Various Auk?taitian and Samogitian kankl?s in the National Museum of Lithuania, end of 19th century - beginning of 20th century
|Other names||Kankliai, kunkliai, kunklaliai, kanklos, kanklys, kanklus, kunkl, kankalai, citra, psalteriumas, psalteris|
Plucked string instrument, chordophone, zither
(Diatonic lute-type stringed instrument)
Kokles, kannel, kantele, gusli, zither, psaltery, dulcimer
The kankl?s (Lithuanian: ['kkles]) is a Lithuanian plucked string instrument (chordophone) belonging to the Baltic box zither family known as the Baltic psaltery, along with the Latvian kokles, Estonian kannel, Finnish kantele, and Russian gusli.
According to Finnish linguist Eino Nieminen, the name of the instrument, along with the names of most of its neighbouring counterparts (Latvian kokles, Finnish kantele, Estonian kannel and Livonian k?ndla), possibly comes from the proto-Baltic form *kantl?s/*kantl?s, which originally meant 'the singing tree', most likely deriving from the Proto-Indo-European root *qan- ('to sing, to sound'; cf. Latin "canto, cantus, canticum", Italian "cantare", French "chanter", Englich "chant, cantor", Arab qanon or qanun ("instrument similar to kankl?s"; word of Greek origin, derived from ).
"Citra" comes from German Zither, which comes from Greek kitharos.
"Psalteriumas" or "psalteris" (psalterium or psaltery) shows the usage of the instrument for accompanying the psalms (cf. a book of psalms is also called psalterium or a psalter). In many cloisters in France kankles (psaltérion) is still used today to accompany the Liturgy of the Hours, which is based on psalms.
A Lithuanian ethnologist Romualdas Apanavi?ius believes Kankl?s could be derived from the Proto-European root *gan(dh)-, meaning 'a vessel; a haft (of a sword)', suggesting that it may be related to the Russian word gusli.
First written mention of the word "kankl?s" occurs in 1580, in the Bible translation by Jonas Bretkunas. As a contrast, first written mention of Latvian kokles, a similar instrument, occurs in 1613.
Although kankl?s vary both regionally and individually, there are some common characteristics in their construction.
Kankl?s belong to the zither family, which means that their strings are parallel to the soundboard (not perpendicular, like in a harp) and do not extend beyond it (not like in e.g. a guitar, where they extend to the neck). The body of the kankl?s is made from one trapezoidal piece of linden tree, ash tree, oak, maple or black alder, which is hollowed out to create a cavity. A thin sheet of softwood (usually spruce) is used to make a soundboard, which covers the body. Sound holes, which traditionally take the shape of a stylized flower or star, are cut into the soundboard, allowing sound to project outward.
At the narrowest side of the body, a metal bar is attached to which the strings made of wire or gut are anchored. The opposite ends of the strings are attached to a row of tuning pegs inserted into holes at the opposite side of the body.
Kankl?s is usually rested on the player's lap and played with the fingers or a pick made of bone or quill.
In any case, it was one of the main instruments from the 12th to the 15th centuries, varying widely in shape and number of strings, depicted in numerous drawings and sculptures. In neighboring Latvia there are kokles related archeological finds from 13th century.
According to Birut? ?alalien? (Visuotin? lietuvi? enciklopedija), kankl?s, coming from Western Europe, could be used in Lithuania to accompany church singing since the 15th century, and later, in Lithuania Minor and Samogitia - in folk music.
Kankls are mentioned in Lithuanian territory for the first time, as a zither ("citra") in 1546, in accounts of Zigismund Augustus, mentioning "expenses for the metal parts of the zither". Until then, there have been many mentions of wind instruments, sometimes drums and violin prototypes ("tympana, sambucae, fiolae") in describing the musicians of Gediminas' daughter Aldona, but kankles, zither or psalter are never mentioned. However, tympanon is a kankles-type instrument in French.
The word "kankl?s" is first used in writing in 1580 by Jonas Bretkunas, in his Bible translation.
Poet and publisict Vincas Kudirka could also play a zither, as well as violin and cello. Vincas Kudirka published two collections of folk songs, named "Kankles", in 1895 and 1898.
Kankl?s were manufactured in Kaunas at a factory of J. Garalevicius since 1901, and in Siauliai in 1933-1945 by J. Zaukis, according to J. Jankauskas' design. In Siauliai existed an amateur kankles ensemble during 1933-1945.
Concert kankl?s were first constructed in 1964, latvian concert kokles - in 1951.
In the King James Version of the Bible, "psaltery", and its plural, "psalteries", are used to translate several words whose meaning is now unknown: the Hebrew keli () in Psalm 71:22 and I Chronicles 16:5; nevel () in I Samuel 10:5; 2 Samuel 6:5; I Kings 10:12; I Chronicles 13:8; 15:16, 20, 28; 25:1, 6; II Chronicles 5:12; 9:11; 20:28; 29:25; Nehemiah 12:27; Psalms 33:2; 57:6; 81:2; 92:3; 108:2; 144:9; and 150:3; and the Aramaic pesanterin (?) in Daniel 3:5, 7, 10, and 15.
Therefore, this term could be translated as kankl?s. However, Rubsys and Kavaliauskas in 1998, choose to translate it either as "harp", "lyre" or "zither" ("arfa", "lyra", "citra"), although they choose the word "kankl?s" in 1 Corinthians 14:7 (for the word "kithara") and Judges 5:11.
Apanavi?ius classifies the kankl?s into three basic traditional types, although there are variations within each type and some overlap of areas. Each type has its own playing technique.
Concert kankl?s (pictured above), with an expanded range of more than four octaves (29 strings) and added chromaticism, provided by means of metal levers at the side of the instrument, similar to the ones used in a Celtic or lever harp, were constructed in 1964 by P. Kup?ikas following the design of P. Stepulis and D. Mataitien?. They followed the lead of Latvian concert kokles, which were constructed in 1951 by Rom?ns ?irpis for the Latvian folk music orchestra's soloist Hel?na K?ava-Birgmeistere and had three-and-a-half octave range (25 strings). It in turn followed a German concert zither, constructed by Nikolaus Weigel in Munich in 1838.