March 23, 1945 |
Hackensack, New Jersey, U.S.
|Genres||Bluegrass, newgrass, folk, jazz, Americana|
|Musician, composer, record producer, label owner|
|Labels||Kaleidoscope, Horizon, Warner Bros., Rounder, Acoustic Disc|
|Even Dozen Jug Band, Earth Opera, Jerry Garcia, Old and in the Way, Muleskinner, David Grisman Quintet, DGBX|
David Grisman (born March 23, 1945) is an American mandolinist. His music combines bluegrass, folk, and jazz in a genre he calls "Dawg music". He founded the record label Acoustic Disc, which issues his recordings and those of other acoustic musicians.
Grisman grew up in a Conservative Jewish household in Passaic, New Jersey. His father was professional trombonist who gave him piano lessons when he was seven years old. As teenager, he played piano, mandolin, and saxophone.
In the early 1960s, he went to college at New York University. He belonged to the Even Dozen Jug Band with Maria Muldaur and John Sebastian. He played in the bluegrass band the Kentuckians led by Red Allen, then in the psychedelic rock band Earth Opera with Peter Rowan. He moved to San Francisco, met Jerry Garcia, and appeared on the Grateful Dead album American Beauty. He played in Garcia's bluegrass band Old and in the Way with Peter Rowan and Vassar Clements.
Garcia named him "Dawg" after a dog that was following him while they were driving in Stinson Beach, California. "Dawg Music" is what Grisman calls his mixture of bluegrass and Django Reinhardt/Stéphane Grappelli-influenced jazz as highlighted on his album Hot Dawg (recorded Oct. 1978, released 1979). It was Grisman's combination of Reinhardt-era jazz, bluegrass, folk, Old World Mediterranean string band music, as well as modern jazz fusion that came to embody "Dawg" music.
In the 1970s, he started the David Grisman Quintet with Darol Anger, Joe Carroll, Todd Phillips, and Tony Rice. They released their first album in 1977 for Kaleidoscope Records and their second, Hot Dawg, two years later for Horizon Records, the jazz division of A&M Records. When the quintet recorded for Warner Bros. Records, the membership changed to include Mike Marshall, Mark O'Connor, and Rob Wasserman, with occasional guest appearances by jazz violinist Stéphane Grappelli.
In the 1980s, Grisman formed the record label Acoustic Disc, which issued his recordings and those by other acoustic musicians. Beginning in the 1990s, he released albums with a more jazz oriented sound when he recorded with bassist Jim Kerwin, drummer George Marsh, and guitarist Martin Taylor. But the folk and bluegrass part of his personality emerged when he recorded with Mark O'Connor, Tony Rice, and Andy Statman. On the albums Tone Poems and Tone Poems 2, he recorded traditional jazz and folk songs on vintage guitars, mandolins, and mandocellos that were built at the time the songs were composed.
David Grissman also performed for seventeen years with percussionist, mandolin, violin player, songrwiter and music educator Joe Craven. 'Everything Joe touches turns to music,' says Grisman. No one who saw Joe wring a percussion concerto from his garbage-bag raincoat during a downpour at the Strawberry Music Festival could disagree.
Grisman is married to Tracy Bigelow and was married twice before. He has three grown children: Samson, Gillian, and Monroe. Samson, a bassist and recording session musician living in Nashville, often performs with his father. Gillian, a filmmaker living in Novato, California, directed Grateful Dawg and the music documentary, Village Music: Last of the Great Record Stores.
Grisman sued YouTube in May 2007, asserting in federal court that YouTube should be required to prevent individuals from illegally uploading recordings of his music. Grisman's attorneys requested voluntary dismissal of the suit.
|Genre||Jazz, folk, bluegrass|
|Country of origin||U.S.|
|Location||San Rafael, California|