was sold for over 40,000; in this case the auctioneers admitted they had underestimated the appeal of the prop. In the days leading up to the auction, Denise Okuda, former Star Trek scenic artist and video supervisor, as well as co-writer of the auction catalog, said: "That's the item people say they really have to have, because it's so iconic to a much-beloved episode."
DS9s "The Emissary", which came out half-way through season 6 of TNG achieved a Nielsen rating of 18.8.Star Treks ratings went into a steady decline starting with Season 6 of TNG, and the second to last episode of DS9 achieved a Nielsen rating of 3.9.
Video games based on The Next Generation TV series, movies, and characters include:
The Enterprise and its setting is also in other Trekiverse games like Star Trek: Armada (2000). For example, in Star Trek: Armada voice actors from The Next Generation returned to their characters in the game including Patrick Stewart reprising the roles of Jean-Luc Picard and Locutus, Michael Dorn voiced Worf, Denise Crosby reprised Sela, and J. G. Hertzler voiced Chancellor Martok. Several other voice actors who had been previously unaffiliated with Star Trek also voiced characters in the game, among them was Richard Penn.
Star Trek: Armada II was set in the Star Trek: The Next Generation era of the Star Trek universe.
An ancestor of Worf, also played by Dorn, also appeared in Star Trek VI: The Undiscovered Country.
I think it was kind of an honor they had my character be sort of the link between the two series. It was wonderful to be working with the other cast (from the original Star Trek series). It was kind of a fantasy because who would have thought when I was watching the original show that I'd be working in the movie? Beyond that, it's like professionalism takes over and you just kind of do the best you can and not make yourself look bad.-- Dorn on his role in The Undiscovered Country
Star Trek harnessed the emergence of home video technologies that rose to prominence in the 1980s as new revenue and promotion avenue.Star Trek: The Next Generation had release in part or in full on VHS, Betamax, LaserDisc, DVD, and Blu-Ray mediums.
All episodes of Star Trek: The Next Generation were made available on VHS cassettes, starting in 1991. The entire series was gradually released on VHS over the next few years during the remainder of the show's run and after the show had ended.
Paramount published all episodes on the LaserDisc format from October 1991 using an extended release schedule that concluded in May 1999. Each disc featured two episodes with Closed Captions, Digital Audio, and CX encoding. Also published were four themed "collections", or boxed sets, of related episodes. These included The Borg Collective, The Q Continuum, Worf: Return to Grace, and The Captains Collection.
There was a production error with episode 166, "Sub Rosa", where a faulty master tape was used that was missing 4½ minutes of footage. Though a new master copy of the episode was obtained, no corrected pressing of this disc was issued.
Star Trek: The Next Generation was also released on LaserDisc in the non-US markets Japan and Europe. In Japan, all episodes were released in a series of 14 boxed sets (two boxed sets per season), and as with the US releases were in the NTSC format and ordered by production code. The European laserdiscs were released in the PAL format and included the ten two-part telemovies as well as a disc featuring the episodes Yesterday's Enterprise and Cause And Effect. The pilot episode, Encounter At Farpoint, was also included in a boxed set called Star Trek: The Pilots featuring the pilot episodes from Star Trek: The Original Series, Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager.
The first season of the series was released on DVD in March 2002. Throughout the year the next six seasons were released at various times on DVD, with the seventh season being released in December 2002. To commemorate the 20th anniversary of the series, CBS Home Entertainment and Paramount Home Entertainment released Star Trek: The Next Generation - The Complete Series on October 2, 2007. The DVD box set contains 49 discs. Between March 2006 and September 2008, "Fan Collective" editions were released containing select episodes of The Next Generation (and The Original Series, Deep Space Nine, and Voyager) based on various themes. The individual episodes were chosen by fans voting on StarTrek.com. In total, six "Fan Collectives" were produced, along with a boxed set containing the first five collectives. In April 2013 all seven seasons of Star Trek: The Next Generation were re-released in new packaging featuring a silhouette of a different cast member on each box. However, the discs contained the identical content that was previously released in 2002.
CBS announced on September 28, 2011, in celebration of the series' twenty-fifth anniversary, that Star Trek: The Next Generation would be completely re-mastered in 1080p high definition from the original 35mm film negatives. The original show was edited and post-processed in standard definition for broadcast, as were all the show's visual effects (e.g. all exterior shots of the Enterprise, phaser fire, or beaming fade-ins and -outs). For the remaster almost 25,000 reels of original film stock were rescanned and reedited, and all visual effects were digitally recomposed from original large-format negatives and newly created CGI shots. The release was accompanied by 7.1 DTS Master Audio. Mike Okuda believes this is the largest film restoration project ever attempted.
An initial disc featuring the episodes "Encounter at Farpoint", "Sins of the Father", and "The Inner Light" was released on January 31, 2012 under the label "The Next Level". The six-disc first season set was released on July 24, 2012. The remaining seasons were released periodically thereafter, culminating in the release of the seventh season on December 2, 2014. Season 1 sold 95,000 units in its launch week in 2012. The Blu-ray sets include many special features and videos, such as a 1988 episode of Reading Rainbow where LeVar Burton (who plays Geordi on TNG) documents the making of a Star Trek: The Next Generation episode.
