Earliest known edition of the book from the 16th century
|Language||Written vernacular Chinese|
|Genre||Gods and demons fiction, Chinese mythology, fantasy, adventure|
|c. 1592 (print)|
|Journey to the West|
Journey to the West in Traditional (top) and Simplified (bottom) Chinese characters
|Literal meaning||"West Journey Record"|
Journey to the West (Chinese: ; pinyin: ) is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en. It is one of the Four Great Classical Novels of Chinese literature. Arthur Waley's popular abridged translation, Monkey, is well known in English-speaking countries.
The novel is an extended account of the legendary pilgrimage of the Tang dynasty Buddhist monk Xuanzang who traveled to the "Western Regions", that is, Central Asia and India, to obtain Buddhist sacred texts (s?tras) and returned after many trials and much suffering. It retains the broad outline of Xuanzang's own account, Great Tang Records on the Western Regions, but the Ming dynasty novel adds elements from folk tales and the author's invention, that is, that Gautama Buddha gave this task to the monk (referred to as Tang Sanzang in the novel) and provided him with three protectors who agree to help him as an atonement for their sins. These disciples are Sun Wukong, Zhu Bajie and Sha Wujing, together with a dragon prince who acts as Tang Sanzang's steed, a white horse.
Journey to the West has strong roots in Chinese folk religion, Chinese mythology, Confucianist, Taoist and Buddhist philosophy, and the pantheon of Taoist immortals and Buddhist bodhisattvas are still reflective of some Chinese religious attitudes today. Enduringly popular, the tale is at once a comic adventure story, a humorous satire of Chinese bureaucracy, a spring of spiritual insight, and an extended allegory in which the group of pilgrims journeys towards enlightenment by the power and virtue of cooperation.
Journey to the West was thought to have been written and published anonymously by Wu Cheng'en in the 16th century.Hu Shih, literary scholar and former Ambassador to the United States, wrote that the people of Wu's hometown attributed it early on to Wu, and kept records to that effect as early as 1625; thus, claimed Ambassador Hu, Journey to the West was one of the earliest Chinese novels for which the authorship is officially documented. Recent scholarship casts doubts on this attribution. Brown University Chinese literature scholar David Lattimore states: "The Ambassador's confidence was quite unjustified. What the gazetteer says is that Wu wrote something called The Journey to the West. It mentions nothing about a novel. The work in question could have been any version of our story, or something else entirely."
Translator W.J.F. Jenner points out that although Wu had knowledge of Chinese bureaucracy and politics, the novel itself does not include any political details that "a fairly well-read commoner could not have known". Anthony C. Yu states that the identity of the author, as with so many other major works of Chinese fiction, "remains unclear" but that Wu remains "the most likely" author. Yu bases his skepticism on the detailed studies made by Glen Dudbridge. The question of authorship is further complicated by the preexistence of much of the novel's material in the form of folk tales.
The novel Journey to the West was based on historical events. Xuanzang (602-664) was a monk at Jingtu Temple in late-Sui dynasty and early-Tang dynasty Chang'an. Motivated by the poor quality of Chinese translations of Buddhist scripture at the time, Xuanzang left Chang'an in 629, in defiance of Emperor Taizong of Tang's ban on travel. Helped by sympathetic Buddhists, he traveled via Gansu and Qinghai to Kumul (Hami), thence following the Tian Shan mountains to Turpan. He then crossed what are today Kyrgyzstan, Uzbekistan, and Afghanistan, into Gandhara, reaching India in 630. Xuanzang traveled throughout the Indian subcontinent for the next thirteen years, visiting important Buddhist pilgrimage sites, studying at the ancient university at Nalanda, and debating the rivals of Buddhism.
