Louis Nelson Delisle
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Louis Nelson Delisle
Louis Nelson Delisle
SuperiorOch1910BigEye.jpg
Nelson Delisle in 1910
Background information
Louis Nelson Delisle
"Big Eye"
Born (1885-01-28)January 28, 1885
Origin New Orleans, Louisiana, U.S.
Died July 20, 1949(1949-07-20) (aged 64)
Genres Dixieland, jazz
Musician
Instruments Clarinet
1910s – 1940s

"Big Eye" Louis Nelson Delisle (28 January 1885 - 20 August 1949) was an early twentieth-century Dixieland jazz clarinetist in New Orleans, Louisiana. He also played double bass, banjo, and accordion.

Early life and education

Nelson Delisle was born into a family who were Creoles of color. He spent most of his life in New Orleans, Louisiana. He studied clarinet with the elder Lorenzo Tio.

Career

By the age of 15, Delisle was working professionally in the music venues of Storyville, an area of brothels and clubs in New Orleans. He developed a style of hot jazz, a.k.a. Dixieland, and was an influence on clarinetists Johnny Dodds and Jimmie Noone.

Early in his career Delisle often played a C clarinet, as opposed to the more common B?; the C was used by other New Orleans clarinetists of the era, such as Alcide Nunez.

In 1917, Delisle joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. The band had disbanded in Boston in the spring of that year but was reassembled in New York City in the fall of the same year. Delisle replaced George Baquet, who had toured with the group in vaudeville. After a short while, Delisle was replaced by Jimmie Noone.[1] He was the regular clarinetist with the Jones & Collins Astoria Hot Eight but did not play on their 1929 recording sessions.

He made his only recordings in his later years in the 1940s, by which time he was often in poor health. Critics[who?] describe Delisle's playing as more blues influenced compared to the statico and raggy playing of Alphonse Picou, an older New Orleans clarinetist.[]

References

  1. ^ Hazeldine, Mike. "Original Creole Band" in Kernfeld, Barry. ed. The New Grove Dictionary of Jazz, 2nd edition, Vol. 3. London: MacMillan, 2002. p. 200.



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