The entire re-mastered series is available on Blu-ray as individual seasons, and as a 41-disc box set titled The Full Journey. Eventually, all remastered episodes became available for television syndication and digital distribution.
|Season||Release date||Special features|
|Season 1||July 24, 2012||Documentaries "Energized!" (about the VFX remastering) and "Stardate Revisited" (Origin)|
|Season 2||December 4, 2012||Extended version of "The Measure of a Man", Reunification: reunion interview with entire TNG cast.|
|Season 3||April 30, 2013||Inside the Writer's Room, Resistance is Futile: Assimilating TNG, A Tribute to Michael Piller|
|Season 4||July 30, 2013||In Conversation: The Star Trek Art Department, Relativity: The Family Saga of Star Trek TNG, Deleted scenes|
|Season 5||November 19, 2013||In Conversation: The Music of TNG, Requiem: A Remembrance of TNG, Deleted scenes|
|Season 6||June 24, 2014||Beyond the Five Year Mission- The Evolution of Star Trek: The Next Generation, Deleted scenes|
|Season 7||December 2, 2014||The Sky's the Limit - The Eclipse of Star Trek: The Next Generation, In Conversation: Lensing Star Trek: The Next Generation, deleted scenes|
When TNG was remastered in high definition, several episodes were released as stand-alone single show Blu-ray products. Of the most famous episode pairs "The Best of Both Worlds" is split between two seasons, whereas the standalone product includes parts 1 and 2. "The Best of Both Worlds" single was released in April 2013 coinciding with the release of Season 3. Other singles of TNG HD include the two part shows "Redemption", "Unification", "Chain of Command", and "All Good Things...".
"The Measure of a Man" was released in HD in 2012 with an extended cut. The extended version includes an extra 13 minutes of footage as well as recreated special effects. It was released as part of the Season 2 collection set.
Star Trek: The Next Generation is available on various streaming video services including, Hulu, Amazon Prime Video, Netflix, Apple iTunes, and CBS All Access, under various qualities and terms. The Netflix version included some additional special effect improvements. One service stated that by 2017 the most re-watched episodes of Star Trek:The Next Generation among the most re-watched Star Trek franchise shows in their offerings, were "The Best of Both Worlds, Part I", "The Best of Both Worlds, Part II", "Q Who", and "Clues". Streaming offerings were noted for binge watching, including Star Trek: The Next Generation 178 episodes among the overall 726 episodes and 12 movies that had been released prior to Star Trek: Discovery in late 2017.
Star Trek: The Next Generation spawned different media set in its universe, which was primarily the 2370s but set in the same universe as first Star Trek TV shows of the 1960s. This included the aforementioned films, computer games, board games, theme parks, etc. In the 2010s there were rumors of a Captain Worf spin-off, the bridge officer that debuted on TNG and was also featured in the TNG spin-off show Deep Space Nine.
Star Trek: The Next Generation-era novels (examples):
In 2005, the last episode of Star Trek: Enterprise called "These Are the Voyages..." (S4E22) featured a holodeck simulation on the USS Enterprise (NCC-1701-D) from Star Trek: The Next Generation during the events of the episode "The Pegasus" and the return of Commander William Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis). It was written by Berman and Braga, who noted "... this was a very cool episode because it has a great concept driving it".
Star Trek: Enterprise was the TV show launched following the conclusion of Star Trek: Voyager and was set 100 years before TOS and 200 years before TNG, in addition to including some soft reboot elements with an all new cast. Some episodes connected to TNG directly including guest stars by Brent Spiner and connections to the events in TNG's fictional universe. The three-episode story arc consisting of "Borderland", "Cold Station 12", and "The Augments", with a Soong ancestor portrayed by The Next Generation regular Brent Spiner provides some backstory to Data's origins. Also, the Enterprise episode "Affliction" also helps explain the smooth-headed Klingons that sometimes appeared, a retcon that helped explain this varying presentation between TOS, TNG, and the films.
Star Trek would not return to television as a show for over 12 years, until the debut of Star Trek: Discovery on CBS, but thereafter exclusively available on the internet service CBS All Access (Netflix internationally) at that time. The film franchise was rebooted in 2009, essentially a grafted on fork off of the timeline known in Star Trek: The Next Generation. That movie contains an event from the TNG timeline, which is the destruction of Romulus and the flight of Spock's special shift to the time fork. In the Star Trek franchise, witnessing the events of time shenanigans is a common plot device.
On August 4, 2018, Patrick Stewart stated on social media that he would return to the role of Jean-Luc Picard in a project with CBS All Access.
Stewart wrote, "I will always be very proud to have been a part of Star Trek: The Next Generation, but when we wrapped that final movie in the spring of 2002, I truly felt my time with Star Trek had run its natural course. It is, therefore, an unexpected but delightful surprise to find myself excited and invigorated to be returning to Jean-Luc Picard and to explore new dimensions within him. Seeking out new life for him, when I thought that life was over.
"During these past years, it has been humbling to hear stories about how The Next Generation brought people comfort, saw them through difficult periods in their lives or how the example of Jean-Luc inspired so many to follow in his footsteps, pursuing science, exploration and leadership. I feel I'm ready to return to him for the same reason - to research and experience what comforting and reforming light he might shine on these often very dark times. I look forward to working with our brilliant creative team as we endeavor to bring a fresh, unexpected and pertinent story to life once more."
It is believed that the new project will be a continuation of the story after Star Trek: Nemesis, and will not be a reboot of the series' storyline as was done with the J.J. Abrams Star Trek films.
In January 2019, the producer said that the Picard series will answer questions about what happened to Captain Picard in the 20 years after.
This infographic shows the first-run production timeline of various Star Trek franchise shows and films, including Star Trek: The Next Generation
The writers were being rewritten by Gene, and there was a lot of tumult because people didn't know where they stood.