Theatrical release poster
|Directed by||Lucky McKee|
|Written by||Lucky McKee|
|Music by||Jaye Barnes Luckett|
2 Loop Films
|Distributed by||Lions Gate Films|
May is a 2002 American psychological horror film written and directed by Lucky McKee in his directorial debut. Starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval, the film follows a lonely young woman (Bettis) traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.
May Canady is a 28-year-old woman, who suffered from a troubled childhood due to her lazy eye. She has very few social interactions, her only "true friend" being a glass-encased doll named Suzie made by her mother and given to May for her birthday with the adage "If you can't find a friend, make one." May works at a veterinary hospital, assisting with surgeries. Her optometrist fixes May's lazy eye, first with glasses, then with contact lens. May becomes friends with Adam, a local mechanic. She has a fixation on his hands, which she considers to be the most attractive part of him, and they start dating. May's lesbian colleague, Polly, begins to flirt with May. One day, May remarks that Polly has a beautiful neck. During their flirtation, Polly gives May a pet cat, Lupe.
May invites Adam to her apartment and he shows her a film that he made for his university titled Jack and Jill. The film reveals a story of two young lovers, who go on a picnic, and end up eating each other. May becomes aroused by the cannibalism in the film. During an intense make-out session, she bites Adam on the lip, and it bleeds. Disturbed, Adam abruptly leaves. May shouts at Suzie and shoves her in the cupboard. She begins volunteering at a school for blind children, where she takes a liking to a sullen young girl named Petey, who makes her a clay ashtray with the name "MAY" pressed into it. She gives in to Polly's advances and starts a short affair. Adam stops calling her and May overhears him say that he is glad he could get rid of her. Devastated, she visits Polly, but finds her with another girl named Ambrosia, furthering May's grief. When even Lupe refuses to come near her, May becomes enraged and throws Petey's ashtray at her, killing the cat and shattering the ashtray. She becomes delusional, and believes that Suzie is talking to her.
May takes Suzie to school and tells the blind children that Suzie is her best friend. The children struggle to take the doll out of the glass case, and the case shatters. May and the children are cut by the broken glass. Scooping up the ruined doll, May returns home devastated. The following day, she meets a young punk. He asks her if she wants to get some candy with him, and she accepts. May does not admire him very much, but likes the tattoo on his arm. At her house, he finds the cat's corpse, and calls May a freak. May breaks down stabs him in the head, killing him. After putting much thought into her future actions, May claims she needs "more parts."
On Halloween night, May dresses in a homemade costume resembling Suzie, adopts a normal personality, and goes to Polly's house, where she slits her throat with a pair of surgical scalpels. When Ambrosia arrives, May stabs her in the temples. Next, she visits Adam and his new girlfriend at his house. May murders both of them with the scalpels. At home, she designs her "new friend", a life-sized patchwork doll made from the punk's arms, Polly's neck, Ambrosia's legs, Adam's hands, his girlfriend's ears, and Lupe's fur for the hair. Using the broken remnants of the "MAY" ashtray to form an anagram, she names the doll "Amy". She realizes that Amy has no eyes and cannot "see" her, so she gouges out her lazy eye, fatally injuring herself. Crying in pain and bleeding, she puts the eye on Amy's head and begs the doll to look at her. She collapses on the bed beside the doll, and caresses it. Her creation comes to life, and brushes her face affectionately with Adam's hands.
This section does not cite any sources. (October 2015) (Learn how and when to remove this template message)
Some of Luckett's music from the film was released on the 2007 CD May and Other Selected Works of Jaye Barnes Luckett by La-La Land Records.
May was given a limited theatrical release to nine theaters in North America. By the end of its run, the film has grossed $150,277 during its theatrical run. It eventually grossed $634,803 worldwide on its $1.7 million budget.
The film received favorable reviews from critics. Review aggregator website Rotten Tomatoes reports that 68% of 66 critics have given the film a positive review, with a rating average of 6.08 out of 10. The site's critical consensus states that it is an "above average slasher flick." On Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 58 based on 18 reviews.
Critics praised the film for its unique feel while also complimenting its brutality through the eyes of someone who is so caught up in their own fantasy of sorts. Bettis' performance was also praised. Roger Ebert granted the film four stars out of four, and called it "a horror film and something more and deeper, something disturbing and oddly moving" and characterized the denouement as "a final shot that would get laughs in another kind of film, but May earns the right to it, and it works, and we understand it".Variety magazine critic David Rooney turned in a review that was more middle of the road, stating that the film was "More successful when the title character finally embarks on her bloody mission than in the dawdling buildup".The New York Times critic Stephen Holden opined that "the performances are a cut or two above what you would find in the average slasher film. But in the end that's all it is".
Bloody Disgusting ranked the film #17 in their list of the 'Top 20 Horror Films of the Decade', with the article calling the film "criminally under-seen at the time of its release... The plotting itself manages to sidestep the usual slasher tropes as it slowly and inexorably unravels, all leading up to a quietly haunting conclusion that is as heart-wrenching as it is unnerving."