|Neck joint||Set neck|
|Scale||24.75 in (629 mm)|
with maple center block
|Bridge||Tune-O-Matic with stopbar|
|Various, often sunburst-type finishes
Black, Wine Red, Cherry Red, Natural
The Gibson ES-335 is the world's first commercial thinline archtop semi-acoustic electric guitar (also known as "semi-hollowbody" or "thinline"). Released by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958, it is neither fully hollow nor fully solid; instead, a solid maple wood block runs through the center of its body. The side "wings" formed by the two "cutaways" into its upper bouts are hollow, and the top has two violin-style f-holes over the hollow chambers.
Before 1952, Gibson produced only hollow-body guitars, which are prone to feedback when amplified loudly. That year saw the introduction of their first solid-body, the Gibson Les Paul, a significantly different instrument from Les Paul's early electric guitar experiment, "The Log," which consisted of a center block with detachable chambers on both sides, a neck, hardware, and a pickup attached. By 1958 Gibson was making a few solid-body models which had much lower feedback and better sustain but lacked the darker, warmer tone and unamplified volume of hollow bodies. The ES-335 was an attempt to find a middle ground: a warmer tone than a solid body produced with almost as little feedback. Though semi-hollow-bodies like the ES-335 are essentially a compromise of earlier designs, they are for this reason extremely flexible, as evidenced by the ES-335's popularity in a wide range of music, including blues, jazz, and rock. With a basic price of $267.50, it quickly became a best-seller, and has been in continuous production since 1958.
The first major update came in mid 1962, with the most visible change being the neck markers: early models had dots (hence "dot neck"), later models had blocks.
Some models (ES 347,ES 369) feature a coil split switch, which allows the humbuckers to produce a "single-coil" sound. The ES-335 Pro, ES-335TD CRS and CRR models were equipped with Gibson "Dirty Fingers" humbuckers, which had a significantly higher output than the standard pickups. [Note: The Dirty Fingers humbucking pickup first appeared in 1972 when Gibson was looking to create a higher gain pickup. What they did was replace the typical single Alnico magnet with two ceramic magnets (more powerful/higher gauss strength). There was one magnet where you would typically find a magnet in a Gibson humbucker, and then another magnet was added underneath the bottom plate, such that two magnets were stacked one on top of the other. Because the poles were aligned (South to South and North to North) the two magnets would naturally repel each other, so, to counteract this, Gibson potted and sealed/glued these DF pickups in a black tar like substance (impossible to remove without destroying the pickup) to keep the magnets in place, but also making the pickups impossible to rewind should a bobbin fail/go bad.
These pickups are tied to a bad experience that involved Jeff Beck. While on tour in the States in the early 1970s, Beck dropped his favorite Les Paul off at a guitar repair shop for a minor tuneup. His guitar at the time had the now famous original PAF (Patent Applied For) humbuckers in it. For whatever reason, the repairman took it upon himself to 'upgrade' the guitar with new DF pickups without telling him. When Beck got to the next show on the tour, he discovered that his guitar sounded "horrible" and nothing like how it used to sound. It was a few days after this discovery before Beck could get in touch with the repairman; however when he did, he discovered what had happened and then demanded that his original pickups be returned. Unfortunately, the repairman had sold them and could not locate the buyer.
The company has produced a number of signature guitars as well, such as Trini Lopez-inspired model (1964-1970) with narrow diamond-shaped soundholes replacing the f-holes, a Firebird-style headstock with all the tuners on one side, and slashed-diamond inlays. In September 2007, Gibson introduced the DG-335, designed in collaboration with Dave Grohl, a variation on the Trini Lopez Gibson; the Grohl model has a stopbar tailpiece and Gibson's new Burstbucker humbuckers. Other signature models have included the heavily customized Alvin Lee "Big Red" 335. A reissue of the 1963 model was a 2014 "Editor's pick" in Guitar Player magazine, at $4000
The ES-345 was first produced in 1958 as an upscale version of the ES-335. Although the design is very similar to the 335, the 345 featured a multi-position "Varitone" switch located just above the lead tone and volume controls, which added various combinations of inductors and capacitors to the electronic pickup circuit of the guitar in order to alter its resonant frequency and add "color" to the sound. The ES-345 also featured an optional stereophonic output jack, gold plated hardware, large split parallelogram fingerboard inlays (similar to ES 175), and a thicker three-ply edge binding than that of the ES-335.
Notable users include B.B. King, Freddie King, Bill Nelson, Jorma Kaukonen, Fred Frith, Porl Thompson of The Cure, Steve Howe, Elvin Bishop and the character of Marty McFly in the 1985 comedy film Back To The Future.  British guitar player John McLaughlin used a walnut ES-345 with a scalloped fretboard.
