ÂRanks up there with the great rock & roll books of all time.âÂTime Out New York
ÂLurid, insolent, disorderly, funny, sometimes gross, sometimes mean and occasionally touching . . . Resounds with authenticity.âÂThe New York Times
ÂNo volume serves juicier dish on punkâs New York birth . . . Tales of sex, drugs and music that will make you wish youâd been there.âÂRolling Stone
A contemporary classic, Please Kill Me is the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era. This 20th anniversary edition features new photos and an afterword by the authors.
ÂUtterly and shamelessly sensational.âÂNewsday
âA thrilling and essential social history that details the rebellious youth movement that helped change the world.â âRolling Stone
âOriginal and inspiring . . . Mr. Mohr has writÂten an imÂporÂtant work of Cold War culÂtural hisÂtory.â âThe Wall Street Journal
âWildly entertaining . . . A thrilling tale . . . A joy in the way it brings back punkâs fury and high stakes.â âVogue
It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: in their gray surroundings, where everyoneâs future was preordained by some communist apparatchik, punk represented a revolutionary philosophyâquite literally, as it turned out.
But as these young kids tried to form bands and became more visible, security forcesâincluding the dreaded secret police, the Stasiâtargeted them. They were spied on by friends and even members of their own families; they were expelled from schools and fired from jobs; they were beaten by police and imprisoned. Instead of conforming, the punks fought back, playing an indispensable role in the underground movements that helped bring down the Berlin Wall.
This secret history of East German punk rock is not just about the music; it is a story of extraordinary bravery in the face of one of the most oppressive regimes in history. Rollicking, cinematic, deeply researched, highly readable, and thrillingly topical, BurningDown the Haus brings to life the young men and women who successfully fought authoritarianism three chords at a timeâand is a fiery testament to the irrepressible spirit of revolution.
A fast-paced send up of punk rock's best bands from the past and present, this fun-filled activity book allows readers to apply Siouxsie Sioux's makeup, draw Henry Rollins' tattoos, color the members of Green Day, and complete word searches.
Finalist, 2017 Indie Book Awards for Autobiography/Memoir, Foreword Reviews
Punk Avenue: The New York City Underground 1972-1982 is an intimate look at author Paris-born Phil Marcadeâs first ten years in the United States where drifted from Boston to the West Coast and back, before winding up in New York City and becoming immersed in the early punk rock scene. From backrooms of Maxâs and CBGBâs to the Tropicana Hotel in Los Angeles and back, Punk Avenue is a tour de force of stories from someone at the heart of the era. With brilliant, often hilarious prose, Marcade relays first-hand tales about spending a Provincetown summer with photographer Nan Goldin and actor-writer Cookie Mueller, having the Ramones play their very first gig at his party, working with Blondieâs Debbie Harry on French lyrics for her songs, enjoying Thanksgiving with Johnny Thundersâ mother, and starting the beloved NYC punk-blues band The Senders. Along the way, he smokes a joint with Bob Marley, falls down a mountain, gets attacked by Nancy Spungenâs junkie cat, become a junkie himself, adopts a dog who eats his pot, opens for The Clash at Bondâs Casino, opens a store named Rebop on Seventh Avenue, throws up in some girlâs mouth, talks about vacuum cleaners with Sid Vicious,Â lives thru the Blackout of 1977, gets glue in his eye, gets mugged at knife point, plays drums with Johnny Thundersâ band Gang War, sets some guyâs attache-case on fire, listens to pre-famous Madonna singing in the rehearsal studio next to his, gets mugged at gun point, O.D.s on heroin, gets saved by a gentle giant named Bill, lives at nightÂ Never sleepsÂ Â A very funny book.
Hilly Kristal originally intended his club to showcase the type of music his venue's notorious letters stand for: Country, Bluegrass, Blues. Little did he know his club on the Bowery would be the birthplace of a new era of music in New York City: Punk. While CBGB ultimately didn't describe the music the club was known for, OMFUG (Other Music for Uplifting Gormandizers) still represents what the club provides for all voracious "eaters" of music.
CBGB & OMFUG is a musical and cultural landmark, recognized worldwide and visited by countless tourists and music lovers each year. In these luminous pages, CBGB's influence and legacy is honored with 200 photos of some of the most celebrated artists in music history. With an introduction by Hilly Kristal, an afterword by David Byrne, Rock and Roll Hall of Famer and cofounder of Talking Heads, and additional commentary by numerous performers and patrons, CBGB & OMFUG features unforgettable images by the many photographers who documented an American institution.
