Cover of the July 2016 issue
|Editor-in-Chief||F. Paul Driscoll|
|Company||Metropolitan Opera Guild|
|Based in||New York City|
Opera News is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. Opera News was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, Opera News offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S.
The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the magazine, both past and present, include its former features editor, Brian Kellow, William Ashbrook, Scott Barnes, Jochen Breiholz, Erika Davidson, Justin Davidson, Peter G. Davis, Matthew Gurewitsch, Joel Honig, Tim Page, Judith Malafronte, Mark Thomas Ketterson, Martin Bernheimer, Ira Siff, Joanne Sydney Lessner, Anne Midgette, Drew Minter, William R. Braun, Phillip Kennicott, Joshua Rosenblum, Leslie Rubinstein, Alan Wagner, Adam Wasserman, Oussama Zahr, and William Zakariasen.
The magazine is also available online, with some archival content going back to 1949. The web site was redesigned in spring 2010. Some of the online content is available only to subscribers to the print edition.
Opera News[note 1] was founded in 1936 by the Metropolitan Opera Guild with Mrs. John DeWitt Peltz (Mary Ellis Peltz) serving as the publication's first editor. It was initially intended to be a "useful, instructive, and factual weekly newspaper of Opera in New York".[This quote needs a citation] Its first issue was published on 7 December 1936 and consisted of only one folded broadsheet. Its second year of publication saw its transformation into a 17-page magazine with advertising, with its first magazine issue appearing on 15 November 1937. Beginning with the December 1940 issue, the magazine began to concentrate much of its content on the weekly Metropolitan Opera radio broadcasts. The magazine at this point offered bi-weekly issues of an expanded size during the Fall, Winter, and Spring, but was on hiatus during the summers. As time went on, the magazine began to take on a more international scope of coverage; but it still maintained a strong interest in the New York opera scene and the Met in particular.
In the Fall of 1957 Frank Merkling succeeded Peltz as the second chief editor of Opera News, with his first issue appearing on 14 October 1957. In 1972 the magazine became a year-round publication, adding monthly issues in the summer months while maintaining its bi-weekly schedule during the opera season. In 1974 Robert Jacobson became the magazine's third chief editor. Jacobson was succeeded by Patrick O'Connor (1988), who was succeeded in 1989 by Patrick J. Smith. In 1998, Smith was succeeded by Rudolph S. Rauch. Under the leadership of Rauch and executive editor Brian Kellow, the magazine switched to a monthly publication format in September 1998. F. Paul Driscoll, the current editor in chief, was appointed in July 2003.
Beginning with the June 2012 issue, the Metropolitan Opera said that Opera News would cease reviewing Met performances, following dissatisfaction among the Met leadership with the magazine's recent critiques of Robert Lepage's production of the Ring Cycle and of the company's direction under Peter Gelb. However, reactions from the public led to the decision being reversed.
Since 2005 the magazine has annually bestowed five Opera News Awards for Distinguished Achievement.
Past recipients of the awards have included: