Mstislav Leopoldovich "Slava" Rostropovich (Russian: ? , romanized: Mstislav Leopol'dovi? Rostropovi?, pronounced [r?str?'povt?]; 27 March 1927 – 27 April 2007) was a Soviet and Russian cellist and conductor. He is considered to be one of the greatest cellists of the 20th century. In addition to his interpretations and technique, he was well known for both inspiring and commissioning new works, which enlarged the cello repertoire more than any cellist before or since. He inspired and premiered over 100 pieces, forming long-standing friendships and artistic partnerships with composers including Dmitri Shostakovich, Sergei Prokofiev, Henri Dutilleux, Witold Lutos?awski, Olivier Messiaen, Luciano Berio, Krzysztof Penderecki, Alfred Schnittke, Norbert Moret, Andreas Makris, Leonard Bernstein, Aram Khachaturian and Benjamin Britten.
Rostropovich was internationally recognized as a staunch advocate of human rights, and was awarded the 1974 Award of the International League of Human Rights. He was married to the soprano Galina Vishnevskaya and had two daughters, Olga and Elena Rostropovich.
Mstislav Rostropovich was born in Baku, Azerbaijan SSR, to parents who had moved from Orenburg: Leopold Vitoldovich Rostropovich, a renowned cellist and former student of Pablo Casals, and Sofiya Nikolaevna Fedotova-Rostropovich, a talented pianist. Mstislav's father was born in Voronezh to Witold Rostropowicz, a composer of Polish noble descent, and Matilda Rostropovich, née Pule. The Polish part of his family bore the Bogoria coat of arms, which was located at the family palace in Skotniki. Mstislav's mother Sofiya and her elder sister Nadezhda were the daughters of the founder of the Fedotov Music School in Orienburg, Nikolay Fedotov. Nadezhda married the cellist Semyon Kozolupov, who was thus Rostropovich's uncle by marriage.
Rostropovich grew up in Baku and spent his youth there. During World War II his family moved back to Orenburg and then in 1943 to Moscow. At the age of four, Rostropovich learned the piano with his mother. He began the cello at the age of 10 with his father.
In 1943, at the age of 16, he entered the Moscow Conservatory, where he studied cello with his uncle Semyon Kozolupov, and piano, conducting and composition with Vissarion Shebalin. His teachers also included Dmitri Shostakovich. In 1945 he came to prominence as a cellist when he won the gold medal in the Soviet Union's first ever competition for young musicians. He graduated from the Conservatory in 1948, and became professor of cello there in 1956.
Rostropovich gave his first cello concert in 1942. He won first prize at the international Music Awards of Prague and Budapest in 1947, 1949 and 1950. In 1950, at the age of 23 he was awarded what was then considered the highest distinction in the Soviet Union, the Stalin Prize. At that time, Rostropovich was already well known in his country and while actively pursuing his solo career, he taught at the Leningrad (Saint-Petersburg) Conservatory and the Moscow Conservatory. In 1955, he married Galina Vishnevskaya, a leading soprano at the Bolshoi Theatre.
Rostropovich had working relationships with Soviet composers of the era. In 1949 Sergei Prokofiev wrote his Cello Sonata in C, Op. 119, for the 22-year-old Rostropovich, who gave the first performance in 1950, with Sviatoslav Richter. Prokofiev also dedicated his Symphony-Concerto to him; this was premiered in 1952. Rostropovich and Dmitry Kabalevsky completed Prokofiev's Cello Concertino after the composer's death. Dmitri Shostakovich wrote both his first and second cello concertos for Rostropovich, who also gave their first performances.
His international career started in 1963 in the Conservatoire of Liège (with Kirill Kondrashin) and in 1964 in West Germany.
Rostropovich went on several tours in Western Europe and met several composers, including Benjamin Britten, who dedicated his Cello Sonata, three Solo Suites, and his Cello Symphony to Rostropovich. Rostropovich gave their first performances, and the two had an obviously special affinity - Rostropovich's family described him as "always smiling" when discussing "Ben", and on his death bed he was said to have expressed no fear as he and Britten would, he believed, be reunited in Heaven. Britten was also renowned as a piano accompanist and together they recorded, among other works, Schubert's Sonata for Arpeggione and Piano in A minor. His daughter claimed that this recording moved her father to tears of joy even on his deathbed.
Rostropovich also had long-standing artistic partnership with Henri Dutilleux (Tout un monde lointain... for cello and orchestra, Trois strophes sur le nom de Sacher for solo cello), Witold Lutos?awski (Cello Concerto, Sacher-Variation for solo cello), Krzysztof Penderecki (cello concerto n°2, Largo for cello and orchestra, Per Slava for solo cello, sextet for piano, clarinet, horn, violin, viola and cello), Luciano Berio (Ritorno degli snovidenia for cello and thirty instruments, Les mots sont allés... for solo cello) as well as Olivier Messiaen (Concert à quatre for piano, cello, oboe, flute and orchestra).