Jim Lindberg is a Punk Rock Dad. When he drives his kids to school in the morning, they listen to the Ramones, the Clash, or the Descendents and that's it. He goes to all the soccer games, dance rehearsals, and piano recitals, but when he feels the need, he goes into the slam pit at punk shows and comes home bruised and beaten—somehow feeling strangely better. While the other dads dye their hair brown to cover the gray, Jim occasionally dyes his blue or green. He pays his taxes, serves jury duty, votes in all major elections, and reserves the right to believe that there's a vast Right Wing Conspiracy—and that the head of the P.T.A. is possibly in on it. He is a Punk Rock Dad.
"A great story of a lost world. Having seen that world disappear in recent years, it was quite a treat to go on this journey. One of a time and place long gone, but not forgotten. Long before the Disneyfication of modern day Hollywood, it was a run down and left behind wasteland, dangerous, lively, unbounded and free. Where the disenfranchised outcasts, rejected children of the dysfunctional working class, came to find their place, their peace of mind. Roving the tattered shadows and crooked sidewalks of the boulevard, drinking, raising Hell for Hell's sake, looking for action, music, love, inebriation, acceptance, and family, while the rest of the world droned on in mind-numbing normalcy. Adam Wilson's first-hand account of life as a punk in the streets of Los Angeles, the gangs that stuck together for unity, solidarity, and what little they had to fight for, is a powerful and unsung testimonial, well worth reading. Learn what LA was really made of. Read his all telling tale, an honest and open account of a time and place, not likely to ever see the light of day again." ~Christiaan Angelo Pasquale
The punk rock scene of the 1970s and â80s in Southern California is widely acknowledged as one of the most vibrant, creative periods in all of rock and roll history. And while many books have covered the artists who contributed to the music of that era, none have exclusively focused on the vitality and influence of the women who played such a crucial role in this incredibly dynamic and instrumental movement.
We Were Going to Change the World captures the stories of women who were active in the SoCal punk rock scene during this historic time, adding an important voice to its cultural and musical record. Through exclusive interviews with musicians, journalists, photographers, and fans, Stacy Russo has captured the essence of why these women were drawn to punk rock, what they witnessed, and how their involvement in this empowering scene ended up influencing the rest of their lives.
From such hugely influential musicians and performers as Exene Cervenka, Alice Bag, Kira, Phranc, Johanna Went, Teresa Covarrubias, and Jennifer Precious Finch, to such highly regarded journalists, DJs, and photographers as Ann Summa, Jenny Lens, Kristine McKenna, Pleasant Gehman, and Stella, toÂ the fans and scenesters who supported the bands and added so much color and energy to the scene, We Were Going to Change the World is an important oral history of the crucial contributions women injected into the Southern California punk rock scene of the 1970s and â80s. Empowering, touching, and informative, Stacy Russoâs collection of interviews adds a whole new dimension to the literature of both punk rock and womenâs studies.
The candid, hilarious, shocking, occasionally horrifying, and surprisingly moving New York Times bestselling autobiography of punk legends NOFX, their own story in their own words
NOFX: The Hepatitis Bathtub and Other Stories is the first tell-all autobiography from one of the world's most influential and controversial punk bands. Fans and non-fans alike will be shocked by the stories of murder, suicide, addiction, counterfeiting, riots, bondage, terminal illness, the Yakuza, and drinking pee. Told from the perspective of each of the band's members, this book looks back at more than thirty years of comedy, tragedy, and completely inexplicable success.
A compelling visual portrait of a time, place, and subculture that raised a middle finger to modern society
Oh So Pretty: Punk in Print 1976-80 is an unrivalled collection of visually striking ephemera from Britainâs punk subculture. It presents 500 artefacts - 'zines,' gig posters, flyers, and badges - from well-known and obscure musical acts, designers, venues, and related political groups. While punk was first and foremost a music phenomenon, it reflected a DIY spirit and instantly recognizable aesthetic that was as raw and strident and irrepressible as the music. As disposable as the items in this book once were, together they tell a story about music, history, class, and art, and document a seismic shift in society and visual culture.