Ray Barretto in 2006.
|Born||April 29, 1929|
New York City, New York, US
|Died||February 17, 2006 (aged 76)|
Hackensack, New Jersey, US
|Genres||Afro-Cuban jazz, salsa, son cubano, boogaloo, pachanga|
|Instruments||Congas, drums, percussion|
|Labels||Tico, Riverside, United Artists, Fania, Atlantic, CTI, Concord Jazz, Zoho|
|The Blackout All-Stars, Fania All-Stars, Adalberto Santiago|
Ray Barretto (April 29, 1929 - February 17, 2006) was an American Grammy Award-winning conga drummer and bandleader of Puerto Rican ancestry. Throughout his career as a percussionist he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
Barretto (his real name, "Barreto", was misspelled on his birth certificate) was born on April 29, 1929, in New York City. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and at a young age was influenced by his mother's love of music and by the jazz of Duke Ellington and Count Basie.
In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, he met Belgian vibraphonist Fats Sadi. However, it was when he heard Dizzy Gillespie's "Manteca" with Gil Fuller and Chano Pozo that he realized his calling.
In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.
In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with Jazz flautist Here lyiesjhuyyghjkiibie Mann. New York had become the center of Latin music in the United States and a musical genre called pachanga was the Latin music craze of the early 1960s. In 1962, Barretto recorded his first hit, "El Watusi" for Tico Records. He was quite successful with the song and the genre, to the point of being typecast (something that he disliked).
In 1965, Barretto signed with the Latin division of United Artists, UA Latino, and began recording a series of albums in the boogaloo genre, which merges rhythm and blues with Latin music. On his album El Ray Criollo, Barretto explored the modern Latin sounds of New York, combining features of charanga and conjunto to birth a new style which would later be known as salsa. After recording four albums for the United Artists label, Barretto joined the Fania record label in 1967, and his first recording for the new label was the 1968 album Acid, which is often cited as one of the most enduring boogaloo albums, with songs such as "A Deeper Shade of Soul". During this period, Adalberto Santiago was the band's lead vocalist.
In 1972 Barretto's Que viva la música was released. "Cocinando," a track from the album, opened the soundtrack of the Fania All Stars film Our Latin Thing in which Barretto had a role. In 1973, Barretto recorded the album Indestructible, in which he played "La familia", a song written by José Curbelo in 1953 and recorded by the sonero Carlos Argentino with the Cuban band Sonora Matancera; Tito Allen joined as new vocalist. After a number of successful albums, and just as his Afro-Cuban band had attained a remarkable following, most of its members left it to form Típica 73, a multinational salsa conglomerate. This left Barretto depressed and disappointed with salsa; he then redirected his efforts to jazz, while remaining as musical director of the Fania All Stars. In 1975 he released Barretto, also referred to as the Guararé album, with new vocalists Ruben Blades and Tito Gomez.
Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975, he was nominated for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records, and was nominated for a Grammy for Barretto Live...Tomorrow. In 1979, he recorded La Cuna for CTI records and produced a salsa record for Fania, titled Rican/Struction, which was named 1980 "Best Album" by Latin N.Y. Magazine, with Barretto crowned as Conga Player of the Year.
In 1990, Barretto won his first Grammy for the album Ritmo en el corazón ("Rhythm in the Heart"), which featured the vocals of Celia Cruz. His 1968 song "A Deeper Shade Of Soul" was sampled for the 1991 Billboard Hot 100 #21 hit "Deeper Shade of Soul" by Dutch band Urban Dance Squad.
Also in the 1990s, a Latin agent, Chino Rodríguez, approached Barretto with a concept he also pitched to Larry Harlow. The idea was "The Latin Legends of Fania", and Barretto, Harlow, Yomo Toro, Pete "el Conde" Rodríguez, Junior González, Ismael Miranda, and Adalberto Santiago came together and formed "The Latin Legends of Fania", booked by Chino Rodríguez of Latin Music Booking.com. However, Barretto had to leave the Legends to focus on his new jazz ensemble, New World Spirits, with which he recorded several albums for the Concord Jazz label.
Barretto died of heart failure and complications of multiple health issues on February 17, 2006 at the Hackensack University Medical Center in New Jersey. His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture; his remains were cremated.
|You may listen to on YouTube.|
With Gene Ammons
With the Bee Gees
With Ray Bryant
With Kenny Burrell
With Arnett Cobb
With Billy Cobham
With Celia Cruz
With Art Farmer
With Jimmy Forrest
With the Red Garland Trio
With Dizzy Gillespie
With Al Grey
With Slide Hampton
With Eddie Harris
With Willis Jackson
With Clifford Jordan
With Yusef Lateef
With Johnny Lytle
With Junior Mance
With Herbie Mann
With Jack McDuff
With Wes Montgomery
With Oliver Nelson
With Dave Pike
With Michel Sardaby
With Sonny Stitt
With Julius Watkins
With Weather Report
With Frank Wess
With Charles Williams