The launeddas (also called Sardinian triple clarinet or Sardinian triplepipe) are a typical Sardinian woodwind instrument made of three pipes. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths.
Predecessors of the launeddas can be traced back to approximately 2700 BCE in Egypt, where reed pipes were originally called 'memet'. During the Old Kingdom in Egypt (2778-2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqarra, six tombs at Giza, and the pyramids of Queen Khentkaus. The launeddas themselves date back to at least the eighth century BCE  and are still played today during religious ceremonies and dances (su ballu in Sardinian language). Distinctively, they are played using extensive variations on a few melodic phrases, and a single song can last over an hour, producing some of the "most elemental and resonant (sounds) in European music".
Launeddas are used to play a complex style of music by circular breathing that has achieved some international attention, especially Efisio Melis, Antonio Lara, Dionigi Burranca and Luigi Lai. Melis and Lara were the biggest stars of the 1930s golden age of launeddas, and each taught their style to apprentices like Lara's Aureliu Porcu.
Since the late 20th century the launeddas have also been used in non-traditional contexts. In 1990, the American jazz saxophonist Dave Liebman released a CD called The Blessing of the Old. Long Sound, where he collaborates with the launeddas players Alberto Mariani, Carlo Mariani, and Dionigi Burranca. The CD was recorded in Milan in November 1989. In 1996, the British free jazz saxophonist Evan Parker released a double-CD collaboration with Carlo Mariani and other world musicians entitled Synergetics--Phonomanie III, which was recorded in Ulrichsberg, Austria in September 1993.