Xuanzang left India in 643 and arrived back in Chang'an in 646. Although he had defied the imperial travel ban when he left, Xuanzang received a warm welcome from Emperor Taizong upon his return. The emperor provided money and support for Xuanzang's projects. He joined Da Ci'en Monastery (Monastery of Great Maternal Grace), where he led the building of the Big Wild Goose Pagoda to store the scriptures and icons he had brought back from India. He recorded his journey in the book Great Tang Records on the Western Regions. With the support of the emperor, he established an institute at Yuhua Gong (Palace of the Lustre of Jade) monastery dedicated to translating the scriptures he had brought back. His translation and commentary work established him as the founder of the Dharma character school of Buddhism. Xuanzang died on 7 March 664. The Xingjiao Monastery was established in 669 to house his ashes.
Popular and story-teller versions of Xuanzang's journey dating as far back as the Southern Song dynasty include a monkey character as a protagonist.
The novel has 100 chapters that can be divided into four unequal parts. The first part, which includes chapters 1-7, is a self-contained introduction to the main story. It deals entirely with the earlier exploits of Sun Wukong, a monkey born from a stone nourished by the Five Elements, who learns the art of the Tao, 72 polymorphic transformations, combat, and secrets of immortality, and through guile and force makes a name for himself, Qitian Dasheng (simplified Chinese: ?; traditional Chinese: ?), or "Great Sage Equal to Heaven". His powers grow to match the forces of all of the Eastern (Taoist) deities, and the prologue culminates in Sun's rebellion against Heaven, during a time when he garnered a post in the celestial bureaucracy. Hubris proves his downfall when the Buddha manages to trap him under a mountain, sealing it with a talisman for five hundred years.
The second part (chapters 8-12) introduces the nominal main character, Tang Sanzang, through his early biography and the background to his great journey. Dismayed that "the land of the South (i.e. Tang China) knows only greed, hedonism, promiscuity, and sins", the Buddha instructs the bodhisattva Avalokite?vara (Guanyin) to search China for someone to take the Buddhist sutras of "transcendence and persuasion for good will" back. Part of the story here also relates to how Tang Sanzang becomes a monk (as well as revealing his past life as a disciple of the Buddha named "Golden Cicada" ()) and comes about being sent on this pilgrimage by Emperor Taizong, who previously escaped death with the help of an official in the Underworld.
The third and longest section of the work is chapters 13-99, an episodic adventure story in which Tang Sanzang sets out to bring back Buddhist scriptures from Leiyin Temple on Vulture Peak in India, but encounters various evils along the way. The section is set in the sparsely populated lands along the Silk Road between China and India. The geography described in the book is, however, almost entirely fantasy; once Tang Sanzang departs Chang'an, the Tang capital, and crosses the frontier (somewhere in Gansu province), he finds himself in a wilderness of deep gorges and tall mountains, inhabited by demons and animal spirits, who regard him as a potential meal (since his flesh was believed to give immortality to whoever ate it), with the occasional hidden monastery or royal city-state amidst the harsh setting.
Episodes consist of 1-4 chapters and usually involve Tang Sanzang being captured and having his life threatened while his disciples try to find an ingenious (and often violent) way of liberating him. Although some of Tang Sanzang's predicaments are political and involve ordinary human beings, they more frequently consist of run-ins with various demons, many of whom turn out to be earthly manifestations of heavenly beings (whose sins will be negated by eating the flesh of Tang Sanzang) or animal-spirits with enough Taoist spiritual merit to assume semi-human forms.
Chapters 13-22 do not follow this structure precisely, as they introduce Tang Sanzang's disciples, who, inspired or goaded by Guanyin, meet and agree to serve him along the way in order to atone for their sins in their past lives.
Chapter 22, where Sha Wujing is introduced, also provides a geographical boundary, as the river that the travelers cross brings them into a new "continent". Chapters 23-86 take place in the wilderness, and consist of 24 episodes of varying length, each characterised by a different magical monster or evil magician. There are impassably wide rivers, flaming mountains, a kingdom with an all-female population, a lair of seductive spider spirits, and many other scenarios. Throughout the journey, the four disciples have to fend off attacks on their master and teacher Tang Sanzang from various monsters and calamities.
