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The fleur-de-lis or fleur-de-lys (plural: fleurs-de-lis, or fleurs-de-lys)[pron 1], is a stylized lily (in French, fleur means "flower", and lis means "lily") that is used as a decorative design or motif, and many of the Catholic saints of France, particularly St. Joseph, are depicted with a lily. Since France is a historically Catholic nation, the fleur-de-lis became "at one and the same time, religious, political, dynastic, artistic, emblematic, and symbolic", especially in French heraldry.
It remains unclear where the fleur-de-lis originated, though it has retained an association with French nobility. It is widely used in French city emblems as in the coat of arms of the city of Lille, Saint-Denis, Brest, Clermont-Ferrand, Boulogne-Billancourt and Calais. Some cities that had been particularly faithful to the French Crown were awarded[by whom?] a heraldic augmentation of two or three fleurs-de-lis on the chief of their coat of arms; such cities include Paris, Lyon, Toulouse, Bordeaux, Reims, Le Havre, Angers, Le Mans, Aix-en-Provence, Tours, Limoges, Amiens, Orléans, Rouen, Argenteuil, Poitiers, Chartres and Laon among others. The fleur-de-lis was the symbol of Île-de-France, the core of the French kingdom. It has appeared on the coat-of-arms of other historical provinces of France including Burgundy, Anjou, Picardy, Berry, Orléanais, Bourbonnais, Maine, Touraine, Artois, Dauphiné, Saintonge and the County of La Marche. Many of the current French departments use the symbol on their coats-of-arms to express this heritage.
In Italy, the fleur de lis, called giglio, is mainly known from the crest of the city of Florence. In the Florentine fleurs-de-lis,[f] the stamens are always posed between the petals. Originally argent (silver or white) on gules (red) background, the emblem became the standard of the imperial party in Florence (parte ghibellina), causing the town government, which maintained a staunch Guelph stance, being strongly opposed to the imperial pretensions on city states, to reverse the color pattern to the final gules lily on argent background. This heraldic charge is often known as the Florentine lily to distinguish it from the conventional (stamen-not-shown) design. As an emblem of the city, it is therefore found in icons of Zenobius, its first bishop, and associated with Florence's patron Saint John the Baptist in the Florentine fiorino. Several towns subjugated by Florence or founded within the territory of the Florentine Republic adopted a variation of the Florentine lily in their crests, often without the stamens.
The heraldic fleur-de-lis is still widespread: among the numerous cities which use it as a symbol are some whose names echo the word 'lily', for example, Liljendal, Finland, and Lelystad, Netherlands. This is called canting arms in heraldic terminology. Other European examples of municipal coats-of-arms bearing the fleur-de-lis include Lincoln in England, Morcín in Spain, Wiesbaden in Germany, Skierniewice in Poland and Jurbarkas in Lithuania. The Swiss municipality of Schlieren and the Estonian municipality of Jõelähtme also have a fleur-de-lis on their coats.
In Malta, the town of Santa Venera has three red fleurs-de-lis on its flag and coat of arms. These are derived from an arch which was part of the Wignacourt Aqueduct that had three sculpted fleurs-de-lis on top, as they were the heraldic symbols of Alof de Wignacourt, the Grand Master who financed its building. Another suburb which developed around the area became known as Fleur-de-Lys, and it also features a red fleur-de-lis on its flag and coat of arms.
In the United Kingdom, a fleur-de-lis has appeared in the official arms of the Norroy King of Arms for hundreds of years. A silver fleur-de-lis on a blue background is the arms of the Barons Digby.
In English and Canadian heraldry the fleur-de-lis is the cadence mark of a sixth son.
In Mauritius, slaves were branded with a fleur-de-lis, when being punished for escaping or stealing food.
Fleurs-de-lis appear on military insignia and the logos of many organizations. During the 20th century the symbol was adopted by various Scouting organizations worldwide for their badges. Architects and designers use it alone and as a repeated motif in a wide range of contexts, from ironwork to bookbinding, especially where a French context is implied.
The symbol is also often used on a compass rose to mark the north direction, a tradition started by Pedro Reinel.
The dark code was an arrangement of controls received in Louisiana in 1724 from other French settlements around the globe, intended to represent the state's slave populace. Those guidelines included marking slaves with the fleur-de-lis as discipline for fleeing.
The fleur de lis is widely thought to be a stylized version of the species Iris pseudacorus, or Iris florentina.
However, the lily (genus lilium, family Liliaceae) and the iris (family Iridaceae) are two different plants, phylogenetically and taxonomically unrelated. Lily (in Italian: giglio) is the name usually associated with the stylized flower in the Florentine heraldic devices.