Rostropovich took private lessons in conducting with Leo Ginzburg, and first conducted in public in Gorky in November 1962, performing the four entractes from Lady Macbeth of the Mtsensk District and Shostakovich's orchestration of Mussorgsky's Songs and Dances of Death with Vishnevskaya singing. In 1967, at the invitation of the Bolshoi Theatre's director Mikhail Chulaki, he conducted Tchaikovsky's opera Eugene Onegin at the Bolshoi, thus letting forth his passion for both the role of conductor and the opera.
Rostropovich played at The Proms on the night of 21 August 1968. He played with the Soviet State Symphony Orchestra - it was the orchestra's debut performance at the Proms. The programme featured Czech composer Antonín Dvo?ák's Cello Concerto in B minor and took place on the same day that Russia invaded Czechoslovakia to end Alexander Dub?ek's Prague Spring. After the performance, which had been preceded by heckling and demonstrations, the orchestra and soloist were cheered by the Proms audience. Rostropovich stood and held aloft the conductor's score of the Dvo?ák as a gesture of solidarity for the composer's homeland and the city of Prague, a place he loved.
Rostropovich fought for art without borders, freedom of speech, and democratic values, resulting in harassment from the Soviet regime. An early example was in 1948, when he was a student at the Moscow Conservatory. In response to the 10 February 1948 decree on so-called 'formalist' composers, his teacher Dmitri Shostakovich was dismissed from his professorships in Leningrad and Moscow; the 21-year-old Rostropovich quit the conservatory, dropping out in protest. In 1970, Rostropovich sheltered Aleksandr Solzhenitsyn, who otherwise would have had nowhere to go, in his own home. His friendship with Solzhenitsyn and his support for dissidents led to official disgrace in the early 1970s. As a result, Rostropovich was restricted from foreign touring, as was his wife, soprano Galina Vishnevskaya, and his appearances performing in Moscow were curtailed, as increasingly were his appearances in such major cities as Leningrad and Kiev.
Rostropovich left the Soviet Union in 1974 with his wife and children and settled in the United States. He was banned from touring his homeland with foreign orchestras and in 1977 the Soviet leadership instructed musicians from the Soviet bloc not to take part in an international competition he had organised. In 1978 Rostropovich was deprived of his Soviet citizenship because of his public opposition to the Soviet Union's restriction of cultural freedom. He would not return to the Soviet Union until 1990.
On December 17, 1988, Rostropovich gave a special concert at Barbican Hall in London, after postponing a trip to India for the Armenian Earthquake relief program. The event was part of an effort called Musicians for Armenia, which was expected to raise more than $450,000 from donations worldwide, including gifts from musicians, concert proceeds and film and recording rights. Prince Charles and the Princess of Wales attended the concert in the sold-out 2,026-seat concert hall. 
On February 7, 1989, a cello concert was organized by the Armenian Relief Society and the Volunteers Technical Assistance (VTA) for the victims of the Spitak Earthquake. The cello concert par excellence with Mstislav Rostropovich interpreting his best cello repertoire, including Dvo?ák's Cello Concerto in B minor; Haydn's cello concerti in C and D; Prokofiev's Symphony-Concerto; the two cello concerti of Shostakovich, and others.The evening with Rostropovich raised awareness and helped hundreds of earthquake victims put food on their table. The concert was held at the Kennedy Center and over 2,300 were in attendance.
From 1977 until 1994, he was music director and conductor of the U.S. National Symphony Orchestra in [Washington, D.C.] while still performing with some of the most famous musicians such as Martha Argerich, Sviatoslav Richter and Vladimir Horowitz. He was also the director and founder of the Mstislav Rostropovich Baku International Festival and was a regular performer at the Aldeburgh Festival in the UK.
When, in August 1991, news footage was broadcast of tanks in the streets of Moscow, Rostropovich responded with a characteristically brave, impetuous and patriotic gesture: he bought a plane ticket to Japan on a flight that stopped at Moscow, talked his way out of the airport and went to join Boris Yeltsin in the hope that his fame might make some difference to the chance of tanks moving in.
In 1993, he was instrumental in the foundation of the Kronberg Academy and was a patron until his death. He commissioned Rodion Shchedrin to compose the opera Lolita and conducted its premiere in 1994 at the Royal Swedish Opera.
Rostropovich received many international awards, including the French Legion of Honor and honorary doctorates from many international universities. He was an activist, fighting for freedom of expression in art and politics. An ambassador for the UNESCO, he supported many educational and cultural projects. Rostropovich performed several times in Madrid and was a close friend of Queen Sofía of Spain.