It is strongly suggested that most of these calamities are engineered by fate and/or the Buddha, as, while the monsters who attack are vast in power and many in number, no real harm ever comes to the four travelers. Some of the monsters turn out to be escaped celestial beasts belonging to bodhisattvas or Taoist sages and deities. Towards the end of the book, there is a scene where the Buddha commands the fulfillment of the last disaster, because Tang Sanzang is one short of the 81 tribulations required before attaining Buddhahood.
In chapter 87, Tang Sanzang finally reaches the borderlands of India, and chapters 87-99 present magical adventures in a somewhat more mundane setting. At length, after a pilgrimage said to have taken fourteen years (the text actually only provides evidence for nine of those years, but presumably there was room to add additional episodes) they arrive at the half-real, half-legendary destination of Vulture Peak, where, in a scene simultaneously mystical and comic, Tang Sanzang receives the scriptures from the living Buddha.
Chapter 100, the final chapter, quickly describes the return journey to the Tang Empire, and the aftermath in which each traveller receives a reward in the form of posts in the bureaucracy of the heavens. Sun Wukong (Monkey) and Tang Sanzang (monk) achieve Buddhahood, Sha Wujing (Sandy) becomes an arhat, the dragon horse is made a n?ga, and Zhu Bajie (Pig), whose good deeds have always been tempered by his greed, is promoted to an altar cleanser (i.e. eater of excess offerings at altars).
The monk Tang Sanzang (, meaning "Tripitaka Master of Tang", with Tang referring to the Tang dynasty and Sanzang referring to the Tripi?aka, the main categories of texts in the Buddhist canon which is also used as an honorific for some Buddhist monks) is a Buddhist monk who had renounced his family to become a monk from childhood. He is just called Tripitaka in many English versions of the story. He set off for Dahila kingdom (, an appellation for India in ancient China) to retrieve original Buddhist scriptures for China. Although he is helpless in defending himself, the bodhisattva Avalokite?vara (Guanyin) helps by finding him powerful disciples who aid and protect him on his journey. In return, the disciples will receive enlightenment and forgiveness for their sins once the journey is done. Along the way, they help the local inhabitants by defeating various monsters and demons who try to obtain immortality by eating Tang Sanzang's flesh.
Sun Wukong () (pinyin: s?nwùk?ng) is the name given to this character by his teacher, Subhuti, the latter part of which means "Awakened to Emptiness" (in the Waley translation, Aware-of-Vacuity); he is called Monkey King. He is born on Flower Fruit Mountain from a stone egg that forms from an ancient rock created by the coupling of Heaven and Earth. He first distinguishes himself by bravely entering the Water Curtain Cave on the mountain; for this feat, his monkey tribe gives him the title of "Handsome Monkey King". After angering several gods and coming to the attention of the Jade Emperor, he is given a minor position in heaven as the Keeper of Horses () so they can keep an eye on him. This job is a very low position, and when he realises that he was given a low position and not considered a full-fledged god, he becomes very angry. Upon returning to his mountain, he puts up a flag and declares himself the "Great Sage Equal to Heaven". Then the Jade Emperor dispatches celestial soldiers to arrest Sun Wukong, but no one succeeds. The Jade Emperor has no choice but to appoint him to be the guardian of the heavenly peach garden. The peach trees in the garden bear fruit every 3,000 years, and eating its flesh will bestow immortality, so Sun Wukong eats nearly all of the ripe peaches. Later, after fairies who come to collect peaches for Xi Wangmu's heavenly peach banquet inform Sun Wukong he is not invited and make fun of him, he starts causing trouble in Heaven and defeats an army of 100,000 celestial troops, led by the Four Heavenly Kings, Erlang Shen, and Nezha. Eventually, the Jade Emperor appeals to the Buddha, who seals Wukong under a mountain called Five Elements Mountain. Sun Wukong is kept under the mountain for 500 years, and cannot escape because of a seal that was placed on the mountain. He is later set free when Tang Sanzang comes upon him during his pilgrimage and accepts him as a disciple.
