|Directed by||Karel Reisz|
|Produced by||Raymond Hakim|
|Written by||Melvyn Bragg|
(adaptation & screenplay)
(book, My Life)
(book, Isadora Duncan: An Intimate Portrait
|Music by||Anthony Bowles|
|Edited by||Tom Priestley|
|Distributed by||Universal Pictures|
138 min (1969 UK release)
131 min (1969 US release)
|Country||UK / France|
|Box office||$1.25 million (US/Canada rentals)|
It was nominated for the Academy Award for Best Actress (Vanessa Redgrave). The film was also nominated for the Palme d'Or (Golden Palm) at the 1969 Cannes Film Festival, where Redgrave won Best Actress.
In 1927, Isadora Duncan has become a legend as the innovator of modern dance, a temperamental bohemian, and an outspoken advocate of free love. Now past 40, she lives in poverty in a small hotel on the French Riviera with her companion Mary Estelle Dempsey/Mary Desti (named only as Mary in the film) and her secretary Roger, to whom she is dictating her memoirs. As a young girl in California, Isadora first demonstrates her disdain for accepted social standards by burning her parents' marriage certificate and pledging her dedication to the pursuit of art and beauty. In 1896, she performs under the name of Peppy Dora in a rowdy music hall in Chicago and publicly embarrasses the theatre manager into paying her $300 so that she can take her family to England. Modeling her free-form style of dance and costume after Greek classicism, she rapidly acquires international acclaim.
In Berlin, she meets her first love, Gordon Craig, a young stage designer who promises her that together they will create a new world of theatre. After bearing the already-married Craig a daughter, Isadora moves to Paris and meets Paris Singer, a millionaire who lavishes gifts upon her and later buys her an enormous estate for her to open a School for Life, where only beauty and simplicity are taught.
Following the birth of a son, Isadora returns to England with Singer but becomes bored with her quiet life and enters into an affair with her pianist, Armand. A short time later, both of her children are drowned when their chauffeur-driven car plunges off a bridge into the Seine. Broken by the tragedy, Isadora leaves Singer and wanders about Europe until in 1921 she receives an offer to open a dancing school in the Soviet Union.
Unaffected by the country's poverty, she develops a strong rapport with the peasantry and has a passionate affair with Sergei Essenin, a volatile poet whom she marries so that he can obtain a visa to accompany her to the United States. Essenin's outrageous behaviour turns a press conference into a shambles, however, and US anti-Bolshevist sentiment turns to open hostility when Isadora bares her breasts during a dance recital in Boston. Following the disintegration of her marriage, she returns to Nice to write her memoirs. Impulsively selling her possessions to open a new school in Paris, Isadora goes to a local cafe to celebrate and spots Bugatti, a handsome Italian whom she has been admiring for several days. She goes for a drive with him in his sports car, and as they roar along a road by the sea, Isadora's long chiffon scarf catches in the spokes of a wheel and strangles her.
The original 177-minute version premiered in Los Angeles on 18 December 1968. While praising Redgrave's performance, critics took issue with the film's length and pacing. An intermediate version, about 2.5 hours, had a limited release in Los Angeles in early 1979.
The 138-minute cut opened in Europe in spring 1969, while the US edit, retitled The Loves of Isadora, premiered in April of that year.
NBC-TV broadcast a partially-restored version of the original cut on 30 June - 1 July 1972, running 168 minutes. It was repeated in April 1973, then made available for syndication.
Reisz' director's cut debuted on California cable station Z Channel in 1986, then was released on VHS in July 1988 by MCA Home Video. To date, there is no known legitimate US release on DVD or Blu-Ray.
Kapp Records issued a soundtrack LP, The Loves of Isadora, in October 1969 (catalog number KRS-5511). It includes Jarre's theme music, Anthony Bowles' incidental music and classical performances, and other material.