Naqada II
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Naqada II
Gerzeh culture/ Naqada II
(3500--3200 BC)
Gerzeh culture is located in Northeast Africa
el-Girzeh
el-Girzeh
Gerzeh culture is located in Egypt
el-Girzeh
el-Girzeh
Gerzeh culture/ Naqada II
Datescirca 3,650 BC -- circa 3,300 BC[1]
Major sitesal-Girza
Preceded byNaqada I (Amratian)
Followed byNaqada III

The Gerzeh culture, also called Naqada II, refers to the archaeological stage at Gerzeh (also Girza or Jirzah), a prehistoric Egyptian cemetery located along the west bank of the Nile. The necropolis is named after el-Girzeh, the nearby contemporary town in Egypt.[2] Gerzeh is situated only several miles due east of the oasis of Faiyum.[3]

The Gerzeh culture is a material culture identified by archaeologists. It is the second of three phases of the prehistoric Nagada cultures and so is also known as Naqada II. The Gerzeh culture was preceded by the Amratian culture ("Naqada I") and followed by the Naqada III ("protodynastic" or "Semainian culture").

Historical context

Sources differ on dating, some saying use of the culture distinguishes itself from the Amratian and begins circa 3500 BC lasting through circa 3200 BC.[4] Accordingly, some authorities place the onset of the Gerzeh coincident with the Amratian or Badari cultures, i.e. c.3800 BC to 3650 BC even though some Badarian artifacts, in fact, may date earlier. Nevertheless, because the Naqada sites were first divided by the British Egyptologist Flinders Petrie in 1894, into Amratian (after the cemetery near el-Amrah) and "Gerzean" (after the cemetery near Gerzeh) sub-periods, the original convention is used in this text.

The Gerzeh culture lasted through a period of time when the desertification of the Sahara had nearly reached its state seen during the late twentieth century.

The primary distinguishing feature between the earlier Amratian and the Gerzeh is the extra decorative effort exhibited in the pottery of the period. Artwork on Gerzeh ceramics features stylised animals and environment to a greater degree than the earlier Amratian artwork. Further, images of ostriches on the pottery artwork possibly indicate an inclination these early peoples may have felt to explore the Sahara desert.

Reed boats

Pictures of ceremonial reed boats appear on some Naqada II jars, showing two male and two female figures standing aboard, the boat being equipped with oars and two cabins.[5]

Contacts with Western and Central Asia

Mesopotamian king on the Gebel el-Arak knife
Naqada II period Gebel el-Arak Knife, in the Departement of Pre-Dynastic Egyptian antiquities, Louvre Museum.[6]
Mesopotamian king as Master of Animals on the Gebel el-Arak Knife at the top of the handle, dated circa 3300-3200 BC, Abydos, Egypt. This work of art both shows the influence of Mesopotamia on Egypt at an early date, in an example of ancient Egypt-Mesopotamia relations, and the state of Mesopotamian royal iconography during the Uruk period.[6][7]

Distinctly foreign objects and art forms entered Egypt during this period, indicating contacts with several parts of Asia. Scientific analysis of ancient wine jars in Abydos has shown some there was some high-volume wine trade with the levant during this period.[8] Objects such as the Gebel el-Arak knife handle, which has patently Mesopotamian relief carvings on it, have been found in Egypt,[9] and the silver which appears in this period can only have been obtained from Asia Minor.[10]

Lapis lazuli trade, in the form of beads, from its only known prehistoric source – Badakhshan in northeastern Afghanistan – also reached ancient Gerzeh.[11] Other discovered grave goods are on display here.

Cylinder seals

It is generally thought that cylinder seals were introduced from Mesopotamia to Egypt during the Naqada II period.[12] Cylinder seals, some coming from Mesopotamia and Elam, and some made locally in Egypt following Mesopotamian designs in a stylized manner, have been discovered in the tombs of Upper Egypt dating to Naqada II and III, particularly in Hierakonpolis.[13][14] Mesopotamia cylinder seals have been found in the Gerzean context of Naqada II, in Naqada and Hiw, attesting to the expansion of the Jemdet Nasr culture as far as Egypt at the end of the 4th millennium BCE.[15][16]

Jemdet Nasr-style Mesopotamian cylinder seal, from Grave 7304 Cemetery 7000 at Naqada, Naqada II period.[17]

