Theatrical release poster by Bill Gold
|Directed by||Oliver Stone|
|Produced by||Arnold Kopelson|
|Written by||Oliver Stone|
|Music by||Georges Delerue|
|Edited by||Claire Simpson|
|Distributed by||Orion Pictures|
|Box office||$138.5 million (North America)|
Platoon is a 1986 American war film written and directed by Oliver Stone, starring Tom Berenger, Willem Dafoe, Charlie Sheen, Keith David, Kevin Dillon, John C. McGinley, Forest Whitaker, and Johnny Depp. It is the first film of a trilogy of Vietnam War films directed by Stone, followed by Born on the Fourth of July (1989) and Heaven & Earth (1993). The film, based on Stone's experience from the war, follows a U.S. Army volunteer (Sheen) serving in Vietnam while his Platoon Sergeant and his Squad Leader (Berenger and Dafoe) argue over the morality in the platoon and the conduct of the war.
Stone wrote the screenplay based upon his experiences as a U.S. infantryman in Vietnam, to counter the vision of the war portrayed in John Wayne's The Green Berets. Although having written films such as Midnight Express and Scarface, Stone struggled to get the film developed until Hemdale Film Corporation acquired the project along with Salvador. Filming took place in the Philippines in February 1986 and lasted 54 days. Platoon was the first Hollywood film to be written and directed by a veteran of the Vietnam War.
Upon its release, Platoon received critical acclaim for Stone's directing and screenplay, the cinematography, battle sequences' realism, and the performances of Sheen, Dafoe, and Berenger. The film was a box office success upon its release, grossing $138.5 million domestically against its $6 million budget. The film was nominated for eight Academy Awards at the 59th Academy Awards, and won four including Best Picture, Best Director for Stone, Best Sound, and Best Film Editing. In 1998, the American Film Institute placed Platoon at #83 in their "AFI's 100 Years ... 100 Movies" poll. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
In 1967, U.S. Army volunteer Chris Taylor arrives in South Vietnam and is assigned to an infantry platoon of the 25th Infantry Division near the Cambodian border. The platoon is officially led by the young and inexperienced Lieutenant Wolfe, but in reality, the soldiers defer to two of his older, more experienced subordinates: the hardened and cynical Sergeant Barnes, and the more idealistic and reasonable Sergeant Elias.
Chris is immediately sent out with Barnes, Elias, and veteran soldiers on a planned night ambush for a North Vietnamese army force. The NVA soldiers manage to get close to the sleeping Americans before a brief firefight ensues; Chris's fellow new recruit Gardner is killed and Chris himself lightly wounded. After his return from the hospital, Chris bonds with Elias and his circle of marijuana-smokers while remaining aloof from Barnes and his more hard-edged followers.
During a subsequent patrol on New Year's Day 1968, three men are killed by explosive booby traps, and unseen assailants. Already on edge, the platoon is further angered when they discover an enemy supply and weapons cache in a nearby village. Barnes, through a Vietnamese-speaking soldier, Lerner, aggressively interrogates the village chief about whether the villagers have been aiding the NVA. In a fit of anger, Barnes shoots the chief's wife dead after she shouts at him and threatens to kill the chief's daughter. Elias then arrives, getting into a physical altercation with Barnes over the killing before Wolfe breaks it up and orders the supplies destroyed and the village razed. The blaze causes a few of the burning homes to explode, suggesting they contained hidden munitions kept by the villagers. Chris later stops a gang rape of two girls by some of Barnes' men.
When the platoon returns to base, the veteran company commander Captain Harris declares that if he finds out that an illegal killing took place, a court-martial will ensue, leaving Barnes worried that Elias will testify against him. On their next patrol, the platoon is ambushed and pinned down in a firefight, in which numerous soldiers are wounded. More men are wounded when Lieutenant Wolfe accidentally directs an artillery strike onto his own unit before Barnes calls it off. Elias takes Chris and two other men to intercept flanking enemy troops. Barnes orders the rest of the platoon to retreat and goes back into the jungle to find Elias's group. Barnes finds Elias alone and shoots him, then returns and tells Chris that Elias was killed by the enemy. While the platoon is being extracted via helicopter, they glimpse Elias, mortally wounded, emerging from the treeline and being chased by a group of North Vietnamese soldiers, who kill him. Chris surmises that Barnes was responsible for mortally wounding Elias.
