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Dresden manuscript: Kit?b-? Dedem ?or?ud Al? Lis?n-? T?ife-i O?uz?n (The Book of my Grandfather Korkut according to the language of the tribe of the Oghuz) Vatican manuscript: Hik?yet-? O?uzn?me-? Kazan Be? ve Gayr? (The Story of Oguzname, Kazan Beg and the Others)
Only two manuscripts of this book, Vatican and Dresden, were known until 2018. However, a new epos was added to this book with the discovery of Gonbad manuscript. The language of the Gonbad manuscript is of a mixed character and depicts vivid characteristics of the period of transition from later Old Oghuz Turkic to Early Modern Turkic of Iranian Azerbaijan. However, there are also orthographical, lexical and grammatical structures peculiar to Eastern Turkic, which shows that the original work was written in the area between Syrdarya and Anatolia, and later rewritten in Safavid Iran in the second half of the 16th century. It was later copied again in the second half of 18th century in Qajar period in the same area.
The epic tales of Dede Korkut are some of the best known Turkic dastans from among a total of well over 1,000 recorded epics among the Mongolian and Turkic language families.
Origin and synopsis of the epic
Dede Korkut is a heroic dastan (legend), also known as Oghuz-nameh among the Oghuz Turkic people, which starts out in Central Asia, continues in Anatolia and centers most of its action in the Azerbaijani Caucasus. According to Barthold, "it is not possible to surmise that this dastan could have been written anywhere but in the Caucasus".
For the Turkic peoples, especially people who identify themselves as Oghuz, it is the principal repository of ethnic identity, history, customs and the value systems of the Turkic peoples throughout history. It commemorates struggles for freedom at a time when the Oghuz Turks were a herding people, although "it is clear that the stories were put into their present form at a time when the Turks of Oghuz descent no longer thought of themselves as Oghuz." From the mid-10th century on, the term 'Oghuz' was gradually supplanted among the Turks themselves by "Turcoman" (Turkmen); this process was completed by the beginning of the 13th century. The Turcomans were those Turks, mostly but not exclusively Oghuz, who had embraced Islam and begun to lead a more sedentary life than their forefathers. In the 14th century, a federation of Oghuz, or, as they were by this time termed, Turcoman tribesmen, who called themselves Ak-koyunlu established a dynasty that ruled eastern Turkey, Azerbaijan, Iraq and western Iran.
The twelve stories that comprise the bulk of the work were written down after the Turks converted to Islam, and the heroes are often portrayed as good Muslims while the villains are referred to as infidels, but there are also many references to the Turks' pre-Islamic magic. The character Dede Korkut, i.e. "Grandfather Korkut", is a widely renowned soothsayer and bard, and serves to link the stories together, and the thirteenth chapter of the book compiles sayings attributed to him. "In the dastans, Dede Korkut appears as the aksakal [literally 'white-beard,' the respected elder], the advisor or sage, solving the difficulties faced by tribal members. ... Among the population, respected aksakals are wise and know how to solve problems; among ashiks [reciters of dastans] they are generally called dede [grandfather]. In the past, this term designated respected tribal elders, and now is used within families; in many localities of Azerbaijan, it replaces ata [ancestor or father]." The historian Rashid-al-Din Hamadani (d. 1318) says that Dede Korkut was a real person and lived for 295 years; that he appeared in the time of the Oghuz ruler Inal Syr Yavkuy Khan, by whom he was sent as ambassador to the Prophet; that he became Muslim; that he gave advice to the Great Khan of the Oghuz, attended the election of the Great Khan, and gave names to children.
The tales tell of warriors and battles and are likely grounded in the conflicts between the Oghuz and the Pechenegs and Kipchaks. Many story elements are familiar to those versed in the Western literary tradition. For example, the story of a monster named "Goggle-eye" Tepegoz bears enough resemblance to the encounter with the Cyclops in Homer's Odyssey that it is believed to have been influenced by the Greek epic or to have one common ancient Anatolian root. The book also describes in great detail the various sports activities of the ancient Turkic peoples: "Dede Korkut (1000-1300) clearly referred to certain physical activities and games. In Dede Korkut's description, the athletic skills of Turks, both men and women, were described to be "first-rate," especially in horse-riding, archery, cirit (javelin throw), wrestling and polo, which are considered Turkish national sports."