Decorative ornaments that resemble the fleur-de-lis have appeared in artwork from the earliest human civilizations. According to Pierre-Augustin Boissier de Sauvages, an 18th-century French naturalist and lexicographer:
The old fleurs-de-lis, especially the ones found in our first kings' sceptres, have a lot less in common with ordinary lilies than the flowers called flambas [in Occitan], or irises, from which the name of our own fleur-de-lis may derive. What gives some colour of truth to this hypothesis that we already put forth, is the fact that the French or Franks, before entering Gaul itself, lived for a long time around the river named Leie in the Flanders. Nowadays, this river is still bordered with an exceptional number of irises --as many plants grow for centuries in the same places--: these irises have yellow flowers, which is not a typical feature of lilies but fleurs-de-lis. It was thus understandable that our kings, having to choose a symbolic image for what later became a coat of arms, set their minds on the iris, a flower that was common around their homes, and is also as beautiful as it was remarkable. They called it, in short, the fleur-de-lis, instead of the flower of the river of lis. This flower, or iris, looks like our fleur-de-lis not just because of its yellow colour but also because of its shape: of the six petals, or leaves, that it has, three of them are alternatively straight and meet at their tops. The other three on the opposite, bend down so that the middle one seems to make one with the stalk and only the two ones facing out from left and right can clearly be seen, which is again similar with our fleurs-de-lis, that is to say exclusively the one from the river Luts whose white petals bend down too when the flower blooms.
The heraldist François Velde is of the same opinion.
However, a hypothesis ventured in the 17th c. sounds very plausible to me. One species of wild iris, the Iris pseudacorus, yellow flag in English, is yellow and grows in marshes (cf. the azure field, for water). Its name in German is Lieschblume (also gelbe Schwertlilie), but Liesch was also spelled Lies and Leys in the Middle Ages. It is easy to imagine that, in Northern France, the Lieschblume would have been called "fleur-de-lis." This would explain the name and the formal origin of the design, as a stylized yellow flag. There is a fanciful legend about Clovis which links the yellow flag explicitly with the French coat of arms.
Sauvages' hypothesis seems to be supported by the archaic English spelling fleur-de-luce and by the Luts's variant name Lits.
It has consistently been used as a royal emblem, though different cultures have interpreted its meaning in varying ways. Gaulish coins show the first Western designs which look similar to modern fleurs-de-lis. In the East it was found on the gold helmet of a Scythian king uncovered at the Ak-Burun kurgan and conserved in Saint Petersburg's Hermitage Museum.
There is also a statue of Kanishka the Great, the emperor of the Kushan dynasty in 127-151 AD, in the Mathura Museum in India, with four modern Fleurs-de-lis symbols in a square emblem repeated twice on the bottom end of his smaller sword.
Another (debated) hypothesis is that the symbol derives from the Frankish Angon.
The angon, or sting, was a typical Frankish throwing spear.
A possibly derived symbol of Frankish royalty was the bee, of similar shape, as found in the burial of Childric I, whose royal see of power over the Salian Franks was based over the valley of the Lys.
Another heraldic tradition, going back to at least the 17th century, identifies the emblem of the Childric as a frog or toad (crapaud) rather than a bee. Antoine Court de Gébelin writing in 1781 identified the toad as the emblem of the Ripuarian Franks, representing their origin from the marshlands.
The golden bees/flies discovered in the tomb of Childeric in 1653
The graphic evolution of crita to fleur-de-lis was accompanied by textual allegory. By the late 13th century, an allegorical poem by Guillaume de Nangis (d. 1300), written at the abbey of Joyenval at Chambourcy, relates how the golden lilies on an azure ground were miraculously substituted for the crescents on Clovis' shield, a projection into the past of contemporary images of heraldry. Through this propagandist connection to Clovis, the fleur-de-lis has been taken in retrospect to symbolize all the Christian Frankish kings, most notably Charlemagne.
The fleur-de-lis' symbolic origins with French monarchs may stem from the baptismal lily used in the crowning of King Clovis I. The French monarchy possibly adopted the Fleur-de-lis for its royal coat of arms as a symbol of purity to commemorate the conversion of Clovis I, and a reminder of the Fleur-de-lis ampulla that held the oil used to anoint the king. So, the fleur-de-lis stood as a symbol of the king's divinely approved right to rule. The thus "anointed" Kings of France later maintained that their authority was directly from God. A legend enhances the mystique of royalty by informing us that a vial of oil--the Holy Ampulla--descended from Heaven to anoint and sanctify Clovis as King, descending directly on Clovis or perhaps brought by a dove to Saint Remigius. One version explains that an angel descended with the Fleur-de-lis ampulla to anoint the king. Another story tells of Clovis putting a flower in his helmet just before his victory at the Battle of Vouillé. Through this connection to Clovis, the fleur-de-lis has been taken to symbolize all the Christian Frankish kings, most famously Charlemagne.
