General American English or General American (abbreviated GA or GenAm) is the umbrella accent of American English spoken by a majority of Americans and widely perceived, among Americans, as lacking any distinctly regional, ethnic, or socioeconomic characteristics. In reality, it encompasses a continuum of accents rather than a single unified accent. Americans with high education, or from the North Midland, Western New England, and Western regions of the country, are the most likely to be perceived as having "General American" accents. The precise definition and usefulness of the term "General American" continue to be debated, and the scholars who use it today admittedly do so as a convenient basis for comparison rather than for exactness. Other scholars prefer the term Standard American English.
Standard Canadian English accents are sometimes considered to fall under General American, especially in opposition to the United Kingdom's Received Pronunciation; in fact, typical Canadian English accents align with General American in nearly every situation where British and American accents differ.
The term "General American" was first disseminated by American English scholar George Philip Krapp, who, in 1925, described it as an American type of speech that was "Western" but "not local in character". In 1930, American linguist John Samuel Kenyon, who largely popularized the term, considered it equivalent to the speech of "the North" or "Northern American", but, in 1934, "Western and Midwestern". Now typically regarded as falling under the General American umbrella are the regional accents of the West,Western New England, and the North Midland (a band spanning central Ohio, central Indiana, central Illinois, northern Missouri, southern Iowa, and southeastern Nebraska), plus the accents of highly educated Americans nationwide. Arguably, all Canadian English accents west of Quebec are also General American, though Canadian vowel raising and certain newly developing features may serve to increasingly distinguish such accents from American ones. Similarly, William Labov et al.'s 2006 Atlas of North American English identified these three accent regions--the Western U.S., Midland U.S., and Canada--as sharing those pronunciation features whose convergence would form a hypothetical "General American" accent.
Regarded as having General American accents in the earlier 20th century, but not by the middle of the 20th century, are the Mid-Atlantic United States, the Inland Northern United States, and Western Pennsylvania. However, many younger speakers within these regions have reversed away from mid-20th century accent innovations back towards General American features. Accents that have never been labeled "General American", even since the term's popularization in the 1930s, are the regional accents (especially the r-dropping ones) of Eastern New England, New York City, and the American South. In 1982, British phonetician John C. Wells wrote that two-thirds of the American population spoke with a General American accent.
English-language scholar William A. Kretzchmar, Jr. explains in a 2004 article that the term "General American" came to refer to "a presumed most common or 'default' form of American English, especially to be distinguished from marked regional speech of New England or the South" and especially to speech associated with the vaguely-defined "Midwest", despite any historical or present evidence supporting this notion. Kretzschmar argues that a General American accent is simply the result of American speakers suppressing regional and social features that have become widely noticed and stigmatized.
Since calling one variety of American speech the "general" variety can imply privileging and prejudice, Kretzchmar instead promotes the term Standard American English, which he defines as a level of American English pronunciation "employed by educated speakers in formal settings", while still being variable within the U.S. from place to place, and even from speaker to speaker. However, the term "standard" may also be interpreted as problematically implying a superior or "best" form of speech. The term Standard North American English, in an effort to incorporate Canadian speakers under the accent continuum, was also suggested by Boberg (2004).
Modern language scholars discredit the original notion of General American as a single unified accent, or a standardized form of English--except perhaps as used by television networks and other mass media. Today, the term is understood to refer to a continuum of American speech, with some slight internal variation, but otherwise characterized by the absence of "marked" pronunciation features: those perceived by Americans as strongly indicative of a fellow American speaker's regional origin, ethnicity, or socioeconomic status. Despite confusion arising from the evolving definition and vagueness of the term "General American" and its consequent rejection by some linguists, the term persists mainly as a reference point to compare a baseline "typical" American English accent with other Englishes around the world (for instance, see: Comparison of General American and Received Pronunciation).
Though General American accents are not commonly perceived as associated with any region, their sound system does have traceable regional origins: specifically, the English of the non-coastal Northeastern United States in the very early twentieth century. This includes western New England and the area to its immediate west, settled by members of the same dialect community: interior Pennsylvania, Upstate New York, and the adjacent "Midwest" or Great Lakes region. However, since the early to middle twentieth century, deviance away from General American sounds started occurring, and may be ongoing, in the eastern Great Lakes region due to its Northern Cities Vowel Shift (NCVS) towards a unique Inland Northern accent (often now associated with the region's urban centers, like Chicago and Detroit) and in the western Great Lakes region towards a unique North Central accent (often associated with Minnesota, Wisconsin, and North Dakota).
Linguists have proposed multiple factors contributing to the popularity of a rhotic "General American" class of accents throughout the United States. Most factors focus on the first half of the twentieth century, though a basic General American pronunciation system may have existed even before the twentieth century, since most American English dialects have diverged very little from each other anyway, when compared to dialects of single languages in other countries where there has been more time for language change (such as the English dialects of England or German dialects of Germany).