The ES-345 was discontinued in 1981, one year after the Gibson Lucille, based on the ES-355 (see below), was launched. As of 2012, the ES-345 is available as a limited edition from Gibson's discount line, Epiphone Guitars, as well as the ES-355. The differences between two models are:
The ES-355TD (Thinline semi-hollow, Double pickups) was at the top of Gibson's range of thinline semi-hollowbody electric guitars. It was manufactured from 1958 to 1982, fitted with the Varitone Stereo option (SV), as the ES-355TD-SV released in 1959.
The headstock has a split-diamond inlay rather than the smaller crown inlay on the 335/345, in addition to a multiple-layered binding. The fingerboard inlays are inlaid mother-of-pearl blocks, beginning at the first position of the fretboard. In addition to the headstock, binding is also applied to the fretboard and both the front and the back edges of the body. Rather than the rosewood fretboard on a 335 or 345, both variations of the 355 have an ebony fingerboard for a 'smoother' sound. Reissues use a richlite fingerboard. Early models of Epiphone's limited edition budget version had an ebony fingerboard but the later issues had a rosewood board.
The ES-355 was available with a Vibrola vibrato unit or a Bigsby vibrato tailpiece. It was also available with a stereo output and Varitone tone filter circuitry. When fitted with the optional stereo wiring and Varitone, the model was known as the ES-355TD-SV.
The best-known user of this guitar is probably B.B. King, whose trademark guitar, Lucille, was the basis for a 1981 signature model. It has the optional stereo wiring and Varitone circuitry as standard. It differs from the ES-355 by having a maple neck instead of mahogany, the name "Lucille" on the headstock, and the lack of an F-hole on its top.
The EB-2 was first produced in 1958 as the bass version of the ES-335. Having the same body as the ES-335, it held a 30.5" scale neck and hardware borrowed directly from the Gibson EB-0. In 1959, a "baritone-switch" was added to filter the output from the neck humbucker and give it more of a guitar-like sound. The EB-2 was discontinued at the end of 1961, being replaced by the EB-3. Due to a boom in the use of the EB-2 and its sibling, the Epiphone Rivoli, in the Merseybeat in England in the early sixties, production restarted in 1964, with a 2-pickup version called the EB-2D being added to the line in 1966. In 1972 the EB-2 line was discontinued.
The CS-336 is a smaller version of the ES-335. The back and sides of this guitar are constructed from a single piece of carved mahogany, and its reduced size is closer to that of the Les Paul. Also available, the CS-356 has gold plated hardware and multiple binding on the body, neck and headstock. In 2007, Gibson introduced the ES-339 with the size of the CS-336 and the laminate construction of the ES-335.
Other models based on the 335 include the ES-333, the ES-340 (the toggle switch has settings of the pickups in-phase, pickups out-of-phase and standby), the ES-347 (includes a coil tap, block markers on an ebony fretboard, fine tuning tailpiece and, on earlier models, a brass nut, and a greater sustain block), the ES-339, essentially a 335 with the body reduced to Les Paul size; and the Gibson Les Paul signature bass.
Although the ES-330 resembles the 335, it is actually fully hollow (as opposed to semi-hollow) and features two P-90 pickups (as opposed to 2 humbucking pickups), and it was designed as the successor to the Gibson ES-225.
Gibson also markets a much less expensive version of the ES-335 under its Epiphone brand, called the Dot (referring to its dot-style inlay). Other Epiphone semi-hollowbody style models include the Sheraton (a fancier version of the co-developed ES-335, released the same week, it can make equal claim as the first semi-hollowbody), the Riviera, and the Dot Studio, though some of those are modeled after other guitars in the ES series.
From 1958 to 1970, Epiphone guitars were produced in Gibson's Kalamazoo, MI factory, and shared the similar design, materials and electronics as their Gibson counterparts. The Riviera, Sheraton, Rivoli and Newport models shared similarities with the Gibson ES-335, EB-2 and EB-0 models, respectively. In 1970, Epiphone production ceased in the Kalamazoo plants and Epiphones were made at the Matsumoku factory in Japan. Later Epiphones were constructed under contract with Samick in Korea. These early Epiphones are generally thought to be of good quality. Since 2002, however, almost all Epiphones have been made in the 'Gibson' QingDao plant in China.
As of 2012, Epiphone also produces the ES-335 PRO, ES-339 PRO, ES-345 Stereo, ES-355, and the Lucille. The ES-335 Pro and ES-339 both feature coil-tapped humbuckers, activated by pull-push volume knobs; the ES-355, gold hardware and a Bigsby tremolo, while the ES-345 Stereo has a Bigsby and VariTone control. The Lucille meanwhile, also features a VariTone control and, in keeping with BB King's Gibson signature model, no f-holes and a fine tuning stop bar tailpiece.
The "log" is the solid pine block that Les used to create the center block of the body, with "wings" of an Epiphone body added to complete the shape.
The Log (2003) Replica of Les Paul's Log, 4 x 4-inch centerpiece o Solid 4 x 4-inch center block, detachable wings from full-depth archtop, ...