Horrorcore is a subgenre of hip hop music based on horror-themed and often darkly transgressive lyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rap artists, such as the Geto Boys, which began to incorporate supernatural, occult, or psychological horror themes into their lyrics and, unlike most gangsta-rap artists, pushed the violent content and imagery in its lyrics beyond the realm of realistic urban violence to the point where the violent lyrics became gruesome, ghoulish, unsettling, or slasher film- or splatter film-esque. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. The term "horrorcore" was popularized by openly horror-influenced hip hop groups such as Flatlinerz and Gravediggaz.
Horrorcore defines a style of hip hop music that focuses primarily on dark, violent, gothic, transgressive, macabre and/or horror-influenced topics that can include death, psychosis, psychological horror, mental illness, satanism, self-harm, cannibalism, mutilation, necrophilia, suicide, murder, torture, rape, drug abuse, and often supernatural or occult themes. The lyrics are often inspired by horror movies and are performed over moody, hardcore beats. According to rapper Mars, "If you take Stephen King or Wes Craven and you throw them on a rap beat, that's who I am." Horrorcore was described by Entertainment Weekly in 1995 as a "blend of hardcore rap and bloodthirsty metal." The lyrical content of horrorcore is sometimes described as being similar to that of death metal, and some have referred to the genre as "death rap". Horrorcore artists often feature dark imagery in their music videos and base musical elements of songs upon horror film scores.
It has been argued that Jimmy Spicer's 1980 single "Adventures of Super Rhyme" was perhaps the first example of anything that resembled horrorcore, due to the segment of the song in which Spicer recounts his experience of meeting Dracula. Following this were groups like Dr. Jeckyll and Mr. Hyde, and songs like Dana Dane's "Nightmares," which spun more frightening, imaginative narratives.
Since 1983, Ganxsta N.I.P. has performed horror-themed lyrics that he described as "Psycho Rap", but was not commonly considered to be horrorcore until the term came into mainstream prominence. Ganxsta N.I.P. has written lyrics for other groups, including Geto Boys.
In 1988, DJ Jazzy Jeff & The Fresh Prince released "A Nightmare on My Street", which described an encounter with Freddy Krueger, and the Fat Boys recorded the similarly-themed "Are You Ready for Freddy" for the film A Nightmare on Elm Street 4: The Dream Master and its soundtrack. 1988 is also the year Insane Poetry released his debut single "Twelve Strokes Till Midnight," one of the first examples of music specifically made to be horrorcore.
While Kool Keith later claimed to have "invented horrorcore", the first use of the term appeared on the group KMC's 1991 album Three Men With the Power of Ten. Nonetheless, Kool Keith brought significant attention to horror-influenced hip hop with the 1996 release of his horror and science-fiction-influenced, absurdist, trippy, experimental album Dr. Octagonecologyst.
The Geto Boys' debut album, Making Trouble, contained the dark and violent horror-influenced track "Assassins", which was cited by Joseph Bruce (Violent J of the horrorcore group Insane Clown Posse) in his book Behind The Paint, as the first recorded horrorcore song. He said that the Geto Boys continued to pioneer the style with its second release, Grip It! On That Other Level, with songs such as "Mind of a Lunatic" and "Trigga-Happy Nigga." The Geto Boys' 1991 album, We Can't Be Stopped, was also influential on the horrorcore genre and contained themes of paranoia, depression, and psychological horror, especially in the track "Chuckie," and "Mind Playing Tricks on Me".
While rappers in the underground scene continued to release horrorcore music, including Big L,Insane Poetry, and Insane Clown Posse, the mid-90s brought an attempted mainstream crossover of the genre.
In 1994, according to Icons of Hip Hop, horrorcore gained prominence in 1994 with the release of Flatlinerz' U.S.A. (Under Satan's Authority) and Gravediggaz' 6 Feet Deep (released overseas as Niggamortis).
In 1995, an independent horror film called The Fear was released, which included a soundtrack that consisted entirely of horrorcore songs, including Insane Clown Posse's biggest radio hit, "Dead Body Man".
In 2009, dark music themed website Fangoria named Tech N9ne's 2001 album "Anghellic" as an iconic and influential album to the genre, to the artist, and to hip-hop as a whole.
The genre is not popular with mainstream audiences as a whole; though in some cities like Detroit it is the dominant style of hip-hop and performers such as Insane Clown Posse, Slaughterhouse and Twiztid have sold commercially well nationwide. Horrorcore has thrived in Internet culture and sustains an annual super show in Detroit called Wickedstock. Every Halloween since 2003, Horrorcore artists worldwide get together online and release a free compilation titled Devilz Nite. According to the January 2004 BBC documentary Underground USA, the subgenre "has a massive following across the US" and "is spreading to Europe".Rolling Stone in 2007 referred to it as a short-lived trend that generated more shlock than shock.
Gordy shares a similar sentiment, saying he and Bizarre came together to inject the rap game with some much-needed zaniness. "Me and Bizzy came together because we are the last of a dying breed," Gordy tells us. "Nobody is having fun anymore. It's all about stunting and having money. Well we don't give a fuck about that. We ain't rappers.. we are the Last American Rock Stars!!!! On the Foul World mixtape expect a very disturbing version of Hip Hop. We intended to take Horrorcore to a whole new Level!"
The music journalist and author Dan Sicko describes certain strains of Detroit hip-hop as 'an extreme, almost parodied' version of inner city life, which he links to the extremities of urban decline in the city: 'both the horrorcore of hip-hop outfits such as Insane Clown Posse, Esham and (to a lesser extent) the multi-platinum-selling Eminem, utilize shocking (and blatantly over the top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit' (cited in Cohen and Strachan, 2005).
Alice Cooper's horror-movie imagery may have inspired the hip hop genre known as horrorcore, in which artists like Ganxsta N.I.P., Gravediggaz, and The Flatlinerz imbue their lyrics with stories of horrific torture and murder.
He calls his black-metal schtick "acid rap" and his splatter patter has influenced everyone from horrorcore artists the Flatlinerz to Motown neighbours Kid Rock, Insane Clown Posse, Kottonmouth Kingz and Eminem