His primary weapon is his staff, the "Ruyi Jingu Bang", which he can shrink down to the size of a needle and keep in his ear, as well as expand it to gigantic proportions. The rod, which weighs 17,550 pounds, was originally a pillar supporting the undersea palace of the Dragon King of the East Sea, but he was able to pull it out of its support and can swing it with ease. The Dragon King had told Sun Wukong he could have the staff if he could lift it, but was angry when the monkey was actually able to pull it out and accused him of being a thief; hence Sun Wukong was insulted, so he demanded a suit of armour and refused to leave until he received one. The Dragon King, unwilling to see a monkey making troubles in his favourite place, also gave him a suit of golden armour. These gifts, combined with his devouring of the peaches of immortality, three jars of elixir, and his time being tempered in Laozi's Eight-Trigram Furnace (he gained a steel-hard body and fiery golden eyes that could see very far into the distance and through any disguise. He is therefore always able to recognise a demon in disguise while the rest of the pilgrimage cannot. However, his eyes become weak to smoke), makes Sun Wukong the strongest member of the pilgrimage by far. Besides these abilities, he can also pluck hairs from his body and blow on them to convert them into whatever he wishes (usually clones of himself to gain a numerical advantage in battle). Although he is a master of the 72 methods of transformation (?),[a] and can transform into anything that exists (animate and inanimate), he can use his "somersault cloud" enabling him to travel 108,000 li in a single leap (he is also able to fly without use of the cloud).[a] The monkey, nimble and quick-witted, uses these skills to defeat all but the most powerful of demons on the journey.
Sun's behavior is checked by a band placed around his head by Guanyin, which cannot be removed by Sun Wukong himself until the journey's end. Tang Sanzang can tighten this band by chanting the "Ring Tightening Mantra" (taught to him by Guanyin) whenever he needs to chastise him. The spell is referred to by Tang Sanzang's disciples as the "Headache Sutra", which is the Buddhist mantra "o? ma?i padme h". Tang Sanzang speaks this mantra quickly in repetition.
Sun Wukong's childlike playfulness is a huge contrast to his cunning mind. This, coupled with his great power, makes him a trickster hero. His antics present a lighter side in what proposes to be a long and dangerous trip into the unknown.
Zhu Bajie (, literally "Pig of the Eight Prohibitions") is also known as Zhu Wuneng ("Pig Awakened to Ability"), and given the name Pigsy, Monk Pig or just simply Pig in English.
Once an immortal who was the Marshal of the Heavenly Canopy commanding 100,000 naval soldiers of the Milky Way, he drank too much during a celebration of the gods and attempted to harass the moon goddess Chang'e, resulting in his banishment to the mortal world. He was supposed to be reborn as a human but ended up in the womb of a sow due to an error on the Reincarnation Wheel, which turned him into a half-man, half-pig monster. Zhu Bajie was very greedy, and could not survive without eating ravenously. Staying within the Yunzhan Dong ("cloud-pathway cave"), he was commissioned by Guanyin to accompany Tang Sanzang to India and given the new name Zhu Wuneng.
However, Zhu Bajie's appetite for women led him to the Gao Family Village, where he posed as a normal being and wedded a maiden. Later, when the villagers discovered that he was a monster, Zhu Bajie hid the girl away, and the girl wailed bitterly every night. At this point, Tang Sanzang and Sun Wukong arrived at the Gao Family Village and helped defeat him. Renamed Zhu Bajie by Tang Sanzang, he consequently joined the pilgrimage to the West.
His weapon of choice is the jiuchidingpa ("nine-tooth iron rake"). He is also capable of 36 transformations (as compared to Sun Wukong's 72), and can travel on clouds, but not as fast as Sun. However, Zhu is noted for his fighting skills in the water, which he used to combat Sha Wujing, who later joined them on the journey. He is the second strongest member of the team.
Being spiritually the lowest of the group, he remained on Earth and was granted the title "Cleaner of the Altars", presumably giving him the duty to eat excess offerings left on the altars.