The following sentences are few of many wise-sayings that appear in the Dresden and Gonbad manuscripts:
Text in original Oghuz Turkic language:
All?h?na güvene? yumru? ursa ?ara da?lar yar.
Üstin ala bedirli ay gelende s?çrama?a ?amlelenür.
Tekebbürlik eyleyeni Ta?r? sevmez.
Kara saçu? dola?mn? dara? yazar.
Eger erdür eger ?atun bu düny?da n?m?sl? ?ayretli ?oçça? gerek.
Yapa yapa ?arlar ya?sa yaza ?almaz.
Ecel va?de ?rmeyince kimse ölmez.
A?lamala nesne mi olur?
Those who trust in God destroy even the black mountains if they punch them.
When the light of the full moon appears atop, [the pied violent tiger] makes a move to leap.
God does not like arrogant people.
The comb is able to detangle entangled black hair.
If it is a man or woman, it is necessary to have an honest and zealous heart in this world.
If the flaky snow falls, it will not stay in the summer.
If one's dying day doesn't come, that person will not die.
What can be done by crying?
The beginning of the first chapter, "Boghach Khan Son of Dirse Khan", of the dastan in Turkic language (XVI century), the Dresden manuscript
(Titles given by translator Geoffrey Lewis., content from ref. and ref.)
Boghach Khan Son of Dirse Khan: tells the story of the miraculous birth of Boghach Khan, how he grew up to become a mighty warrior and earned a princedom, how his father Dirse Khan was tricked by his own warriors into trying to kill him, how his mother (unnamed) saved his life, and how he rescued his father from the treacherous warriors; Korkut arrives at the celebration and creates the story;
How Salur Kazan's House was Pillaged: tells how the infidel (i.e., non-Muslim) Georgian King Shökli raided Salur Kazan's encampment while Kazan and his nobles were hunting, how Kazan and the heroic shepherd Karajuk teamed up to track down Shökli, how Kazan's wife Lady Burla and son Uruz showed quick-thinking and heroism in captivity, and how Kazan's men arrived to help Kazan defeat Shökli;
Bamsi Beyrek of the Grey Horse: tells how the young son of Prince Bay Büre proved his worth and earned the name Bamsi Beyrek, how he won the hand of Lady Chichek against the resistance of her brother Crazy Karchar, how he was kidnapped by King Shökli's men and help captive for 16 years, and how he escaped upon hearing that Lady Chichek was being given to another man and how he won her back; Korkut appears as an actor in the story, giving Beyrek his name and later helping him outwit Crazy Karchar;
How Prince Uruz Son of Prince Kazan was Taken Prisoner: tells how Salur Kazan realized that his son Uruz was sixteen but had never seen battle, how Kazan and Uruz were attacked by the infidels while on a hunt, how Uruz entered the fray and was taken captive, how Lady Burla reacted on realizing her son was in danger, how Kazan tracked down the infidels and how Uruz begged him to flee, and how Lady Burla and Kazan's men arrived and helped Kazan rescue Uruz; this story mentions three infidel kings: Shökli, Kara Tüken, and Bughachuk, who is beheaded;
Wild Dumrul Son of Dukha Koja: tells how Wild Dumrul offended Allah by challenging Azrael, how Dumrul realized his mistake and found favor with Allah on condition that someone agrees to die in his place, how Dumrul's parents refused to die in place but his wife agreed, how Dumrul asked Allah to spare his wife and how Allah granted them 140 years; Korkut commands that this story be kept alive by the bards;
Kan Turali Son of Kanli Koja: tells how Kan Turali won the heart and hand of infidel Princess Saljan of Trebizond by bare-handedly defeating a bull, a lion, and a camel, how the Princess's father changed his mind and sent 600 warriors to kill him, and how the Princess helped Kan Turali defeat her father's men; Korkut also appears in the story as the storyteller at the wedding;
Yigenek Son of Kazilik Koja: tells how Kazilik Koja is captured by the infidel King Direk of Arshuvan while trying to raid Düzmürd Castle on the Black Sea, how he was held 16 years, how his son Yigenek grew up not knowing his father was a captive, how Yigenek found out his father was alive and asked permission from Bayindir Khan to rescue him, and how Yigenek defeated King Direk after Bayindir's other men failed; Korkut shows up at the celebration;
