A desert island, or uninhabited island, is an island, islet or atoll that is not permanently populated by humans. Uninhabited islands are often depicted in movies or stories about shipwrecked people, and are also used as stereotypes for the idea of "paradise". Some uninhabited islands are protected as nature reserves and some are privately owned. Devon Island in Canada is the largest uninhabited island in the world.
Uninhabited islands are sometimes also called "deserted islands" or "desert islands". In the latter, the adjective desert connotes not desert climate conditions, but rather "desolate and sparsely occupied or unoccupied". The word desert has been "formerly applied more widely to any wild, uninhabited region, including forest-land", and it is this archaic meaning that appears in the phrase "desert island".
The term "desert island" is also commonly used figuratively to refer to objects or behavior in conditions of social isolation and limited material means. Behavior on a desert island is common thought experiment, for example, "desert island morality".
Desert island from Baa Atoll
Bassas da India, Indian Ocean
Chissioua Bandrélé, Mayotte
Mtsanga Tsoholé, Mayotte
Gombé Ndroumé, Mayotte
The first known novels to be set on a desert island were Philosophus Autodidactus written by Ibn Tufail (1105-1185), followed by Theologus Autodidactus written by Ibn al-Nafis (1213-1288). The protagonists in both (Hayy in Philosophus Autodidactus and Kamil in Theologus Autodidactus) are feral children living in seclusion on a deserted island, until they eventually come in contact with castaways from the outside world who are stranded on the island. The story of Theologus Autodidactus, however, extends beyond the deserted island setting when the castaways take Kamil back to civilization with them.
William Shakespeare's 1610-11 play, The Tempest, uses the idea of being stranded on a desert island as a pretext for the action of the play. Prospero and his daughter Miranda are set adrift by Prospero's treacherous brother Antonio, seeking to become Duke of Milan, and Prospero in turn shipwrecks his brother and other men of sin onto the island.
A Latin translation of Ibn Tufail's Philosophus Autodidactus appeared in 1671, prepared by Edward Pococke the Younger,[verification needed] followed by an English translation by Simon Ockley in 1708, as well as German and Dutch translations. In the late 17th century, Philosophus Autodidactus inspired Robert Boyle, an acquaintance of Pococke, to write his own philosophical novel set on a deserted island, The Aspiring Naturalist. Ibn al-Nafis' Theologus Autodidactus was also eventually translated into English in the early 20th century.
Published in 1719, Daniel Defoe's novel Robinson Crusoe about a castaway on a desert island has spawned so many imitations in film, television and radio that its name was used to define a genre, Robinsonade. The novel features Man Friday, Crusoe's personal assistant. It is likely that Defoe took inspiration for Crusoe from a Scottish sailor named Alexander Selkirk, who was rescued in 1709 after four years on the otherwise uninhabited Juan Fernández Islands; Defoe usually made use of current events for his plots. It is also likely that he was inspired by the Latin or English translations of Ibn Tufail's Philosophus Autodidactus. The Irish author Henry De Vere Stacpoole published the two novels of the Blue Lagoon trilogy The Blue Lagoon (1908) and The Garden of God(1923).
Tom Neale was a New Zealander who voluntarily spent 16 years in three sessions in the 1950s and 1960s living alone on the island of Suwarrow in the northern Cook Islands group. His time there is documented in his autobiography, An Island To Oneself. Significant novels set on deserted islands include The Swiss Family Robinson, The Coral Island, The Mysterious Island, Lord of the Flies, The Cay and The Beach. Juana Maria, a Native American woman, was stranded for 18 years on San Nicolas Island off California in the 19th century.
The theme of being stranded on a desert island has inspired films, such as Cast Away, and TV series, like Lost and the comedy Gilligan's Island. It is also the driving force behind reality shows like Survivor and the Discovery Kids show Flight 29 Down.
In the popular conception, such islands are often located in the Pacific, tropical, uninhabited and usually uncharted. They are remote locales that offer escape and force people marooned or stranded as castaways to become self-sufficient and essentially create a new society. This society can either be utopian, based on an ingenious re-creation of society's comforts (as in Swiss Family Robinson and, in a humorous form, Gilligan's Island) or a regression into savagery (the major theme of both Lord of the Flies and The Beach). In reality, small coral atolls or islands usually have no source of fresh water (thus precluding any long-term human survival), but at times a fresh water lens (Ghyben-Herzberg lens) can be reached with a well.
During the apocalyptic war depicted in H.G. Wells's The War in the Air, Goat Island in the middle of the Niagara Falls becomes abruptly a desert island when all bridges linking it to the mainland are destroyed - marooning a few survivors who embark on a bitter struggle for survival.
The BBC Radio 4 program Desert Island Discs asks well-known people what items they would take with them to a deserted island. The program has inspired many similar articles, contests, and projects, including "desert island books", "desert island movies", and so on.
Desert islands are also a hugely popular image for gag cartoons, the island being conventionally depicted as just a few yards across with a single palm tree (probably due to the visual constraints of the medium). 17 such cartoons appeared in The New Yorker in 1957 alone.
A message in a bottle is a form of communication often associated with people stranded on a deserted island attempting to be rescued.
In 1820, the crew of the whaler Essex spent time on uninhabited Henderson Island. There they gorged on birds, fish, and vegetation and found a small freshwater spring. After one week, they had depleted the island's resources and most of the crew left on three whaleboats, while three of the men decided to remain on the island and survived there for four months until their rescue.