One factor fueling General American's popularity was the major demographic change of twentieth-century American society: increased suburbanization, leading to less mingling of different social classes and less density and diversity of linguistic interactions. As a result, wealthier and higher-educated Americans' communications became more restricted to their own demographic. This, alongside their new marketplace that transcended regional boundaries (arising from the century's faster transportation methods), reinforced a widespread belief that highly educated Americans should not possess a regional accent. A General American sound, then, originated from both suburbanization and suppression of regional accent by highly educated Americans in formal settings. A second factor was a rise in immigration to the Great Lakes area (one native region of supposed "General American" speech) following the region's rapid industrialization period after the American Civil War, when this region's speakers went on to form a successful and highly mobile business elite, who traveled around the country in the mid-twentieth century, spreading the high status of their accents. A third factor is that various sociological (often race- and class-based) forces repelled socially-conscious Americans away from accents negatively associated with certain minority groups, such as African Americans and poor white communities in the South and with Southern and Eastern European immigrant groups (for example, Jewish communities) in the coastal Northeast. Instead, socially-conscious Americans settled upon accents more prestigiously associated with White Anglo-Saxon Protestant communities in the remainder of the country: namely, the West, the Midwest, and the non-coastal Northeast.
Kenyon, author of American Pronunciation (1924) and pronunciation editor for the second edition of Webster's New International Dictionary (1934), was influential in codifying General American pronunciation standards in writing. He used as a basis his native Midwestern (specifically, northern Ohio) pronunciation. Kenyon's home state of Ohio, however, far from being an area of "non-regional" accents, has emerged now as a crossroads for at least four distinct regional accents, according to late twentieth-century research. Furthermore, Kenyon himself was vocally opposed to the notion of any superior variety of American speech.
General American, like the British Received Pronunciation (RP) and prestige accents of many other societies, has never been the accent of the entire nation, and, unlike RP, does not constitute a homogeneous national standard. Starting in the 1930s, nationwide radio networks adopted non-coastal Northern U.S. rhotic pronunciations for their "General American" standard. The entertainment industry similarly shifted from a non-rhotic standard to a rhotic one in the late 1940s, after the triumph of the Second World War, with the patriotic incentive for a more wide-ranging and unpretentious "heartland variety" in television and radio.
General American is thus sometimes associated with the speech of North American radio and television announcers, promoted as prestigious in their industry,[time needed] where it is sometimes called "Broadcast English" "Network English", or "Network Standard". Instructional classes in the United States that promise "accent reduction", "accent modification", or "accent neutralization" usually attempt to teach General American patterns. A common experience among many American celebrities is having worked hard to lose their native regional accents in favor of a more mainstream General American sound, including television journalist Linda Ellerbee, who stated that "in television you are not supposed to sound like you're from anywhere", as well as political comedian Stephen Colbert, who said he consciously avoided developing a Southern American accent in response to media portrayals of Southerners as stupid and uneducated.
Typical General American accent features (for example, in contrast to British English) include features that concern consonants, such as rhoticity (full pronunciation of all /r/ sounds), T-glottalization (with satin pronounced ['sæ?n?], not ['sætn?]), T- and D-flapping (with metal and medal pronounced the same, as ['m?]), L-velarization (with filling pronounced ['f?], not ['f?l]), as well as features that concern vowel sounds, such as various vowel mergers before /r/ (so that, Mary, marry, and merry are all commonly pronounced the same), yod-dropping after alveolar consonants (with new pronounced /nu/, not /nju/), raising of pre-voiceless /a?/ (with price and bright using a higher vowel sound than prize and bride), raising and gliding of pre-nasal /æ/ (with man having a higher and tenser vowel sound than map), the weak vowel merger (with affected and effected often pronounced the same), and at least one of the LOT vowel mergers (the LOT-PALM merger is completed among virtually all Americans and the LOT-THOUGHT merger among nearly half). All of these phenomena are explained in further detail under American English's phonology section. The following provides all the General American consonant and vowel sounds.
The 2006 Atlas of North American English surmises that "if one were to recognize a type of North American English to be called 'General American'" according to data measurements of vowel pronunciations, "it would be the configuration formed by these three" dialect regions: Canada, the American West, and the American Midland. The following charts (as well as the one above) present the vowels that these three dialects encompass as a perceived General American sound system.
|/æ/||(listen)||bath, trap, yak|
|[e?~~æ]||ban, tram, sand (/æ/ raising)|
|/?:/||/?/||[?~] (listen)||ah, father, spa|
|/?/||bother, lot, wasp (father–bother merger)|
|/?/||[?~] (listen)||boss, cloth, dog, off (lot–cloth split)|
|/?:/||all, bought, flaunt (cot–caught variability)|
|/o?/||/o/||[o?~~~o?] (listen)||goat, home, toe|
|/?/||||dress, met, bread|
|/e?/||[e~e?] (listen)||lake, paid, feint|
|/?/||~ ~||about, syrup, arena|
|/?/||||kit, pink, tip|
|/i:/||/i/||[i~?i] (listen)||beam, chic, fleece|
|happy, money, parties (happY tensing)|
|/?/||[?~] (listen)||bus, flood, what|
|/?/||(listen)||book, put, should|
|/u:/||/u/||[u?~?u~?u~?u] (listen)[full ]||goose, new, true|
|English diaphoneme||General American realization||Example words|
|/a?/||[ä?] (listen)||bride, prize, tie|
|[ä?~~]||bright, price, tyke|
|/a?/||[a?~æ?] (listen)||now, ouch, scout|
|//||[~o?] (listen)||boy, choice, moist|
|English diaphoneme||General American realization||Example words|
|/?:r/|| (listen)||barn, car, park|
|/r/|| (listen)||bare, bear, there|
|/?:r/||[?] (listen)||burn, first, murder|
|/r/||[i~] (listen)||fear, peer, tier|
|/?:r/||[~o?] (listen)||horse, storm, war|
|hoarse, store, wore|
|/r/||[~o?~] (listen)||moor, poor, tour|
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