|Directed by||Bob Kellett|
|Produced by||Gerald Flint-Shipman|
|Written by||Peter James|
José Luis Martínez Mollá
|Music by||Ron Goodwin|
|Distributed by||EMI Films|
Impact-Quadrant Films was a company run by Peter James and Kent Walwin which specialised in financing and distributing horror films. They wanted to move into the British domestic sex comedy market, having noticed that there were no challengers to the Carry On Films. They made a small investment in Can You Keep It Up for a Week? which was successful and they began to look at making a whole feature.
A Canadian distributor had success with a Leslie Phillips film and asked if they could have another. Phillips was about to go to Australia for a year so they had a script written quickly, about an escort agency. Nobody liked it so James and Walwin wrote a 110-page treatment over "a long weekend" which was turned into a script by a writer.
The film's budget was £250,000, of which 40% was provided by EMI Films and a Spanish company 8%. The majority capital was split between James, his associate and four English backers, one of them a lawyer.
The film was part of a six-picture slate from EMI Films, which also included Evil Under the Sun, Aces High and cinema adaptations of The Likely Lads and Sweeney.
It was filmed in Menorca. Terry-Thomas was suffering from the effects of Parkinson's Disease at the time. However, he was still able to withstand the rigours of filming, in what was his last major film role.
The film featured designs from Peter Reger.
The film was released with a heavy advertising campaign, including a novelisation of the script, a song "Fly Me" (because the BBC would not play a song called "Spanish Fly").
Screening rights to the film were sold to 25 countries, something James attributed to the fact that unlike many British sex comedies it featured foreign locations.
James wanted to make a sequel French Kiss but none eventuated.
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