Rostropovich and his wife, Galina Vishnevskaya, founded the Rostropovich-Vishnevskaya Foundation, a publicly supported non-profit 501(c)(3) organization based in Washington, D.C., in 1991 to improve the health and future of children in the former Soviet Union. The Rostropovich Home Museum opened on 4 March 2002, in Baku. The couple visited Azerbaijan occasionally. Rostropovich also presented cello master classes at the Azerbaijan State Conservatory.
Together they formed a valuable art collection. In September 2007, when it was slated to be sold at auction by Sotheby's in London and dispersed, Russian billionaire Alisher Usmanov stepped forward and negotiated the purchase of all 450 lots in order to keep the collection together and bring it to Russia as a memorial to the great cellist's memory. Christie's reported that the buyer paid a "substantially higher" sum than the £20 million pre-sale estimate
His instruments included the 1711 Duport Stradivarius, a Storioni on which he made most of his recordings and a Peter Guarneri of Venice.
Rostropovich's health declined in 2006, with the Chicago Tribune reporting rumours of unspecified surgery in Geneva and later treatment for what was reported as an aggravated ulcer. Russian President Vladimir Putin visited Rostropovich to discuss details of a celebration the Kremlin was planning for 27 March 2007, Rostropovich's 80th birthday. Rostropovich attended the celebration but was reportedly in frail health.
Though Rostropovich's last home was in Paris, he maintained residences in Moscow, Saint Petersburg, London, Lausanne, and Jordanville, New York. Rostropovich was admitted to a Paris hospital at the end of January 2007, but then decided to fly to Moscow, where he had been receiving care. On 6 February 2007 the 79-year-old Rostropovich was admitted to a hospital in Moscow. "He is just feeling unwell", Natalya Dolezhale, Rostropovich's secretary in Moscow, said.[This quote needs a citation] Asked if there was serious cause for concern about his health she said: "No, right now there is no cause whatsoever." She refused to specify the nature of his illness. The Kremlin said that President Putin had visited the musician on Monday in the hospital, which prompted speculation that he was in a serious condition. Dolezhale said the visit was to discuss arrangements for marking Rostropovich's 80th birthday. On 27 March 2007, Putin issued a statement praising Rostropovich.
On 28 April, Rostropovich's body lay in an open coffin at the Moscow Conservatory, where he once studied as a teenager, and was then moved to the Church of Christ the Saviour. Thousands of mourners, including Putin, bade farewell. Spain's Queen Sofia, French first lady Bernadette Chirac and President Ilham Aliev of Azerbaijan, where Rostropovich was born, as well as Naina Yeltsina, the widow of Boris Yeltsin, were among those in attendance at the funeral on 29 April. Rostropovich was then buried in the Novodevichy Cemetery, the same cemetery where his friend Boris Yeltsin had been buried four days earlier.
Rostropovich was a huge influence on the younger generation of cellists. Many have openly acknowledged their debt to his example. In the Daily Telegraph, Julian Lloyd Webber called him "probably the greatest cellist of all time."
Rostropovich either commissioned or was the recipient of compositions by many composers including Dmitri Shostakovich, Sergei Prokofiev, Benjamin Britten, Henri Dutilleux, Olivier Messiaen, André Jolivet, Witold Lutos?awski, Luciano Berio, Krzysztof Penderecki, Leonard Bernstein, Alfred Schnittke, Aram Khachaturian, Astor Piazzolla, Andreas Makris, Sofia Gubaidulina, Arthur Bliss, Colin Matthews and Lopes Graça. His commissions of new works enlarged the cello repertoire more than any previous cellist: he gave the premiere of 117 compositions.
Rostropovich is also well known for his interpretations of standard repertoire works, including Dvo?ák's Cello Concerto in B minor and Haydn's cello concerti in C and D, Prokofiev's Symphony-Concerto and the two cello concerti of Shostakovich.
Between 1997 and 2001 he was intimately involved in the development and testing of the BACH.Bow, a curved bow designed by the cellist Michael Bach. In 2001 he invited Michael Bach for a presentation of his BACH.Bow to Paris (7th Concours de violoncelle Rostropovitch). In July 2011, the city of Moscow announced plans to erect a statue of Rostropovich in a central square, and the statue was unveiled in March 2012.
He was also a notably generous spirit. Seiji Ozawa relates an anecdote: on hearing of the death of the baby daughter of his friend the sumo wrestler Chiyonofuji, Rostropovich flew unannounced to Tokyo, took a 1 1/2 hour cab ride to Chiyonofuji's house and played his Bach sarabande outside, as his gesture of sympathy—then got back in the taxi and returned to the airport to fly back to Europe.
Rostropovich is included in the Russian-American Chamber of Fame of Congress of Russian Americans, which is dedicated to Russian immigrants who made outstanding contributions to American science or culture.
Rostropovich received about 50 awards during his life, including: