Gypsy jazz (also known as gypsy swing or hot club jazz) is a style of jazz generally accepted to have been started by the Romani guitarist Jean "Django" Reinhardt in Paris during the 1930s. Because its origins are in France, and Reinhardt was from the Manouche Roma clan, gypsy jazz is often called by the French name "jazz manouche", or alternatively, "manouche jazz" in English language sources.
Django Reinhardt was foremost among a group of Romani guitarists working in Paris from the 1930s to the 1950s. The group included the brothers Baro, Sarane, and Matelo Ferret and Reinhardt's brother Joseph "Nin-Nin" Reinhardt.
Many gypsy jazz musician worked in Paris in popular musette ensembles in which the lead instrument was typically the accordion with banjo accompaniment, the latter played with a plectrum for volume. Elements of both instruments appear in the "gypsy jazz" sound, with arpeggios and decorations typical of accordionists transferred to the guitar, and a right hand attack applied to the lead acoustic guitar to achieve maximum volume in an era of little or no electric amplification. Other elements of the ensemble sound included the use of string instruments only, which was unusual for its day, the absence of brass lead instruments and drums being a novelty in the jazz context, as well as the use of the double bass, which had taken over from the sousaphone to play bass lines; the absence of drums was compensated for by a highly rhythmic style of guitar accompaniment called "la pompe" which supplied both rhythm and harmonic structure for the soloists. Gypsy jazz can be performed on guitars alone with or without double bass. But in the Quintette du Hot Club de France, solo work alternated between Reinhardt on guitar and jazz violinist Stéphane Grappelli. Later versions of the Quintette featured clarinet or saxophone as alternate lead instruments to the guitar, and these are sometimes featured in contemporary gypsy jazz ensembles in place of the violin, although obviously departing from the "all strings" format.
Reinhardt and his band used a range of guitar models available in France, but dominant among them was the Maccaferri guitar, formally called the "Selmer-Maccaferri" and then shortened to "Selmer". This model was popular enough to be marketed today as a "gypsy jazz guitar" played exclusively by gypsy jazz guitarists due to its tone and responsiveness. These guitars were made in two first versions, the earliest with a large "D" shaped sound hole, and later models with a smaller "O" shaped sound hole. The later models are considered most suited to lead guitar playing.
Gypsy jazz has been called gypsy swing to refer to music influenced more by jazz than the swing or hot club style started by Reinhardt. After hearing ragtime and Dixieland music, Reinhardt listened to Duke Ellington, Joe Venuti and Eddie Lang, and especially Louis Armstrong via the record collection of painter Émile Savitry in Toulon, France, in 1931. After Reinhardt met violinist Stéphane Grappelli, they played together informally when they weren't playing dance music with a small orchestra at the Hôtel Claridge in Paris during the summer of 1934. According to an account in a book by Michael Dregni, Grappelli played a chorus, then Reinhardt began to improvise. Sometimes they were accompanied on double bass by Louis Vola, the band's leader, and on rhythm guitar by Reinhardt's brother Joseph. This was the core of Reinardt's band. The addition of Roger Chaput on rhythm guitar made it the Quintette du Hot Club de France.
This classic lineup, with occasional changes in membership on double bass and rhythm guitar, entered the recording studio later that year. They recorded extensively until the outbreak of war in 1939 when the Quintette was on tour in England. Reinhardt returned to Paris while Grappelli remained in London for the duration of the war. After the war, they reunited in London and recorded with an English rhythm section. The days of the hot club sound were over, as both men had pursued independent musical paths. Reinhardt had moved to an electric sound influenced by bebop. His sons, Lousson and Babik, played in a style influenced by American jazz. The classic gypsy swing style (acoustic, strings, no drums) was conserved among gypsies in Belgium, France, Germany, and the Netherlands as a folk style in homage to Django Reinhardt. This style appeared again during the 1960s in the German band Schnuckenack Reinhardt and beginning in the 1970s in the music of Belgian group Waso and guitarist Fapy Lafertin, French musician Raphaël Faÿs, Dutch guitarist Stochelo Rosenberg, and Alsatian guitarist Biréli Lagrène. It can be seen in the Ferré (a.k.a. Ferret) family. Matelo Ferret and his brother Baro had played with Reinhardt. Matelo's sons Boulou and Elios Ferré were also musicians in the gypsy jazz tradition.
After years of playing cafe-style jazz with a pianist and conventional rhythm section, violinist Grappelli started playing in 1973 with the support of acoustic guitars and double bass at the instigation of Diz Dizley. Grappelli's popularity sparked an interest in gypsy jazz among musicians who were too young to have experienced the prewar Quintette of Django Reinhardt. Starting in the 1930s, the Quintette inspired imitators, such as the 1939 recordings by Svenska Hotkvintetten in Sweden. Today as in the past, the gypsy jazz style is passed on from one generation to the next in gypsy communities, children learning from their fathers and uncles at an early age, able to master the basics almost before they can hold a normal sized guitar in their hands.
The Quintette du Hot Club de France played acoustically without a drummer, facilitating the use of the acoustic guitar as a lead instrument. Guitar and violin are still the main solo instruments, although clarinet, saxophone, mandolin, and accordion are sometimes used. The rhythm guitar is played using a distinct percussive technique, "la pompe", which essentially replaces the drums. Most gypsy jazz guitarists, lead and rhythm, play a version of the Selmer-Maccaferri guitar design favored by Reinhardt himself. Ensembles aim for an acoustic sound even when playing amplified concerts, and informal jam sessions in small venues or meetings such as the annual Django Reinhardt festival at Samois-sur-Seine are very much part of the scene.
In Eastern European gypsy music (which may sometimes include a jazz element), the rhythm section is most likely covered by one or two cymbaloms, or (less frequently) a cymbalom and/or drums and an acoustic guitar (the cymbalom accompaniment technique is called in Romanian "?iitur?"). A double bass fills out the ensembles.
Rhythm guitar in gypsy jazz uses a special form of strumming known as "la pompe", i.e. "the pump". This form of percussive rhythm is similar to the "boom-chick" in bluegrass styles; it is what gives the music its fast swinging feeling, and it most often emphasizes beats two and four; a vital feature of swing. The strumming hand, which never touches the top of the guitar, must make a quick up-down strum followed by a down strum. The up-down part of la pompe must be done extremely fast, regardless of the tempo of the music. It is very similar to a grace note in classical music, albeit an entire chord is used. This pattern is usually played in unison by two or more guitarists in the rhythm section.
Another important aspect of this style of playing is based on the chord shapes Django was forced to use due to his injury. Standard barre chords are not as common in gypsy jazz. Standard major and minor chords are almost never played, and are instead replaced by major 7th chords, major 6th chords, and 6/9 chords. Gypsy reharmonisation is often aimed at giving a minor feel even where a song is in a major key, for instance the substitution of a minor 6th chord for a dominant seventh. Dominant seventh chords are also altered by lowering the 9th and 13th scale degree.
Lead playing in this style has been summarised as ornamented or decorated arpeggio. Decorations often introduce chromaticism--for instance, mordents and trills. Particularly characteristic is a figure where successive notes of an arpeggio are each preceded by an appoggiatura-like grace note one semitone below. Other decorations include tremolo and string bends on the guitar, staccato (or pizzicato on the violin), ghost notes, harmonics, octaves, double stops etc.
Arpeggios on the guitar are typically executed as patterns running diagonally from the lower frets on the lower strings to the upper frets on the upper strings. Such patterns tend to have no more than two stopped notes per string, relating to the fact that Django could only articulate two fingers on his fretting hand.
Chromatic runs are often executed very quickly over more than one octave. A particularly characteristic technique is the glissando, in which the guitar player slides a finger along a string, with a precisely timed tremolo picking out individual notes, in order to get a fast, virtuosic sound. Diminished runs, in which the shape of a diminished seventh chord is played in all inversions, one after the other, is another widespread gypsy jazz technique. Diminished 7th arpeggios are also used over dominant 7th chords. (Example: If an A7 is being played, a diminished run starting on C# would be played, creating an A7b9 sound over the dominant chord.) Guitarists often intersperse melodic playing with flamenco-esque percussive series of chords to create a varied solo.
The plectrum technique of gypsy jazz has been described as similar to economy picking. Notes on the same string are played alternately, but when moving from string to string, the traditional technique is to use a down stroke. For instance, on switching from the G to the B string, the plectrum will move in the same direction and come to rest on the E string. The down stroke is preferred because of volume and tone. While this technique of doubling down strokes varies among players, Stochelo Rosenberg's technique is a prime example.
Gypsy jazz has its own set of frequently played standards, which are fairly distinct from the standards tunes of mainstream jazz. However, contemporary ensembles may adapt almost any type of song to the style.
Gypsy swing standards include jazz hits of the '20s and '30s, such as "Limehouse Blues", and "Dinah"; Bal Musette numbers, often waltzes; original compositions by Django Reinhardt, such as "Nuages" and "Swing 42"; compositions by other notable gypsy swing players; and jazzed-up versions of gypsy songs, such as "Dark Eyes".
Much of the repertoire is in minor keys, and the dorian and harmonic minor modes are frequently heard, lending a distinctively dark and modal sound to the tunes which contrasts with the uptempo and spirited performance style. One popular example is Django's tune "Minor Swing", perhaps the most well-known gypsy jazz composition. Slower ballads and duets may feature rubato playing and exotic harmonies.
The first generations of gypsy jazz musicians learned the style by the 'gypsy method', involving intense practice, direct imitation of older musicians (often family members) and playing by ear, with little formal musical study (or, indeed, formal education of any kind). Since about the late 1970s, study materials of a more conventional kind such as workshops, books and videos have become available, allowing musicians worldwide to master the style. In recent years, software such as Power Tab Editor and Band-in-a-Box files have become available. Prominent gypsy-style guitarists who are not ethnically Roma include John Jorgenson, Andreas Öberg, Frank Vignola, George Cole. Touring gypsy jazz musicians often include workshops with performances. Players who have written study guides include Martin Norgarrd, Tim Kliphuis, Andreas Öberg, Ian Cruickshank, Robin Nolan, Denis Chang, Michael Horowitz, Daniel Givone and Patrick "Romane" Leguidcoq, Don Price [Jazz Gitan].
The largest audiences and highest number of musicians are still found in Europe as this is where the style originates.Tim Kliphuis, Stochelo Rosenberg, Biréli Lagrène, Paulus Schäfer, Joscho Stephan, Robin Nolan and Angelo Debarre are perhaps the most famous performers today. American bands and artists include Pearl Django, John Jorgenson Quintet, Frank Vignola, George Cole, The Gonzalo Bergara Quartet, and The Rhythm Future Quartet.
Stylistically, the genre's sonic qualities have progressed with the times. Modern gypsy jazz compositions have been found to include advanced production techniques, effects, and ever more variation in instrumentation. In addition, many groups such as Les Doigts de l'Homme have branched out to cover recent popular compositions in the gypsy jazz idiom. The harmonic content of modern gypsy jazz compositions reflects a more developed musical style, with more in-depth harmony and less traditional song form.
The Bellingen Jazz Festival is held annually in Bellingen, New South Wales, and has played host to Australian gypsy jazz performers including Ian Date (now resident in Ireland) along with his brother Nigel Date (as "The Date Brothers").
Since 1986, Perth, Western Australia has been the home to the English rock guitar legend Hank Marvin who has developed a keen interest in gypsy jazz, recording and performing regularly with his ensemble "Hank Marvin's Gypsy Jazz".
In Hobart, Tasmania there is a popular gypsy jam night in South Hobart's Cascade Hotel with local players and visiting performers.
Django Reinhardt was born in Liberchies, Belgium and is commemorated by a yearly Django à Liberchies Festival held there. Some modern players such as Philippe Catherine, whom Charlie Mingus nicknamed "young Django" and Fapy Lafertin also come from Belgium.
In Colombia, the most popular contemporary gypsy jazz band is Monsieur Periné.
Contemporary Manouche instrumentalists in the Django Reinhardt/Le Jazz Hot Tradition, as heard annually at the Festival Django Reinhardt at Samois-sur-Seine, France, include Django's grandson David Reinhardt,Dorado Schmitt, Tchavolo Schmitt, Jon Larsen, Angelo Debarre, Babik Reinhardt, Dario Pinelli, John Jorgenson, Samson Schmitt, Stephane Wrembel, Biréli Lagrène and Florin Niculescu. Former regulars also included the late Mondine Garcia and Didi Duprat. Jazz vocalist Cyrille Aimée has roots based in gypsy jazz.
Other French musicians with notable ties to gypsy jazz and European traditional jazz include Francois Salque and Vincent Peirani who have a cello and accordion duo and regularly perform specific arrangements of European traditional jazz.
German gypsy-jazz players include Joscho Stephan, Wawau Adler, and Lulu Weiss with Ensemble. The late Eberhard Tscheuschner was the founder of the Djangofestival in Burgthann. Similar events include the annual Django Memorial Festival in Augsburg (organised by Bernhard Gierstl), the Djangofestival in Burgthann/Nuremberg, the Sinti-Festivals in Hildesheim and Koblenz. Based in Aachen and Maastricht, Mah-e Manouche's style has an oriental influence.
Irish gypsy jazz artists include The Hot Club of Dublin (featuring Koshka's Oleg Ponomarev), Ian Date, Locoswing and The Tolka Hot Club performing regularly. In 2011 Ireland's first annual gypsy jazz festival, 'Cloughtoberfest', was held in Cloughjordan, County Tipperary, the festival continued as an annual event until 2015. There is also a Gyspy Jazz festival starting this October 28-30, 2016 in the town of Ramelton, Donegal. The Festival is called 'Django Sur Lennon', the town of Ramelton is situated on the river Lennon. Line up includes the great French gypsy jazz guitarist 'Romane' and The Dario Napoli Trio from Italy. The festival is organised by Donegal-based Manouche Jazz band 'La Pompe'
Violinist George Curmi l-Puse along with accordionist Yuri Charyguine, guitarists Joshua Bray and Steve Delia d-Delli, and bassist Anthony Saliba l-Fesu created the Hot Club Of Valletta in 2014. They have played a number of gigs in and around Valletta into 2015, sometimes referring to the music they play as jazz manouche.
Gypsy jazz came into prominence in Romania around 1980 by means of the pop-folk subgenre known as muzic? b?nean? (i.e. music in the Banat style), still practised to date. It has a different approach to l?utari (gypsy folk) music. In muzica b?nean?, some traditional instruments (kobza, cimbalom) are replaced by electric guitars and synthesizers, while others are kept (fiddle, accordion, alto saxophone, taragot), thus creating an eclectic type of sound (beside the unexpected timbre combinations, contrasting textures from these instruments are also featured.) The repertoire mixes together café concert, old-school jazz standards, folk and pop-folk music. The Western manouche style is reinterpreted mostly through the sârb? rhythm, actually very close to it, but syncopated differently in lead instruments. Throughout the years, muzica b?nean? has gradually become fond of the manea rhythm, which sounds more like the twist when played in the Banat style; however the swung sârb? was not abandoned.
Muzica b?nean? was politically censored throughout the 1980, so that only bootleg recordings survive of those years. According to the Romanian Ministry of Culture, the reason for banning it was its impure nature, threatening the national folk music. However, other l?utari music was widely recorded and performed in Communist Romania. After the Romanian Revolution of 1989, numerous musicians who were not previously permitted to record on the national record label Electrecord, saw their debuts released; but that eclectic characteristic of Romanian gypsy music changed into what is now called "manele" - a music that is not entirely from gypsy folk origin, nor is it jazz or another defined genre. There are many manele performers creating hybrid genres mixing different notes and rhythms.
Damian Draghici, born in Bucharest in 1970, is a player of the Romanian pan pipes (Nai). In 2006, Draghici formed the band "Damian & Brothers - Filarmonika Rromanes". On 20 March 2009, he was designated by the President of Romania as Romania's Ambassador for the Roma minority in the European Year of Equal Opportunities for all. On December 17, 2009, after 3 years and 600 concerts in Europe, Damian and Brothers held their last concert in Bucharest in front of an audience of 4000.
There is a yearly Django festival in Norway and Jon Larsen's Hot Club de Norvège is based there. Gypsy guitarists Andreas Öberg and Gustav Lundgren are based in Sweden. Gypsy guitar builder Ari-Jukka Luomaranta (AJL-Guitars) is based in Finland and runs his own group Hot club de Finlande, performing with soloists from Europe.
Gypsy jazz bands in South Africa include Hot Club d'Afrique, Manouche and Skabengas.
British gypsy jazz musicians include the late Diz Disley who played with Stephane Grappelli from 1973 onwards; prior to that date he had been a fan of Django Reinhardt for many years and had formed his own Soho String Quintet in homage to the famous Reinhardt-Grappelli original as far back as the late 1950s.
Ian Cruickshank was another fine player who had worked hard for many years to populize the genre including authoring several books and numerous columns in guitar magazines, teaching, and performing with his own group "Ian Cruickshank's Gypsy Jazz" up to his death in 2017. He was keenly interested in the history of gypsy jazz, organised a number of festivals, and was the guiding light behind John Jeremy's 1991 film documentary Django Legacy.
Le QuecumBar The Hot Club of London, in Battersea, is considered to be the UK's home of Gypsy swing. Established 13 years ago, it's become the venue of choice for visiting Sinti and Roma musicians, as well as non-Gypsy musicians playing this genre. Patrons of Le Q include Hank Marvin, Stochelo Rosenberg, John Jorgenson, Tcha Limberger, Dave Kelbie, Angelo Debarre and Stephane Wrembrel. Le QuecumBar also manages a record label Le Q Records that specialises in Gypsy swing/jazz. The record label currently has eight recordings which are distributed around the world. The ninth album is in production.
John Etheridge combines jazz-rock fusion with gypsy swing and joined Stéphane Grappelli's touring group for several years. Martin Taylor also toured the world with Grappelli for eleven years and has also subsequently performed with his own ensemble "Spirit of Django" which has released several recordings of self-composed music.
Englishman Robin Nolan was born in an evacuation hospital in Vietnam in 1968 and spent his formative years in Hong Kong; after living in England for some years he currently resides in Amsterdam from where he plays and teaches Gypsy Swing music. He has been cited as being George Harrison's favourite guitarist.
"The Gypsy Jazz Guitar Festival" was held from 1997 to 2000 and a series of festivals called L'Esprit Manouche was held in Moseley, Birmingham from 2003 to 2005.
Since 2011 the English Guitarist Chris Quinn together with Rhythm & Roots Records has promoted one off concerts and in some cases full UK tours for many notable gypsy jazz musicians like Robin Nolan, Paulus Schäfer, Fapy Lafertin, Lollo Meier, Mozes Rosenberg, Dave Kelbie, Tim Kliphuis, John Etheridge, Tcha Limberger, Gary Potter and Christian Garrick. Concerts organised by Rhythm & Roots have included major theatres and venues like London's Royal Albert Hall, Soho's Pizza Express Jazz Club, Shrewsbury's Theatre Severn and the Apex in Bury St Edmunds. Rhythm & Roots are planning their first gypsy jazz album release in late 2018 for Dutch guitarist Paulus Schäfer.
Django in June is a weeklong gypsy jazz music camp ("Django Camp"), with weekend clinics and concerts. Inaugurated in 2004, the event is held on the campus of Smith College in Northampton, Massachusetts. Berklee College of Music in Boston, Massachusetts offers a gypsy jazz ensemble instructed by Jason Anick, the leader of the Rhythm Future Quartet. The Rhythm Future Quartet is currently considered New England's most prominent gypsy jazz ensemble.
DjangoFest NW is held each September at Whidbey Island Center for the Arts in Langley, Washington, which typically features such performers as John Jorgenson, The Rosenberg Trio, Dan Hicks, and Pearl Django. In conjunction with the first DjangoFest event, Jazz Gitan guitarist Don Price started the first American Gypsy Jazz Guitar Group and web site to facilitate the popularity and spread of this style in the United States.
In Minnesota, guitarist and composer Reynold Philipsek performs gypsy jazz music as a solo artist, and with Minnesota gypsy jazz acts East Side, The Twin Cities Hot Club, and Sidewalk Café. Also in the Twin Cities area, the singer Connie Evingson has recorded three manouche albums: "Gypsy in My Soul" (2004) with Pearl Django, the Clearwater Hot Club, and Parisota Hot Club, "Stockholm Sweetnin'" (2006) with The Hot Club of Sweden, and "All the Cats Join In" (2014) with the John Jorgenson Quintet. George Cole and his group Vive Le Jazz have been touring nationally, most recently playing at Carnegie Hall in 2008. His original gypsy jazz inspired music was chosen for a Grammy's showcase. He plays an original Selmer 520 that Django Reinhardt used on tour in France in the 1940s.
... Entertainer of the Week is Tatiana Eva-Marie ... included in Vanity Fair's list of rising jazz stars ... lead singer of the Gypsy-French Avalon Jazz Band.... influences of Gypsy and Eastern European folklore ... with violinist Adrien Chevalier ... we opened for Norah Jones ...
... plus any of the numerous recording in the genre by Django Reinhardt, the Quintette du Hot Club de France, along with those of Django's contemporaries and numerous subsequent gypsy jazz practitioners.