In the 14th-century French writers asserted that the monarchy of France, which developed from the Kingdom of the West Franks, could trace its heritage back to the divine gift of royal arms received by Clovis. This story has remained popular, even though modern scholarship has established that the fleur-de-lis was a religious symbol before it was a true heraldic symbol. Along with true lilies, it was associated with the Virgin Mary, and in the 12th century Louis VI and Louis VII started to use the emblem, on sceptres for example, so connecting their rulership with this symbol of saintliness and divine right. Louis VII ordered the use of fleur-de-lis clothing in his son Philip's coronation in 1179, while the first visual evidence of clearly heraldic use dates from 1211: a seal showing the future Louis VIII and his shield strewn with the "flowers". Until the late 14th century the French royal coat of arms was Azure semé-de-lis Or (a blue shield "sown" (semé) with a scattering of small golden fleurs-de-lis), but Charles V of France changed the design from an all-over scattering to a group of three in about 1376.[a][b] These two coats are known in heraldic terminology as France Ancient and France Modern respectively.
Fleur-de-lis on an old concrete wall
In the reign of King Louis IX (St. Louis) the three petals of the flower were said to represent faith, wisdom and chivalry, and to be a sign of divine favour bestowed on France. During the next century, the 14th, the tradition of Trinity symbolism was established in France, and then spread elsewhere.
King Charles VII ennobled Joan of Arc's family on 29 December 1429 with an inheritable symbolic denomination. The Chamber of Accounts in France registered the family's designation to nobility on 20 January 1430. The grant permitted the family to change their surname to du Lys.
France Modern remained the French royal standard, and with a white background was the French national flag until the French Revolution, when it was replaced by the tricolor of modern-day France. The fleur-de-lis was restored to the French flag in 1814, but replaced once again after the revolution against Charles X of France in 1830.[d] In a very strange turn of events after the end of the Second French Empire, where a flag apparently influenced the course of history, Henri, comte de Chambord, was offered the throne as King of France, but he agreed only if France gave up the tricolor and brought back the white flag with fleurs-de-lis. His condition was rejected and France became a republic.
Other European monarchs and rulers
Bosnian king Tvrtko I's gold coin (14th century) reverse - with the Bosnian state fleur-de-lis coat of arms. (GLORIA TIBI DEUS SPES NOSTRA)
Fleurs-de-lis feature prominently in the Crown Jewels of England and Scotland. In English heraldry, they are used in many different ways, and can be the cadency mark of the sixth son. Additionally, it features in a large amount of royal arms of the House of Plantagenet, from the 13th century onwards to the early Tudors (Elizabeth of York and the de la Pole family.)
Other countries using the emblem heraldically include Serbia and Spain in recognition of rulers from the House of Bourbon. Coins minted in 14th-century Romania, from the region that was the Principality of Moldova at the time, ruled by Petru I Mu?at, carry the fleur-de-lis symbol.
As a dynastic emblem it has also been very widely used: not only by noble families but also, for example, by the Fuggers, a medieval banking family.
Three fleurs-de-lis appeared in the personal coat of arms of Grandmaster Alof de Wignacourt who ruled the Malta between 1601 and 1622. His nephew Adrien de Wignacourt, who was Grandmaster himself from 1690 to 1697, also had a similar coat of arms with three fleurs-de-lis.
Fleurs-de-lis crossed the Atlantic along with Europeans going to the New World, especially with French settlers. Their presence on North American flags and coats of arms usually recalls the involvement of French settlers in the history of the town or region concerned, and in some cases the persisting presence there of a population descended from such settlers.
In Saskatchewan the Western Red Lily appears on the provincial flag and is sometimes used as a symbol of the province. Some representations resemble a fleur de lis but the traditional version itself is rarely used.
^ French royal arms before 1376 (France ancienne): Azure semé-de-lis or
^ French royal arms after 1376 (France moderne): Azure, three fleurs-de-lis or
^ The arms of the Kings of England from 1340 to c.1411, quartering France ancienne. The French arms are quartered as arms of pretence and in precedence (1st & 4th) to the paternal Plantagenet arms as a statement in recognition of the quasi-feudal superiority of the royal French arms to the arms of Plantagenet
In the Middle Ages, the symbols of lily and fleur-de-lis overlapped considerably in Christian religious art. Michel Pastoureau, a historian, says that until about 1300 they were found in depictions of Jesus, but gradually they took on Marian symbolism and were associated with the Song of Solomon's "lily among thorns" (lilium inter spinas), understood as a reference to Mary. Other scripture and religious literature in which the lily symbolizes purity and chastity also helped establish the flower as an iconographic attribute of the Virgin. It was also believed that the fleur-de-lis represented the Holy Trinity.