Sha Wujing (, "Sand Awakened to Purity"), given the name Friar Sand or Sandy in English, was once a celestial Curtain Lifting General, who stood in attendance by the imperial chariot in the Hall of Miraculous Mist. He was exiled to the mortal world and made to look like a monster because he accidentally smashed a crystal goblet belonging to the Queen Mother of the West during a Peach Banquet. The now-hideous immortal took up residence in the Flowing Sands River, terrorising surrounding villages and travellers trying to cross the river. However, he was subdued by Sun Wukong and Zhu Bajie when Tang Sanzang's party came across him. They consequently took him in, as part of the pilgrimage to the West.
Sha's weapon is a magic wooden staff wrapped in pearly threads. He also knows 18 transformation methods and is highly effective in water combat.
Sha is known to be the most obedient, logical, and polite of the three disciples, and always takes care of his master, seldom engaging in the bickering of his fellow disciples. He has no major faults nor any extraordinary characteristics. Perhaps this is why he is sometimes seen as a minor character. He does however serve as the peacekeeper of the group mediating between Sun and Zhu and even Tang Sanzang and the others. He is also the person whom Tang Sanzang consults when faced with difficult decisions.
Sha eventually becomes an arhat at the end of the journey, giving him a higher level of exaltation than Zhu Bajie, who is relegated to cleaning every altar at every Buddhist temple for eternity, but lower spiritually than Sun Wukong or Tang Sanzang, who are granted Buddhahood.
The brief satirical novel Xiyoubu (, "A Supplement to the Journey to the West", c. 1640) follows Sun Wukong as he is trapped in a magical dream world created by the Qing Fish Demon, the embodiment of desire (?, qing). Sun travels back and forth through time, during which he serves as the adjunct King of Hell and judges the soul of the recently dead traitor Qin Hui during the Song dynasty, takes on the appearance of a beautiful concubine and causes the downfall of the Qin dynasty, and even faces P?ramit?, one of his five sons born to the rakshasa Princess Iron Fan,[b] on the battlefield during the Tang dynasty. The events of Xiyoubu take place between the end of chapter 61 and the beginning of chapter 62 of Journey to the West. The author, Dong Yue (), wrote the book because he wanted to create an opponent--in this case desire--that Sun could not defeat with his great strength and martial skill.
Saiy?ki () also known by its English title Monkey and commonly referred to by its title song, "Monkey Magic," a Japanese television series starring Masaaki Sakai, produced by Nippon TV and International Television Films in association with NHK (Japan Broadcasting Corporation) and broadcast from 1978 to 1980 on Nippon TV. It was translated into English by the BBC.
In the 1980s, China Central Television (CCTV) produced and aired a TV adaptation of Journey to the West under the same name as the original work. A second season was produced in the late 1990s covering portions of the original work that the first season skipped over.
In 1997, Brooklyn-based jazz composer Fred Ho premiered his jazz opera Journey To The East, at the Brooklyn Academy of Music, which he developed into what he described as a "serial fantasy action-adventure music/theater epic," Journey Beyond the West: The New Adventures of Monkey based upon Wu Cheng'en's 16th-century novel. Ho's pop-culture infused take on the story of the Monkey King has been performed to great acclaim.
It also made its way to the Mass Electronic Entertainment Media (Reimagined Video game adaptation) in 2009, titled Enslaved: Odyssey to the West, which was released in October 2010 for Microsoft Windows, PlayStation 3 and Xbox 360. It was developed by Ninja Theory and published by Bandai Namco Entertainment. The main protagonist 'Monkey' is voice acted by Andy Serkis.
On 20 April 2017, Australia's ABC, TVNZ and Netflix announced production was underway in New Zealand on a new live-action television series, The New Legends of Monkey, to premiere globally in 2018. The series, which is based on Journey to the West, is made up 10 half-hour episodes. While there has been enthusiasm for the new series, it has also attracted some criticism for "whitewashing", since none of the core cast are of Chinese descent, with two of the leads having Tongan ancestry while only one, Chai Hansen, is of half-Asian (his father is Thai) descent.
More recently in 2017, Netflix has hosted a South Korean show called A Korean Odyssey; a modern comedy retelling that begins with the release of Sun Wukong/Son O-Gong and the reincarnation of Tang Sazang/Samjang