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Dame Kiri Jeanette Claire Te Kanawa (; born Claire Mary Teresa Rawstron, 6 March 1944) is a New Zealand former opera singer. Her career included a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced".
Te Kanawa has received accolades in many countries, singing a wide array of works in many languages dating from the 17th to the 20th centuries. She is particularly associated with the works of Mozart, Strauss, Verdi, Handel and Puccini, and has found considerable success in portraying princesses, nobility, and other similar characters on stage.
Though she rarely sang opera later in her career, Te Kanawa frequently performed in concert and recital, gave masterclasses, and supported young opera singers in launching their careers. Her final performance was in Ballarat, Australia, in October 2016, but she did not reveal her retirement until September 2017.
Te Kanawa was born Claire Mary Teresa Rawstron in Gisborne, New Zealand, to M?ori butcher Tieki "Jack" Wawatai and Mary Noeleen Rawstron. Wawatai was already married, to Apo, daughter of the Rev. Poihipi Kohere (brother of the community leader Reweti Tuhorouta Kohere and soldier and farmer Henare Mokena Kohere), and Rawstron's mother insisted the baby be given up for adoption. She was adopted as an infant by Thomas Te Kanawa, owner of a successful trucking business, and his wife Nell. She was educated at St Mary's College, Auckland, and formally trained in operatic singing by Sister Mary Leo Niccol. Te Kanawa began her singing career as a mezzo-soprano but developed into a soprano. Her recording of the "Nuns' Chorus" from the Strauss operetta Casanova was the first gold record produced in New Zealand.
Te Kanawa met Desmond Park on a blind date in London in August 1967, and they married six weeks later at St Patrick's Cathedral, Auckland. They adopted two children, Antonia (born 1976) and Thomas (born 1979). The couple divorced in 1997. Te Kanawa had never made any attempt to contact her biological parents, but around this time, her half-brother Jim Rawstron contacted her. Initially, she was not willing to meet him, but in 1997 agreed. The episode ended bitterly, when a newspaper ran a story on their meeting; despite Rawstron denying contact with the newspaper, she has since reaffirmed her decision to have nothing to do with her birth family.
In her teens and early 20s, Te Kanawa was a pop star and entertainer at clubs in New Zealand,[failed verification] and regularly appeared in newspapers and magazines. In 1963, she was runner-up to Malvina Major in the Mobil Song Quest with her performance of "Vissi d'arte" from Tosca, and in 1965 she won the same competition. As winner, she received a grant to study in London.
She appeared and sang in the 1966 musical comedy film Don't Let It Get You. In 1966, she won the Melbourne Sun-Aria contest, which Major had also won the previous year. Both singers had been taught by Sister Mary Leo.
Meanwhile, word of her success had reached John Crosby at the Santa Fe Opera, a summer opera festival in New Mexico, then about to begin its fifteenth season. He cast her in the role of the Countess in The Marriage of Figaro, which opened on 30 July 1971. The performance also featured Frederica von Stade in her debut as Cherubino. "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression."
On 1 December 1971 at Covent Garden, Te Kanawa repeated her Santa Fe performance and created an international sensation as the Countess: "with 'Porgi amor' Kiri knocked the place flat." This was followed by performances as the Countess at the Opéra National de Lyon and San Francisco Opera in the autumn of 1972. She first sang as Desdemona in Glasgow in 1972, while her Metropolitan Opera début in 1974 as Desdemona in Otello took place at short notice: she replaced an ill Teresa Stratas at the last minute. Te Kanawa sang at the Glyndebourne Festival in 1973, with further débuts in Paris and (1975), Sydney (1976), Milan (1978), Salzburg (1979), and Vienna (1980). In 1982, she gave her only stage performances as Tosca in Paris. In 1989, she added Elisabeth de Valois in Don Carlos to her repertory at Chicago, and, in 1990, the Countess in Capriccio, sung first at San Francisco and with equal success at Covent Garden, Glyndebourne and the Metropolitan in 1998.
Te Kanawa has a particular affinity for the heroines of Richard Strauss. Her first appearance in the title role in Arabella was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. Many performances were given under the baton of Georg Solti and it was with him that in 1981 she made a recording of The Marriage of Figaro.
In April 2010, Te Kanawa sang the Marschallin in Der Rosenkavalier by Richard Strauss in two performances at the Cologne Opera in Germany. That same year, she played the spoken part of The Duchess of Krakenthorp in Donizetti's La fille du régiment at the Metropolitan Opera, and sang a tango. She repeated this role at the Met in a revival during the 2011-12 season, repeating it again in Vienna in 2013 and at Covent Garden in March 2014, a run that encompassed her 70th birthday. In the meantime, she performed at Haruhisa Handa's inaugural Tokyo Global Concert at Nakano-Zero Hall in Nakano, Tokyo, Japan, on 10 September 2013. In October 2013 she appeared in the role of Nellie Melba in the television series Downton Abbey.
