James Schamus
Schamus at the Monclair Film Festival, 2016
Born	James Allan Schamus[1] (1959-09-07) September 7, 1959 (age 61)[1] Detroit, Michigan
Alma mater	University of California, Berkeley
Occupation	Producer, Screenwriter, Director
	Nancy Kricorian (2 children)

James Allan Schamus (born September 7, 1959) is an American screenwriter, producer, business executive, film historian, professor, and director. He is a frequent collaborator of Ang Lee, the co-founder of the production company Good Machine, and the former CEO of motion picture production, financing, and worldwide distribution company Focus Features, a subsidiary of NBCUniversal.

Life and career

Schamus was born in Detroit, Michigan, to a Jewish family.^[2] He is the son of Clarita (Gershowitz) Karlin and Julian John Schamus, and was raised in Los Angeles. He is married to writer Nancy Kricorian, with whom he has two children.^[3]

His output includes writing or co-writing The Ice Storm, Eat, Drink, Man, Woman, Crouching Tiger, Hidden Dragon and Hulk (all directed by Ang Lee), and producing Brokeback Mountain and Alone in Berlin. At Focus he oversaw the production and distribution of Lost in Translation, Milk, Eternal Sunshine of the Spotless Mind, Coraline, The Kids Are All Right. He is Professor of Professional Practice in Columbia University's School of the Arts, where he teaches film history and theory. He has also taught at Yale University and at Rutgers University. He is the author of Carl Theodor Dreyer's Gertrud: The Moving Word, published by the University of Washington Press. He earned his BA, MA, and Ph.D. in English from University of California, Berkeley.^[4]

Schamus made his feature directorial debut with Indignation, an adaptation of Philip Roth's novel of the same name. Schamus also wrote the script for the film, which stars Logan Lerman, Sarah Gadon, and Tracy Letts, and is the story of a Jewish student at an Ohio college in 1951.^[5] The film premiered at the 2016 Sundance Film Festival, and was theatrically released by Roadside Attractions on July 29, 2016.^[6]

Schamus participates as a member of the Jury for the NYICFF, a local New York City Film Festival dedicated to screening films for children between the ages of 3 and 18.^[7] He was president of the jury for the 64th Berlin International Film Festival.^[8]

Schamus founded Symbolic Exchange, a film development company based in New York City.^[9] On May 2015, it was announced that Symbolic Exchange signed a first-look deal with Beijing's Meridian Entertainment.^[10]

Film credits

Executive producer only

• Poison (1991)
• Swoon (1992)
• Safe (1995)
• Happiness (1998)
• Lola and Billy the Kid (1999)
• Buffalo Soldiers (2001)
• Auto Focus (2002)
• Suffragette (2015)
• Junction 48 (2015)
• Dayveon^[17] (2017)
• A Prayer Before Dawn^[18] (2017)
• Furlough (2018)

Career Recognition and Honors

• ShowEast's Bingham Ray Spirit Award, October 2016^[19]
• 18th annual Outfest Achievement Award, June 2014^[20]
• President of the Jury, Berlin International Film Festival, February 2014
• Evelyn Burkey Award, Writers Guild of America, January 2014
• Hamptons Film Festival, Industry Toast, October 2012
• Point Foundation, Point Inspiration Award, April 2012
• Gotham Independent Film Project Awards, Career Tribute, November 2010
• San Francisco Film Festival Kanbar Lifetime Achievement Award for Screenwriting, April 2010
• The Hollywood Reporter Independent Icon Award, Sundance, January 2010
• National Arts Club, Medal of Honor for Film, November 2009.
• 9th Annual Woodstock Film Festival, Trailblazer Award, October 2008
• 19th Annual GLAAD (Gay Lesbian Alliance Against Discrimination) Media Awards, Golden Gate Award, May 2008
• American Museum of the Moving Image Honoree, April 2008
• ShoWest/NATO (National Association of Theater Owners) Freedom of Expression Award, March 2008
• Golden Horse Award, Best Film, Best Screenplay Adaptation (James Schamus and Wang Hui-ling), "Lust, Caution," 2007
• Jacob Burns Film Center, Vision Award, September 2007
• British Academy of Film and Television Arts, Best Film, "Brokeback Mountain," 2005
• 21st Israel Film Festival, Visionary Award, November 2005
• Presidential Fellow in the Arts, University of Chicago, November 2005
• Producers Guild of America, Darryl Zanuck Award for Producer of the Year, 2005
• Los Angeles Film Critics Association, Best Picture of the Year, "Brokeback Mountain," 2005
• New York Film Critics Circle, Best Picture, "Brokeback Mountain," 2005
• Out Magazine, Out 100 Award, 2005
• Distinguished Entertainment Industry Award, Anti-Defamation League, 2005
• Writer's Guild of America East, Richard B. Jablow Award for Devoted Service to the Guild, March 2002
• NBC Screenwriters Tribute, Nantucket Film Festival, 2002
• Grammy Award Nomination, Best Song Written For A Motion Picture, Television, Or Other Media, "A Love Before Time" from "Crouching Tiger, Hidden Dragon," 2002
• Excellence in Achievement Award, California Alumni Association, 2001
• Crystal Apple Award, New York City Mayor's Office, 2001
• Provincetown International Film Festival, Filmmaker on the Edge Award, 2001
• Yale Film Studies Award, Yale University, 2000
• Achievement Award, Jerusalem Cinematheque, 2000
• British Film Critics' Circle Awards Nomination, Best Screenwriter, "The Ice Storm," 1999.
• Gladys Borchers Lecturer, University of Wisconsin, 1998.
• Nuveen Fellow, University of Chicago, 1997
• University Lecturer, Columbia University, 1997
• Cable Ace Award, Best Historical Documentary Special or Series, "Wonderland," (Executive Producer), 1997
• IFP Gotham Award, Producer of the Year, 1996
• Zanuck Award Nominee, Producers Guild of America, 1996
• Nova Award, Producers Guild of America, 1996
• The Philip and Ruth Hettleman Award, Columbia University School of General Studies, 1996^[21]
• Independent Spirit Brian Greenbaum Memorial Award for Producing, 1994