At the base, Chris attempts to talk his group into fragging Barnes in retaliation when Barnes, having overheard them, enters the room and mocks them. Chris assaults the intoxicated Barnes but is quickly overpowered. Barnes seems ready to kill Chris, but Rhah tells Barnes that it is not worth ten years in prison for killing an enlisted soldier, so instead Barnes cuts Chris near his eye with a push dagger before departing.
The platoon is sent back to the front line to maintain defensive positions, where Chris shares a foxhole with Francis. That night, a major NVA assault occurs, and the defensive lines are broken. Most of the platoon, including Wolfe and most of Barnes' followers, are killed in the ensuing battle. Sgt. O'Neill, known for shirking duties and being one of Barnes' lackeys, hides under a dead soldier to avoid being seen. Chris, along with Francis, finds his courage and counterattacks, killing many of the invading NVA. Chris even leaves the fighting hole to pursue the enemy. During the attack, an NVA sapper, armed with explosives, destroys the battalion headquarters in a suicide attack. Now in command of the defense, Captain Harris orders his air support to expend all their remaining ordnance inside his perimeter. During the chaos, Chris encounters Barnes, who is wounded and driven to insanity. Just as Barnes is about to kill Chris, both men are knocked unconscious by the air strike.
Chris regains consciousness the following morning, picks up an enemy rifle, and finds Barnes, who orders him to call a medic. Seeing that Chris will not help, Barnes contemptuously orders Chris to kill him; Chris does so. Francis, who survived the battle unharmed, deliberately stabs himself in the leg and reminds Chris that because they have been twice wounded, they can return home. Chris waves goodbye to the remaining troops as helicopters carry him and Francis away along with other wounded soldiers. Overwhelmed, Chris sobs as he glares down at craters full of corpses. In a voice-over, he says that although the war is now over for him, it will remain with him for the rest of his life.
After his tour of duty in the Vietnam War ended in 1968, Oliver Stone wrote a screenplay called Break, a semi-autobiographical account detailing his experiences with his parents and his time in the Vietnam War. Stone's active duty service resulted in a "big change" in how he viewed life and the war. Although the screenplay Break was never produced, he later used it as the basis for Platoon.
Break featured several characters who were the seeds of those he developed in Platoon. The script was set to music from The Doors; Stone sent the script to Jim Morrison in the hope he would play the lead. (Morrison never responded, but his manager returned the script to Stone shortly after Morrison's death; Morrison had the script with him when he died in Paris.) Although Break was never produced, Stone decided to attend film school.
After writing several other screenplays in the early 1970s, Stone worked with Robert Bolt on the screenplay, The Cover-up (it was not produced). Bolt's rigorous approach rubbed off on Stone. The younger man used his characters from the Break screenplay and developed a new screenplay, which he titled Platoon. Producer Martin Bregman attempted to elicit studio interest in the project, but was not successful. Stone claims that during that time, Sidney Lumet was to have helmed the film with Al Pacino slated to star had there been studio interest. But, based on the strength of his writing in Platoon, Stone was hired to write the screenplay for Midnight Express (1978).
The film was a critical and commercial success, as were some other Stone films at the time, but most studios were still reluctant to finance The Platoon, because it was about the unpopular Vietnam War. After the release of The Deer Hunter and Apocalypse Now, the studios then cited the perception that these films were considered the pinnacle of the Vietnam War film genre as reasons not to make Platoon.
Stone responded by attempting to break into mainstream direction via the easier-to-finance horror genre, but The Hand failed at the box office, and he began to think The Platoon would never be made. Instead, he cowrote Year of the Dragon for a lower-than-usual fee of $200,000, on the condition from producer Dino De Laurentiis would next produce The Platoon. Year of the Dragon was directed by Stone's friend Michael Cimino, who had also helmed The Deer Hunter. According to Stone, Cimino attempted to produce The Platoon in 1984.
