|Origin||Ferryhill, County Durham, England|
|The Invisible Girls|
The band's lineup was lead singer Pauline Murray, Robert Blamire (bass), Gary Smallman (drums) and Gary Chaplin (guitar). Chaplin left in March 1978 being replaced with Neale Floyd, with second guitarist Fred Purser joining in July. The band dissolved in late 1979. They reformed in 2001 with original members Murray, Blamire and Smallman, and Steve Wallace and Paul Harvey drafted in as new guitarists.
Formed in Ferryhill as The Points under which name they played their first gig at the Rock Garden pub in Middlesbrough in October 1976, they changed the band's name after a 1973 song by Iggy & The Stooges. Their second gig was supporting The Stranglers at Newcastle City Hall. Significantly, the band also played at the now-legendary punk club The Roxy during its first 100 days. On 9 April 1977, the band appeared on the same bill as Generation X. Early in their career, the band also supported The Vibrators and toured with the Buzzcocks.
After the release of their second single, Penetration recorded the first of two sessions for John Peel at BBC Radio 1 in July 1978. Later that year, the band released their debut album. Moving Targets was number 6 in the Sounds Critics' albums of the year; and it made number 13 in the NME critics' chart.
In 1979, they toured Europe, the US and Britain but the grueling schedule began to take its toll. A disappointing reaction to Coming Up For Air, the second album, was the final nail in the coffin of the original band. After the band split in October an official bootleg album called Race Against Time was released, which was a collection of early demos and live tracks.
In 1980 Pauline Murray collaborated with The Invisible Girls, which also included Robert Blamire as well as other Manchester musicians such as Vini Reilly, guitarist in The Durutti Column, and Steve Hopkins. John Maher from Buzzcocks drummed for the band. Produced by Martin Hannett, the resulting album spawned the singles "Dream Sequence" and "Mr.X", with a further non-album single "Searching for Heaven" released in 1981. Murray also provided guest vocals for The Only Ones' 1980 track, "Fools". Former guitarist Gary Chaplin formed the short-lived new wave bands The Rhythm Clicks, which released the single "Short Time" in 1980, and Soul On Ice which released the singles "Underwater" and "Widescreen" in 1982 and 1983 respectively.
Pauline Murray worked sporadically as a solo artist under the name 'Pauline Murray and The Storm' with Robert Blamire, Tim Johnston and Paul Harvey. Paul Harvey is also a Stuckist artist. Blamire also worked as a producer for various groups, including Scars, whose sole LP (1981's Author! Author!) he produced.
|"||A decidedly more "rawk" proposition than many of the three-chord trainee anarchists on the scene, Murray drawing inevitable comparisons with both Patti Smith and Siouxsie Sioux for her force of personality and the strength / style of her voice.||"|
In 2015 Penetration announced the release of a new album called Resolution in October. The current line-up of the band is Pauline Murray, Robert Blamire, John Maher (ex-Buzzcocks) Paul Harvey and Steve Wallace.
A pulsating punk song. One of the best in a year of many gems. Its anti-authoritarian message was ideal for 1977.
Penetration's debut alienated their punk following, but, looking back now, it documented the tensions of the era. They were Tyneside punks with a heavy metal guitarist - future Tyger of Pan Tang Fred Purser - whose sonic battles with the band's punk faction makes singer Pauline Murray's doom-laden warnings sound even more urgent and compelling.
Penetration's debut album stands among the very last true greats of the first wave of British punk offerings. A glorious collision of adrenalized exuberance and astonishing energies, topped by Pauline Murray's unmistakably soaring vocals.
Their debut single, the excellent "Don't Dictate", which came out in the autumn of 1977, set the tone and a widely regarded reputation for their punky enthusiasm. With this, their debut album, that appeared the following year, cementing their critical acclaim.