Writing

Books

• Taking Woodstock. New York: Newmarket Press, 2009. Screenplay and Introduction.
• Carl Theodor Dryer's Gertrud: The Moving Word. Seattle: University of Washington Press, 2008.
• Lust, Caution. New York: Pantheon, 2007. Screenplay (with Wang Hui-Ling) and Introduction.
• The Hulk. New York: Newmarket Press, 2003. Screenplay and Introduction.
• Crouching Tiger, Hidden Dragon: Portrait of the Ang Lee Film. New York: Newmarket Press, 2000. Screenplay (with Wang Hui-Ling) and Notes.
• Ride With the Devil. London: Faber & Faber, 1999. Screenplay, Introduction, and Notes.
• The Ice Storm. New York: Newmarket Press, 1997. Screenplay, Introduction, and Notes.
• Two Films By Ang Lee: "Eat Drink Man Woman" and "The Wedding Banquet". New York: The Overlook Press, 1994. Introduction and Screenplays (with Ang Lee, Neal Peng, and Wang Hui-Ling).

Essays and articles

• "23 Fragments on the Future of Cinema", Filmmaker (magazine) , Winter 2015.
• "Hollywood is Not American", The Hollywood Reporter, October 17, 2014.
• "James Schamus Reveals Secrets of the Oscar Voting System", Variety (magazine), January 8, 2014.
• "Preface." "Musts, Maybes, and Nevers: A Book About The Movies". By David Picker. Charleston: CreateSpace, 2013.
• "See Here Now: Festival Red Carpets and the Cost of Film Culture," in Coming Soon to a Festival Near You: Programming Film Festivals, ed. Jeffrey Ruoff. Scotland, UK: St. Andrews Film Books, 2012.
• "Raul Ruiz Remembered by James Schamus", Filmmaker (magazine), August 19, 2011.
• "Afterword." A Killer Life. By Christine Vachon. New York: Limelight Editions, 2007.
• "The Apartment", The New York Times, November 4, 2007.
• "Next Year in Munich: Masculinity, Zionism and Diaspora in Spielberg's Epic," Representations, Fall 2007, no. 100.
• "'Brokeback Mountain': An Exchange", The New York Review of Books, April 6, 2006.
• "Oy", Filmmaker, March 24, 2006.
• "Aesthetic Identities: A Response to Kenneth Chan and Christina Klein", Cinema Journal, Summer 2004, Volume 43, Number 4.
• "Dreyer's Textual Realism." Rites of Realism: Essays on Corporeal Cinema, Ivone Margulies, ed., Duke UP, 2003.
• "Sing to Us, Muse, of the Rage of the Hulk", The New York Times, May 11, 2003.
• "Whatever Happened to B Movies?", Filmmaker (magazine), Fall, 2002 (reprinted from The Off Hollywood Report, Fall 1990).
• "A Rant." The End of Cinema As We Know It: American Film in the Nineties, Jon Lewis, ed., NYU Press, 2002.
• "Fragments Towards an Introduction to Elia Sulieman's Chronicles." Filmmaker, Winter 2002.
• "16 Fragments on Auteur Theory, or Sarris's Revenge." Citizen Sarris: American Film Critic, Emanuel Levy, ed., Scarecrow Press, 2001.
• "Talking Pictures", Filmmaker, Winter, 2001.
• "HOLIDAY FILMS; The Polyglot Task of Writing the Global Film", The New York Times, November 5, 2000.
• "IFP Rant", Filmmaker, Spring, 2000.
• "The Pursuit of Happiness: Making an Art of Marketing an Explosive Film", The Nation, April 5-12, 1999.
• "20 Fragments on the Art of Screenwriting." Scenario, Summer 1996.
• "Long Live Indie Film", Filmmaker, Fall, 1995.

Profiles and interviews

• "Indignation director James Schamus: Film is Dead, And That's Okay" Indiewire. August 1, 2016.
• "Indignation Interview" Indiewire. February, 2016.
• "James Schamus Directing Debut Indignation Wins Over Sundance Audience" The Wrap. January 24, 2016.
• "Indignation: Sundance Review" The Hollywood Reporter. January 25, 2016.
• "Accidental CEO The College. Summer 2014.
• "Case Study: James Schamus", Produced By. October 2014.
• "James Schamus: 'The job is an ego crushing ass-kick to the soul. I love it!'", The Guardian. January 28, 2014.
• "On James Schamus and Focus Features", Filmmaker. October 3, 2013.
• "The Man Behind the Movies", California Magazine (Cal Alumni Association). Fall, 2013.
• "The Professor of Micropopularity", The New York Times. November 26, 2010.
• "Ang Lee + James Schamus: A Pinewood Dialogue", Museum of the Moving Image. November 9, 2007.
• "The Professor in the Back Lot", The New York Times. September 17, 2006.
• "A Conversation with Tony Kushner," On Writing (Writers Guild of America, East): New York. Fall, 2005.

References

External links

• James Schamus on IMDb
• The Career Cookbook James Schamus Profile
• Columbia University Faculty
• Interview at The Minnesota Review