De Laurentiis secured financing for Platoon, but he struggled to find a distributor. Because De Laurentiis had already spent money sending Stone to the Philippines to scout for locations, he decided to keep control of the film's script until he was repaid. Then Stone's script for what would become Salvador was passed to John Daly of British production company Hemdale. Once again, this was a project that Stone had struggled to secure financing for, but Daly loved the script and was prepared to finance both Salvador and The Platoon. Stone shot Salvador first, before turning his attention to what was by now called Platoon.
Platoon was filmed on the island of Luzon in the Philippines starting in February 1986. The production was almost canceled because of the political upheaval in the country, due to then-president Ferdinand Marcos. With the help of well-known Asian producer Mark Hill, the shoot commenced, as scheduled, two days after Marcos fled the country. Shooting lasted 54 days and cost $6.5 million. The production made a deal with the Philippine military for the use of military equipment. The film employed Vietnamese refugees living in the Philippines to act in different roles as Vietnamese in the film. Filming was done chronologically.
James Woods, who had starred in Stone's film Salvador, was offered a part in Platoon. Despite his friendship with the director, he turned it down, later saying he "couldn't face going into another jungle with [Oliver Stone]". Denzel Washington expressed interest in playing the role of Elias. Stone confirmed in a 2011 interview with Entertainment Weekly that Mickey Rourke, Emilio Estevez and Kevin Costner were all considered for the part of Barnes. He believes Costner turned down the role "because his brother had been in Vietnam." Stone also verified in the interview that Keanu Reeves turned down the role of Taylor because of the violence.
Upon arrival in the Philippines, the cast was sent on an intensive training course, during which they had to dig foxholes and were subjected to forced marches and nighttime "ambushes," which used special-effects explosions. Led by Vietnam War veteran Dale Dye, training put the principal actors--including Sheen, Dafoe, Depp and Whitaker--through an immersive 30-day military-style training regimen. They limited how much food and water they could drink and eat and when the actors slept, fired blanks to keep the tired actors awake. Dye also had a small role as Captain Harris. Stone said that he was trying to break them down, "to mess with their heads so we could get that dog-tired, don't give a damn attitude, the anger, the irritation ... the casual approach to death".Willem Dafoe said "the training was very important to the making of the film", adding to its authenticity and strengthening the camaraderie developed among the cast: "By the time you got through the training and through the film, you had a relationship to the weapon. It wasn't going to kill people, but you felt comfortable with it."
Stone makes a cameo appearance as the commander of the 3d Battalion, 22d Infantry in the final battle, which was based on the historic New Year's Day Battle of 1968 in which he had taken part while on duty in South Vietnam. Dale Dye, who played Captain Harris, the commander of Company B, is a U.S. Marine Corps Vietnam War veteran who also served as the film's technical advisor.
The film is "Dedicated to the men who fought and died in the Vietnam War."
The film score was by Georges Delerue. Music used in the film includes Adagio for Strings by Samuel Barber, "White Rabbit" by Jefferson Airplane, and "Okie from Muskogee" by Merle Haggard (which is an anachronism, as the film is set in 1967 but Haggard's song was not released until 1969). During a scene in the "Underworld", the soldiers sing along to "The Tracks of My Tears" by Smokey Robinson and The Miracles, which was also featured in the film's trailer. The soundtrack includes "Groovin'" by The Rascals and "(Sittin' On) The Dock of the Bay" by Otis Redding.
Platoon was released in the United States on December 19, 1986 and in the Philippines and the United Kingdom in March 1987, with its release in the latter receiving an above 15 rating for strong language, scenes of violence, and soft drug use.