In November 2019, the ASB theatre in the Aotea Centre was renamed the Kiri Te Kanawa Theatre in acknowledgement of the work Te Kanawa has done on the world stage and to also mark her 75th birthday. Te Kanawa unveiled a plaque with the change before a gala that was held in her honour.
She was selected as Artist of the Year by Gramophone Magazine in 1982. On 10 June 2008 she received the Edison Classical Music Award during the Edison Classical Music Gala (formerly: 'Grand Gala du Disque') in the Ridderzaal in The Hague. In 2012, Te Kanawa was awarded a World Class New Zealand award in the Iconic New Zealander category.
Kiri Te Kanawa Foundation
Te Kanawa founded the Kiri Te Kanawa Foundation with the vision "that talented young New Zealand singers and musicians with complete dedication to their art may receive judicious and thoughtful mentoring and support to assist them in realising their dreams."
The foundation manages a trust fund to provide financial and career scholarships to young New Zealand singers and musicians.
The Kiri Prize
In January 2010, Te Kanawa and BBC Radio 2 launched an initiative to find a gifted opera singer of the future. The initiative was the BBC Radio 2 Kiri Prize competition.
Following regional auditions of over 600 aspiring opera singers, 40 were invited to attend masterclasses in London with Te Kanawa, mezzo-soprano Anne Howells and conductor Robin Stapleton. From these masterclasses fifteen singers were selected for the semi-finals which were broadcast on 5 consecutive weeks on BBC Radio 2's Friday Night Is Music Night. The semi-finalists were accompanied by the BBC Concert Orchestra, conducted by Martin Yates, Richard Balcombe and Roderick Dunk and their performances were judged by Te Kanawa, Anne Howells, Robin Stapleton and director John Cox.
Five singers went through to the final which was broadcast on Radio 2 on 3 September 2010. The winner, soprano Shuna Scott Sendall, performed with Te Kanawa and José Carreras at the BBC Proms in the Park in Hyde Park, London on 11 September 2010, and was given the opportunity to attend a three-week residential course at the Solti Te Kanawa Accademia in Italy.
In a 2003 interview with the Melbourne-based Herald Sun, Te Kanawa criticised the high rate of welfare dependence among the M?ori people, angering some of her compatriots.
In 2007, Te Kanawa was sued for breach of contract by the event-management company Leading Edge for cancelling a concert with Australian singer John Farnham. She cancelled after learning that his fans sometimes threw their underwear on stage, which he would then proudly display. The court found that no contract had been made by the two parties, so Te Kanawa was not liable for damages, but Mittane, the company which employs and manages her, was ordered to reimburse Leading Edge A$130,000 for expenditures already incurred.
1984 - Come to the Fair - Folk Songs & Ballads - with the Medici String Quartet and members of the National Philharmonic Orchestra, Douglas Gamley [EMI EMC 222]
1984 - Puccini - Tosca - as Floria Tosca in a studio recording under Georg Solti
1984 - Ave Maria - a collection of religious favorites with the English Chamber Orchestra and the Choir of St. Paul's Cathedral, London [Philips 412629]
1984 - A Portrait of Kiri Te Kanawa [CBS SBR 236068]
1985 - Handel - Messiah - with Anne Gjevang, Keith Lewis, Gwynne Howell, Chicago Symphony Orchestra & Chorus, Sir Georg Solti [3xLP, Album + Box, London Records]
1985 - Leonard Bernstein - West Side Story - a recording of Bernstein's music for the Broadway production West Side Story, with José Carreras singing the part of Tony and Leonard Bernstein conducting the orchestra and chorus [Polygram 415253]
1987 - Alan Jay Lerner and Frederick 'Fritz' Loewe - My Fair Lady - a studio cast recording with Te Kanawa singing the role of Eliza Doolittle and Jeremy Irons singing the role of Henry Higgins [Polygram 421200]
1987 - Kiri Sings Gershwin, a collection of George Gershwin songs with the New Princess Theater Orchestra, John McGlinn [EMI]
1987 - Portrait [Polygram 417645]
1987 - Beethoven - Symphonie No.9 - Te Kanawa, Hamari, Burrows, Holl, London Symphony Chorus, London Symphony Orchestra, Eugen Jochum [EMI]