Slavonic Dances
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Slavonic Dances
The title page of the first series of Slavonic Dances with Dvo?ák's dedication to Mr. Wassman

The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvo?ák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvo?ák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture.

The Op. 46 set is listed in the Burghauser catalogue as B. 78 in the original piano four hand version, and as B. 83 in the orchestral version. The Op. 72 set is catalogued as B. 145 in the piano four hand version, and as B. 147 in the orchestral version.


Prior to the publication of the Slavonic Dances, Op. 46, Dvo?ák was a relatively unknown composer and was of modest means. Consequently, he had applied for the Austrian State Prize fellowship (German "Stipendium") in order to fund his composing work. After he won the prize three times in four years (1874, 1876 and 1877), Johannes Brahms, as one of the members of the committee responsible for awarding the stipend, referred Dvo?ák to his own publisher, Fritz Simrock. The first of Dvo?ák's music to be published by Simrock was the Moravian Duets, which attained widespread success; encouraged, Simrock asked the composer to write something with a dance-like character.[1]

Unsure how to begin, Dvo?ák used Brahms's Hungarian Dances as a model--but only as a model; there are a number of important differences between the two works.[2] For example, whereas Brahms made use of actual Hungarian folk melodies, Dvo?ák only made use of the characteristic rhythms of Slavic folk music: the melodies are entirely his own. Simrock was immediately impressed by the music Dvo?ák produced (originally for piano four hands), and asked the composer for an orchestral version as well. Both versions were published within the year, and quickly established Dvo?ák's international reputation.[2] The enormous success of the Op. 46 dances led Simrock to request another set of Slavonic Dances in 1886; Dvo?ák's subsequent Op. 72 dances met with a similar reception.


The orchestration for the Slavonic Dances, with minor variations for each number, is as follows:

The music

The types of dances upon which Dvo?ák based his music include the furiant, the dumka, the polka, the sousedská, the sko?ná, the mazurka, the odzemek, the ?pacírka, the kolo and the polonaise. A full performance of each opus typically takes approximately 40 minutes.

Opus 46

  • No. 1 in C major (Furiant)
  • No. 2 in E minor (Dumka)
  • No. 3 in A major (Polka)
  • No. 4 in F major (Sousedská)
  • No. 5 in A major (Sko?ná)
  • No. 6 in D major (Sousedská)
  • No. 7 in C minor (Sko?ná)
  • No. 8 in G minor (Furiant)

Opus 72

The dances of this opus are sometimes numbered separately from the first and sometimes as numbers 9-16. Most editions give both numbers.

  • No. 1 (9) in B major (Odzemek)
  • No. 2 (10) in E minor (Starodávný)
  • No. 3 (11) in F major (Sko?ná)
  • No. 4 (12) in D major (Dumka)
  • No. 5 (13) in B minor (?pacírka)
  • No. 6 (14) in B major (Starodávný/"Ancient")
  • No. 7 (15) in C major (Kolo)
  • No. 8 (16) in A major (Sousedská)

See also

External links


  1. ^ Beckerman, edited by Michael (1993). Dvo?ák and his world. Princeton, N.J.: Princeton University Press. pp. 145-146. ISBN 1400831695.CS1 maint: Extra text: authors list (link)
  2. ^ a b Kapilow, Rob (2011). What makes it great? short masterpieces, great composers. Hoboken, NJ: Wiley. pp. 265-266. ISBN 1118058143.

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