John Marin
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John Marin
John Marin
John Marin by Alfred Stieglitz, 1922.jpg
John Marin in 1922
Born(1870-12-23)December 23, 1870
DiedOctober 1, 1953(1953-10-01) (aged 82)
EducationPennsylvania Academy of the Fine Arts
Known forModern art

John Marin (December 23, 1870 - October 2, 1953) was an early American modernist artist. He is known for his abstract landscapes and watercolors.


Marin was born in Rutherford, New Jersey.[1] His mother died nine days after his birth, and he was raised by two aunts in Weehawken, New Jersey.[2] He attended the Stevens Institute of Technology for a year, and tried unsuccessfully to become an architect.[2]

Young American Artists of the Modern School, L. to R. Jo Davidson, Edward Steichen, Arthur B. Carles, John Marin; back: Marsden Hartley, Laurence Fellows, c. 1911, Bates College Museum of Art
Group of artists in 1912, L to R : Paul Haviland, Abraham Walkowitz, Katharine N. Rhoades, Stieglitz's wife Emily, Agnes Ernst Meyer, Alfred Stieglitz, J.B. Kerfoot, John Marin

From 1899 to 1901, Marin attended the Pennsylvania Academy of the Fine Arts in Philadelphia. In Philadelphia he studied with Thomas Pollock Anshutz and William Merritt Chase. He also studied at the Art Students League of New York.[3] In 1905, like many American artists Marin went to Europe, initially to Paris.[4] He exhibited his work in the Salon, where he also got his first exposure to modern art.[3] He traveled through Europe for six years, and painted in the Netherlands, Belgium, England, and Italy. In Europe, he mastered a type of watercolor where he achieved an abstract ambience, almost a pure abstraction with color that ranges from transparency to translucency, accompanied by strong opacities, and linear elements, always with a sense of freedom, which became one of his trademarks.

In 1909, Marin held his first one-man exhibition at Alfred Stieglitz's 291 gallery in New York City. He had been introduced to Stieglitz by the photographer Edward Steichen, whom Marin in turn had met through the painter Arthur B. Carles. Marin's association with Stieglitz would last nearly forty years, and Stieglitz's philosophical and financial support would prove essential.[5] From 1909 until his death in 1946, Stieglitz showed Marin's work almost every year in one of his galleries.[6] Marin also participated in the landmark 1913 Armory Show.[3]

Marin spent his first summer in Maine in 1914 and almost immediately the rocky coast there became one of his favorite subjects. Over the rest of his life, Marin became intimately familiar with the many moods of the sea and sky in Maine.[6] "In painting water make the hand move the way the water moves," Marin wrote in a 1933 letter to an admirer of his technique.[7]

Cover of 291, No 4 1915

Marin had a retrospective show in 1936 at the Museum of Modern Art. Late in life Marin achieved tremendous prestige as an American painter, an elder statesman of American art. In 1950, he was honored by the University of Maine and Yale University with honorary degrees of Doctor of Fine Arts.

Marin was a resident of Cliffside Park, New Jersey in his last years, and also maintained a summer home in Addison, Maine, where he died in 1953.[8] He was interred at Fairview Cemetery (Fairview, New Jersey).


John Marin was among the first American artists to make abstract paintings.[9] Marin is often credited with influencing the Abstract Expressionists. His treatment of paint--handling oils almost like watercolors--his forays into abstraction, and his use of evocative stretches of bare canvas caught the eye of younger painters.[10] His experience with architecture might have contributed to the role played by architectural themes in his paintings and watercolors.

The largest collection of Marin's paintings, watercolors, drawings, etchings, and photographs are at the Colby College Museum of Art, the John Marin Collection, given to the college by John Marin Jr. and Norma B. Marin. Marin's paintings are also represented in several important permanent collections and museums including: the Metropolitan Museum of Art, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Brooklyn Museum, the Cleveland Museum of Art, the Art Institute of Chicago, the National Gallery of Art and The Phillips Collection, both in Washington, D.C., the Fogg Art Museum, Cambridge, Massachusetts, and many others. The White House acquired his 1952 painting "The Circus No. 1" in 2007, and it is now displayed in the Green Room. The artist's Estate is represented by Menconi + Schoelkopf Fine Art, LLC, in New York City.[11]


  1. ^ Johnson, Ken (December 25, 1998), "Art Review: A Restless Explorer of Early Abstraction", The New York Times.
  2. ^ a b "Out of the Dark Room", Time, March 16, 1962.
  3. ^ a b c Roberts, Norma J., ed. (1988), The American Collections, Columbus Museum of Art, p. 84, ISBN 0-8109-1811-0.
  4. ^ Esplund, Lance (February 5, 2011), "Of Celestial Beings, Sly Foxes and Weehawken", The Wall Street Journal.
  5. ^ John Marin (1870-1953), Hollis Taggart Galleries, 2007, archived from the original on 2006-08-26.
  6. ^ a b Exclusive Representative of the Estate of John Marin, Meredith Ward Fine Art.
  7. ^ Rosenberg, Karen (December 18, 2008), "John Marin: The Late Oils", The New York Times.
  8. ^ "John Marin is Dead; Water-colorist, 80; Artist Considered by Many as 'America's No. 1 Master' Succumbs in Maine Home", The New York Times, October 2, 1953, retrieved 2011.
  9. ^ Smith, Roberta (February 17, 2011), "John Marin: 'The Weehawken Sequence'", The New York Times.
  10. ^ Schwendener, Martha (October 26, 2006), "Art in Review: John Marin", The New York Times.
  11. ^

Further reading

External links

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