In medieval England, from the mid-12th century, a noblewoman's seal often showed the lady with a fleur-de-lis, drawing on the Marian connotations of "female virtue and spirituality". Images of Mary holding the flower first appeared in the 11th century on coins issued by cathedrals dedicated to her, and next on the seals of cathedral chapters, starting with Notre Dame de Paris in 1146. A standard portrayal was of Mary carrying the flower in her right hand, just as she is shown in that church's Virgin of Paris statue (with lily), and in the centre of the stained glass rose window (with fleur-de-lis sceptre) above its main entrance. The flowers may be "simple fleurons, sometimes garden lilies, sometimes genuine heraldic fleurs-de-lis". As attributes of the Madonna, they are often seen in pictures of the Annunciation, notably in those of Sandro Botticelli and Filippo Lippi. Lippi also uses both flowers in other related contexts: for instance, in his Madonna in the Forest.
The three petals of the heraldic design reflect a widespread association with the Holy Trinity, with the band on the bottom symbolizing Mary. The tradition says that without Mary you can not understand the Trinity since it was she who bore the Son. A tradition going back to 14th century France added onto the earlier belief that they also represented faith, wisdom and chivalry. Alternatively, the cord can be seen as representing the one Divine Substance (godhood) of the three Persons, which binds Them together.
"Flower of light" symbolism has sometimes been understood from the archaic variant fleur-de-luce (see Latin lux, luc- = "light"), but the Oxford English Dictionary suggests this arose from the spelling, not from the etymology.
In building and architecture, the fleur-de-lis is often placed on top of iron fence posts, as a pointed defence against intruders. It may ornament any tip, point or post with a decorative flourish, for instance, on finials, the arms of a cross, or the point of a gable. The fleur-de-lis can be incorporated in friezes or cornices, although the distinctions between fleur-de-lis, fleuron, and other stylized flowers are not always clear, or can be used as a motif in an all-over tiled pattern, perhaps on a floor.
It may appear in a building for heraldic reasons, as in some English churches where the design paid a compliment to a local lord who used the flower on his coat of arms. Elsewhere the effect seems purely visual, like the crenellations on the 14th-century Mosque-Madrassa of Sultan Hassan.
It can also be seen on the doors of 16th-century Padmanabhaswamy Temple.
Some modern usage of the fleur-de-lis reflects "the continuing presence of heraldry in everyday life", often intentionally, but also when users are not aware that they are "prolonging the life of centuries-old insignia and emblems".
Marc-André Fleury, a Canadian ice hockeygoaltender, has a fleur-de-lis logo on his mask. The UFC Welterweight Champion from 2006 to 2013, Georges St-Pierre, has a tattoo of the fleur-de-lis on his right calf. The IT University of Copenhagen's soccer team ITU F.C. has it in their logo. France uses the symbol in the official emblem on the
The fleur-de-lis is the main element in the logo of most Scouting organizations. The symbol was first used by Sir Robert Baden-Powell as an arm-badge for soldiers who qualified as scouts (reconnaissance specialists) in the 5th Dragoon Guards, which he commanded at the end of the 19th century; it was later used in cavalry regiments throughout the British Army until 1921. In 1907, Baden-Powell made brass fleur-de-lis badges for the boys attending his first experimental "Boy Scout" camp at Brownsea Island. In his seminal book Scouting for Boys, Baden-Powell referred to the motif as "the arrowhead which shows the North on a map or a compass" and continued; "It is the Badge of the Scout because it points in the right direction and upward... The three points remind you of the three points of the Scout Promise", being duty to God and country, helping others and keeping the Scout Law. The World Scout Emblem of the World Organization of the Scout Movement, has elements which are used by most national Scout organizations. The stars stand for truth and knowledge, the encircling rope for unity, and its reef knot or square knot, service.
The video game series Saints Row features a Fleur-de-Lis as the symbol of the protagonist's gang the 3rd Street Saints.
The symbol may be used in less traditional ways. After Hurricane Katrina many New Orleanians of varying ages and backgrounds were tattooed with "one of its cultural emblems" as a "memorial" of the storm, according to a researcher at Tulane University. The US NavyBlue Angels have named a looping flight demonstration manoeuvre after the flower as well, and there are even two surgical procedures called "after the fleur."
American automobile manufacturer Chevrolet takes its name from the racing driver Louis Chevrolet, who was born in Switzerland. But, because the Chevrolet name is French, the manufacturer has used the fleur-de-lis emblems on their cars, most notably the Corvette, but also as a small detail in the badges and emblems on the front of a variety of full-size Chevys from the 1950s, and 1960s. The fleur-de-lis has also been featured more prominently in the emblems of the Caprice sedan.
A fleur-de-lis also appears in some of the logos of local Louisiana media. Such as in the logo of WGNO-TV, the local ABC-affiliated television station in New Orleans, and WVUE-TV, the local Fox-affiliated television station in New Orleans.
The fleur-de-lis is one of the objects to drop during the New Year's Eve celebrations in New Orleans.