In Egypt, cylinder seals suddenly appear without local antecedents from around Naqada II c-d (3500-3300 BCE).[18] The designs are similar to those of Mesopotamia, where they were invented during the early 4th millennium BCE, during the Uruk period, as an evolutionary step from various accounting systems and seals going back as early as the 7th millennium BCE.[18] The earliest Egyptian cylinder seals are clearly similar to contemporary Uruk seals down to Naqada II-d (circa 3300 BCE), and may even have been manufactured by Mesopotamian crafstman, but they start to diverge from circa 3300 BCE to become more Egyptian in character.[18] Cylinder seals were made in Egypt as late as the Second Intermediate Period, but they were essentially replaced by scarabs from the time of the Middle Kingdom.[12]

Burials

Burial sites in Gerzeh have uncovered artifacts, such as cosmetic palettes, a bone harpoon, an ivory pot, stone vessels, and several meteoritic iron beads,[19]Technologies at Gerzeh also include fine ripple-flaked knives of exceptional workmanship. The meteoritic iron beads, discovered in two Gerzean graves by Egyptologist Wainwright in 1911,[20] are the earliest artifacts of iron known,[21] dating to around 3200 BC[22] (see also Iron Age).

One burial uncovered evidence of dismemberment in the form of decapitation.[23]

Oldest known Egyptian painted tomb

An ancient Nekhen tomb painting in plaster with barques, staffs, goddesses, and animals - possibly the earliest example of an Egyptian tomb mural

Discoveries at Nekhen include Tomb 100, the oldest known tomb with a mural painted on its plaster walls. The sepulchre is thought to date to the Gerzeh culture (c. 3500-3200 BC).

It is presumed that the mural shows religious scenes and images. It includes figures featured in Egyptian culture for three thousand years—a funerary procession of barques, presumably a goddess standing between two upright lionesses, a wheel of various horned quadrupeds, several examples of a staff that became associated with the deity of the earliest cattle culture and one being held up by a heavy-breasted goddess. Animals depicted include onagers or zebras, ibexes, ostriches, lionesses, impalas, gazelles, and cattle.

Several of the themes and designs visible in the Hierakonpolis frescoe can also be seen in other contemporary Egyptian works of art, such as the Gebel el-Arak Knife (c. 3500-3200 BCE), with the scene of the Master of animals, showing a man fighting against two lions, the individual fighting scenes or the boats.[24][25][26][27]

Proto-hieroglyphic symbols

Designs on some of the labels or token from Abydos, carbon-dated to circa 3400-3200 BC.[8][28]

Some symbols on Gerzeh pottery resemble traditional Egyptian hieroglyphs, which were contemporaneous with the proto-cuneiform script of Sumer. The figurine of a woman is a distinctive design considered characteristic of the culture.

The end of the Gerzeh culture is generally regarded as coinciding with the unification of Egypt, the Naqada III period.

