Roland Topor
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Roland Topor
Roland Topor
Roland Topor.jpg
Born(1938-01-07)7 January 1938
Paris, France
Died16 April 1997(1997-04-16) (aged 59)
Paris, France
OccupationIllustrator, cartoonist, painter, playwright, designer, painter, animator, fiction writer, actor, film and TV script writer
Period1964-1997
GenreSatire, Surrealism
Literary movementPanic Movement
Notable worksThe Tenant

Roland Topor (7 January 1938 - 16 April 1997) was a French illustrator, cartoonist, comics artist, painter, novelist, playwright, film and TV writer, filmmaker and actor,[1] known for the surreal nature of his work. He was of Polish-Jewish origin. His parents were Jewish refugees from Warsaw.[2] He spent the early years of his life in Savoy, where his family hid him from the Nazi peril.[3]

Roland Topor's parents came to France in the 1930s. In 1941 Topor's father, Abram, along with thousands of other Jewish men living in Paris, were required to register with the Vichy authorities. Topor's father was subsequently arrested and interned in a prison camp at Pithiviers, where inmates would be held before being sent to other concentration camps, usually Auschwitz. Of the thousands who were sent to Pithiviers only 159 survived. But Topor's father, Abram, managed to escape from Pithiviers and hide in an area south of Paris.[4]

While his father was in hiding, Topor's landlady would confront the children, Topor and his older sister Hélène, and try to cajole them into giving away the location of their father. The landlady did not succeed. Then in May 1941 a neighbor tipped off the Topor family that the French police along with the Gestapo were going to search the entire building. So the family fled to Vichy France. In Savoy, four-year-old Roland Topar was placed in a French family, given a false name, and took on the identity of a Catholic schoolboy.[5]

The family survived, and in 1946 they sued the landlady to have their belongings returned, and to be allowed to resume living in their former apartment. The court ruled in their favor, they returned, and soon were once again paying rent to the landlady who had previously tried to have them apprehended.[6]

Topor died of a cerebral hemorrhage. The night before, it is reported he couldn't sleep, spending the night visiting Parisian cafes, enjoying Cuban cigars, drinking Bordeaux wine, and--when at the Cafe de Flore--recounting a nightmare he dreamed, that he thought might inspire his next novel:[7]

I'm awakened suddenly by a feeling of imminent disaster. Turning down the sheet, I discover a cadaver in my bed, the husk of a man of small stature, but fat, and of an age equal to mine. My first reflex is to jump to the telephone to warn the police. But I hesitate; the presence of this rotting carcass in my bed is embarrassing. Explanations will be demanded of me that I'll be incapable of furnishing. They'll suspect me of a crime that's abominable."[8]

Art

Roland Toper may be best known for his graphic works with their surrealist humor. He studied at the École des Beaux-Arts in Paris. His artworks have appeared in books, newspapers, posters, and film animations.[9]

Literature

Few of Topor's writings are available in English. His fictions are sometimes classed as "post-surrealist horror" that go beyond established limits, to portray carnivalesque worlds of bizarre situations, in which human realities that are normally unspoken are laid bare in confrontations with (using Topor's phrase) "le sang, la merde et le sexe" (blood, shit, and sex).[10]

Roland Topor wrote the novel The Tenant (Le Locataire chimérique, 1964), which was adapted to film by Roman Polanski in 1976. The Tenant is the story of a Parisian of Polish descent, who develops an obsession regarding what has happened to his apartment's previous tenant.[11] It is a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves. The later novel Joko's Anniversary (1969), another fable about loss of identity, is a vicious satire on social conformity.[12] Themes Topor returned to in his later novel Head-to-Toe Portrait of Suzanne (1978).

In 1965 David De Silva (Becca Productions Ltd) bought the film rights to The Tenant for $15,000 and sent the novel to Roman Polanski in the hope that he would consider directing it. De Silva made the mistake of phoning Polanski from New York around 7PM which would be just about midnight London time. He received Polanski's response to the project in a letter dated 4 May 1966.[13] Subsequently, De Silva sold the rights to Universal Pictures because Edward Albee wanted to adapt it as his first screenplay under a three-picture deal with Universal but the deal never materialized. Polanski adapted the film 10 years later in 1976. De Silva believes Polanski never read the novel 10 years before. He says, "When the timing is right the timing is right.".[14]

A new presentation of The Tenant by Roland Topor was released in October 2006. The book has Topor's original novel, a new introduction by Thomas Ligotti, a selection of short stories by Topor, a representation of Topor's artwork and an essay on the famous Roman Polanski film version. There is a working possibility of having Mr. Polanski write a new foreword to this edition.

Thomas Ligotti's introduction clocks in at 3500 words and concerns the affirmative themes of world-renowned authors, focusing on Luigi Pirandello, with the negationist themes of Roland Topor's The Tenant.

In 2018, Atlas Press published Topor's Head-to-Toe Portrait of Suzanne, translated and introduced by Andrew Hodgson. It was the first of Topor's novels to enter English in nearly 50 years.[15]

Songs

Roland Topor wrote two songs for Megumi Satsu, "Je m'aime" and "Monte dans mon Ambulance".[16]

Cinema

With René Laloux, Topor made "The Dead Times" (Les Temps morts, 1964), "The Snails" (Les Escargots, 1965) and their most famous work, the feature length La Planète sauvage (1973).[17]

Topor also worked as an actor, his most famous part being Renfield in Werner Herzog's Nosferatu: Phantom der Nacht (1979). In the same year, he also performed the surrealistic paralyzed boss in the movie Ratataplan by Maurizio Nichetti.[18]

Theatre

Topor variously wrote, directed and designed a number of theatre works. Topor's absurd narratives are rife with macabre ironies, scatologies, and cruelties, which seem intended to shock and reframe human interactions to an insane extent. When Topor's play Joko fête son anniversaire was performed in Brussels in 1972, one critic commented, "In some countries, the author would be shot." Topor's play Vinci avait raison (somewhat of a pastiche of J. B. Priestley's 1945 play An Inspector Calls) is set in a house where no one can escape, the toilets are clogged, and excrement becomes evident on stage. It was performed in Brussels in 1977 and caused a scandal. Critical responses include the suggestion, "We must put this idiot in prison for creating such filth."[19]

His plays include:

  • 1972 - Les derniers jours de solitude de Robinson Crusoé (The Last Lonely Days of Robinson Crusoe)
  • 1972 - Le Bébé de Monsieur Laurent (Monsieur Laurent's Baby)
  • 1975 - De Moïse à Mao, 5000 ans d'aventures (From Moses to Mao, 5000 Adventurous Years)
  • 1983 - Batailles (with Jean-Michel Ribes) (Battles)
  • 1989 - Joko fête son anniversaire (Joko Celebrates his Birthday)[20]
  • 1989 - Vinci avait raison (Vinci was Right)
  • 1994 - L'Hiver sous la table (Winter Under the Table)[21]
  • 1996 - L'Ambigu (Ambiguity)[22]

Chronology

Topor published several books of drawings, including Dessins panique (1965) Quatre roses pour Lucienne (1967) and Toporland (1975). Selections from Quatre roses pour Lucienne were reprinted in the English language collection Stories and Drawings (1967). His carefully detailed, realistic style, with elaborate crosshatching, emphasises the fantastic and macabre subject matter of the images.

Bibliography

In 2010, the French publishing company United Dead Artists founded by Stéphane Blanquet published an oversized book "ReBonjour" on the work of Topor.[24]

See also

References

  1. ^ https://www.lambiek.net/artists/t/topor_roland.htm
  2. ^ [1] Kraus, Jerelle. "Endpaper -- The Lives They Lived: Roland Topor; A Graphic Wit". The New York Times Magazine. 4 Jan 1998
  3. ^ https://www.lambiek.net/artists/t/topor_roland.htm
  4. ^ Hodgson, Andrew. "Blood, Shit, and Sex". The Paris Review. 22 March 2019.
  5. ^ Hodgson, Andrew. "Blood, Shit, and Sex". The Paris Review. 22 March 2019.
  6. ^ Hodgson, Andrew. "Blood, Shit, and Sex". The Paris Review. 22 March 2019.
  7. ^ [2] Kraus, Jerelle. "Endpaper -- The Lives They Lived: Roland Topor; A Graphic Wit". The New York Times Magazine. 4 Jan 1998
  8. ^ [3] Kraus, Jerelle. "Endpaper -- The Lives They Lived: Roland Topor; A Graphic Wit". The New York Times Magazine. 4 Jan 1998
  9. ^ [4] Author: S. S. M. "The eclectic genius of Roland Topor". The Economist. Apr 11th 2017
  10. ^ Hodgson, Andrew. "Blood, Shit, and Sex". The Paris Review. 22 March 2019.
  11. ^ [5] Kraus, Jerelle. "Endpaper -- The Lives They Lived: Roland Topor; A Graphic Wit". The New York Times Magazine. 4 Jan 1998
  12. ^ https://www.3ammagazine.com/3am/why-the-silence/
  13. ^ David De Silva
  14. ^ David De Silva
  15. ^ https://www.atlaspress.co.uk/index.cgi?action=chrono
  16. ^ https://www.lambiek.net/artists/t/topor_roland.htm
  17. ^ https://www.lambiek.net/artists/t/topor_roland.htm
  18. ^ The Ratataplan movie webpage in the Maurizio Nichetti's website webpage
  19. ^ Hodgson, Andrew. "Blood, Shit, and Sex". The Paris Review. 22 March 2019.
  20. ^ Topor, Roland. Joko fête son anniversaire. Publisher: Wombat (2016). ISBN 9782919186907
  21. ^ Lemaire, Véronique. Hainaux, René. Theatre and Architecture - Stage Design - Costume: A Bibliographic Guide in Five Languages. Publisher: Peter Lang, 2006. p. 135 ISBN 9789052012810
  22. ^ Toper, Roland. L'Ambigu (Théâtre panique II). Wombat 2016. ISBN 9782374980560
  23. ^ The Ian Potter Museum of Art webpage
  24. ^ United Dead Artist page on the Topor book website

External links


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