Due to a legal dispute between HBO Home Video and Vestron Video over home video rights, the film was delayed from its planned October 1987 release. After a settlement was reached, it was finally released on tape on January 22, 1988 through HBO, and then reissued on September 1, 1988 by Vestron. Vestron reissued the film twice, in 1991 and 1994. It made its DVD debut in 1997 through Live Entertainment. It was released again on VHS in 1999 by Polygram Filmed Entertainment (who briefly held the rights to the film through its purchase of the Epic library). The film was rereleased again on VHS and DVD in 2001 by Metro-Goldwyn-Mayer (who now owns the rights to the film through their purchase of the pre-1996 Polygram Filmed Entertainment library). MGM and Sony Pictures Home Entertainment release the film on DVD in 2006 for its 20th anniversary. MGM released the film on Blu-Ray in 2011 and released the film again on September 18, 2018 with Shout! Factory on Blu-Ray.
On Rotten Tomatoes, the film has an approval rating of 88% based on 66 reviews, with an average rating of 8.36/10. The site's critical consensus reads, "Informed by director Oliver Stone's personal experiences in Vietnam, Platoon forgoes easy sermonizing in favor of a harrowing, ground-level view of war, bolstered by no-holds-barred performances from Charlie Sheen and Willem Dafoe." On Metacritic, the film has a weighted average score of 92 out of 100, based on 16 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.
Roger Ebert gave it four out of four stars, calling it the best film of the year, and the ninth best of the 1980s.Gene Siskel also awarded the film four out of four stars, and observed that Vietnam War veterans greatly identified with the film. In his New York Times review, Vincent Canby described Platoon as "possibly the best work of any kind about the Vietnam War since Michael Herr's vigorous and hallucinatory book Dispatches.
"The film has been widely acclaimed," Pauline Kael admitted, "but some may feel that Stone takes too many melodramatic shortcuts, and that there's too much filtered light, too much poetic license, and too damn much romanticized insanity ... The movie crowds you; it doesn't leave you room for an honest emotion."
Although the film was the subject of critical acclaim, it received some criticism for its depiction of African-American soldiers in Vietnam. Wallace Terry, a black journalist who spent a two-year tour in Vietnam and wrote a Time cover story in 1967 called The Negro in Vietnam, which concerned the experiences of African American troops during the war, publicly criticised the film in an interview with Maria Wilhelm of People magazine, calling its depiction of black troops "a slap in the face". In the interview, Terry noted that there were no black soldiers depicted as officers. However, in the film, Warren is an officer in charge of a platoon. He further went on to criticise the film for perpetuating black stereotypes, stating the film "barely rises above the age-old Hollywood stereotypes of blacks as celluloid savages and coons who do silly things."
In its seventh weekend of release, the film expanded from 214 theatres to 590 and became number one at the United States box office with a gross of $8,352,394. It remained number one for four weekends. In its ninth weekend, it grossed $12.9 million from 1,194 theatres over the four-day President's Day weekend, being the first film to gross more than $10 million in a weekend in February and setting a weekend record for Orion.
|Academy Awards||Best Picture||Arnold Kopelson||Won|
|Best Director||Oliver Stone||Won|
|Best Supporting Actor||Tom Berenger||Nominated|
|Best Original Screenplay||Oliver Stone||Nominated|
|Best Cinematography||Robert Richardson||Nominated|
|Best Film Editing||Claire Simpson||Won|
|Best Sound||John K. Wilkinson, Richard Rogers, Charles "Bud" Grenzbach, Simon Kaye||Won|
|BAFTA Award||Best Editing||Claire Simpson||Won|
|Best Cinematography||Robert Richardson||Nominated|
|Best Direction||Oliver Stone||Won|
|Directors Guild of America Award||Outstanding Directing - Feature Film||Won|
|Golden Globe Award||Best Director||Won|
|Best Motion Picture - Drama||Arnold Kopelson||Won|
|Best Supporting Actor - Motion Picture||Tom Berenger||Won|
|Silver Bear||Best Director||Oliver Stone||Won|
|Independent Spirit Award||Best Director||Won|
|Best Film||Arnold Kopelson||Won|
|Best Male Lead||Willem Dafoe||Nominated|
|Best Cinematography||Robert Richardson||Won|
|Writers Guild of America Award||Best Original Screenplay||Oliver Stone||Nominated|
American Film Institute lists:
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