Other artifacts

See also

Notes

  1. ^ Hendrickx, Stan. "The relative chronology of the Naqada culture: Problems and possibilities [in:] Spencer, A.J. (ed.), Aspects of Early Egypt. London: British Museum Press, 1996: 36-69": 64. Cite journal requires |journal= (help)
  2. ^ Falling Rain Genomics, Inc. "Geographical information on Jirzah, Egypt". Retrieved .
  3. ^ University College London. "Map of the area between Meydum and Tarkhan". Digital Egypt for Universities. Retrieved .
  4. ^ Shaw, Ian, ed. (2000). The Oxford History of Ancient Egypt. Oxford University Press. p. 479. ISBN 0-19-815034-2.
  5. ^ "Metmuseum". www.metmuseum.org.
  6. ^ a b "Site officiel du musée du Louvre". cartelfr.louvre.fr.
  7. ^ Cooper, Jerrol S. (1996). The Study of the Ancient Near East in the Twenty-first Century: The William Foxwell Albright Centennial Conference. Eisenbrauns. pp. 10-14. ISBN 9780931464966.
  8. ^ a b Scarre, Chris; Fagan, Brian M. (2016). Ancient Civilizations. Routledge. p. 106. ISBN 9781317296089.
  9. ^ Shaw, Ian. & Nicholson, Paul, The Dictionary of Ancient Egypt, (London: British Museum Press, 1995), p. 109.
  10. ^ Redford, Donald B. Egypt, Canaan, and Israel in Ancient Times. (Princeton: University Press, 1992), p. 16.
  11. ^ University College London. "Gerzeh, tomb 80". Digital Egypt for Universities. Retrieved .
  12. ^ a b Kantor, Helene J. (1952). "Further Evidence for Early Mesopotamian Relations with Egypt". Journal of Near Eastern Studies. 11 (4): 239-250. doi:10.1086/371099. ISSN 0022-2968. JSTOR 542687.
  13. ^ Hartwig, Melinda K. (2014). A Companion to Ancient Egyptian Art. John Wiley & Sons. pp. 424-425. ISBN 9781444333503.
  14. ^ Conference, William Foxwell Albright Centennial (1996). The Study of the Ancient Near East in the Twenty-first Century: The William Foxwell Albright Centennial Conference. Eisenbrauns. p. 15. ISBN 9780931464966.
  15. ^ Isler, Martin (2001). Sticks, Stones, and Shadows: Building the Egyptian Pyramids. University of Oklahoma Press. p. 33. ISBN 978-0-8061-3342-3.
  16. ^ Kantor, Helene J. (1952). "Further Evidence for Early Mesopotamian Relations with Egypt". Journal of Near Eastern Studies. 11 (4): 239-250. doi:10.1086/371099. ISSN 0022-2968. JSTOR 542687.
  17. ^ Kantor, Helene J. (1952). "Further Evidence for Early Mesopotamian Relations with Egypt". Journal of Near Eastern Studies. 11 (4): 239-250. doi:10.1086/371099. ISSN 0022-2968. JSTOR 542687.
  18. ^ a b c Honoré, Emmanuelle. "Earliest Cylinder-Seal Glyptic in Egypt: From Greater Mesopotamia to Naqada". H. Hanna Ed., Preprints of the International Conference on Heritage of Naqada and Qus Region, Volume I.
  19. ^ University College London. "Finds in Gerzeh tomb 67". Digital Egypt for Universities. Retrieved .
  20. ^ Great Pyramid of Giza Research Association. "The use of meteorites by the Ancient Egyptians". Retrieved .
  21. ^ "metalwork: Early history.". Encyclopædia Britannica Online. Retrieved .
  22. ^ Jambon, Albert (2017). "Bronze Age iron: Meteoritic or not? A chemical strategy" (PDF). Journal of Archaeological Science. Elsevier BV. 88: 47-53. doi:10.1016/j.jas.2017.09.008. ISSN 0305-4403.
  23. ^ University College London. "Gerzeh, tomb 67". Digital Egypt for Universities. Retrieved .
  24. ^ Shaw, Ian (2019). Ancient Egyptian Warfare: Tactics, Weaponry and Ideology of the Pharaohs. Open Road Media. p. 22. ISBN 978-1-5040-6059-2.
  25. ^ Kemp, Barry J. (2007). Ancient Egypt: Anatomy of a Civilisation. Routledge. p. 94. ISBN 978-1-134-56389-0.
  26. ^ Bestock, Laurel (2017). Violence and Power in Ancient Egypt: Image and Ideology before the New Kingdom. Routledge. p. 94. ISBN 978-1-134-85626-8.
  27. ^ a b Hartwig, Melinda K. (2014). A Companion to Ancient Egyptian Art. John Wiley & Sons. p. 424. ISBN 978-1-118-32509-4.
  28. ^ "The seal impressions, from various tombs, date even further back, to 3400 B.C. These dates challenge the commonly held belief that early logographs, pictographic symbols representing a specific place, object, or quantity, first evolved into more complex phonetic symbols in Mesopotamia." Mitchell, Larkin. "Earliest Egyptian Glyphs". Archaeology. Archaeological Institute of America. Retrieved 2012.

Bibliography

  • Petrie/Wainwright/Mackay: The Labyrinth, Gerzeh and Mazghuneh, British School of Archaeology in Egypt XXI. London 1912
  • Alice Stevenson: Gerzeh, a cemetery shortly before History (Egyptian sites series),London 2006, ISBN 0-9550256-5-6

External links

Coordinates: 29°27?N 31°12?E / 29.450°N 31.200°E / 29.450; 31.200


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