How Basat Killed Goggle-eye: tells how Basat was raised by a lioness and how Goggle-Eye was born of a human father and a peri mother, how the two boys were raised as brothers, how Goggle-Eye terrorized the Oghuz by demanding they continually provide young men and sheep for him to eat, how Basat was convinced by one of the Oghuz mothers to fight Goggle-Eye, and how Basat defeated Goggle-Eye in a fight that borrows heavily from the Polyphemus story in the Odyssey; Korkut plays a role in this story of the mediator between Goggle-Eye and the Oghuz;
Emren Son of Begil: tells how Begil becomes warden of Georgia for Bayindir Khan, but is tempted to rebel after feeling slighted by the Khan; how he breaks his leg after being thrown from a horse while hunting; how Shökli learns of his injury and attempts to attack him; how Begil's son Emren takes his armor and leads Begil's men to defend him; how God answers Emren's prayer for strength and how Emren gets Shökli to convert to Islam; how Begil and Bayindir Khan are reconciled;
Segrek Son of Ushun Koja: tells how Ushun Koja's elder son, Egrek, was captured by the Black King near Julfa and thrown into the dungeon of Alinja Tower; how Ushon Koja's younger son, Segrek, grew up not knowing about his brother's captivity until he is taunted about it by some boys; how Ushon Koja and his wife tried to prevent Segrek from going to find Egrek by marrying him; how Segrek refused to lay with his wife until he found out his brother's fate; how Segrek finds his way to the Black King's castle and fends off several attacks by the Black King's men, but is eventually overtaken by sleep; how the Black King promises to release Egrek if he will take care of this mysterious assailant; how Egrek and Segrek recognize each other, defeat the Black King's men and return home;
How Salur Kazan was Taken Prisoner and How His Son Uruz Freed Him: tells how Salur Kazan was captured at Tomanin Castle in Trebizond; how he taunted the infidels and refused to praise them; how his son Uruz grew up not knowing about his father, and how he found out about his father's imprisonment; how Uruz led an army of nobles to rescue Salur Kazan; how they attacked the Ayasofia in Trebizond; how Salur was sent to protect the castle from the assailants but learned who they were and did not kill them; how he and his son were reunited, how they attacked the infidels, and how they returned home;
How the Outer Oghuz Rebelled against the Inner Oghuz and How Beyrek Died: How the Outer Oghuz rebel against Kazan Khan after feeling he had slighted them in favor of the Inner Oghuz; how Kazan's uncle Uruz, leading the rebels, tries to get his son-in-law Beyrek to join the rebellion, and how he kills Beyrek for refusing; how Beyrek is taken home, where he calls on Kazan to avenge him; how Kazan and his forces defeat Uruz, after which the surviving rebels surrender and reconcile with Kazan;
The Wisdom of Dede Korkut:
Gorkut Ata (Dede Korkut) Statue in Ashgabat, Turkmenistan.
Since the early 18th century, the Book of Dede Korkut has been translated into French, English, Russian and Hungarian. However, it was not until it caught the attention of H.F. Von Diez, who published a partial German translation of Dede Korkut in 1815, based on a manuscript found in the Royal Library of Dresden, that Dede Korkut became widely known to the West. The only other manuscript of Dede Korkut was discovered in 1950 by Ettore Rossi in the Vatican Library. Until Dede Korkut was transcribed on paper, the events depicted therein survived in the oral tradition, at least from the 9th and 10th centuries. The "Bamsi Beyrek" chapter of Dede Korkut preserves almost verbatim the immensely popular Central Asian dastan Alpamysh, dating from an even earlier time. The stories were written in prose, but peppered with poetic passages. Recent research by Turkish and Turkmen scholars revealed, that the Turkmen variant of the Book of Dede Korkut contains sixteen stories, which have been transcribed and published in 1998.
Dating the composition
Depiction of Gorkut Ata (Dede Korkut) in 2006 Turkmen coins.
The work originated as a series of epics orally told and transferred over the generations before being published in book form. There are numerous versions collected of the stories. It is thought that the first versions were in natural verse, since Turkish is an agglutinative language, but that they gradually transformed into combinations of verse and prose as the Islamic elements affected the narrative over time.
Various dates have been proposed for the first written copies. Geoffrey Lewis dates it fairly early in the 15th century, with two layers of text: a substratum of older oral traditions related to conflicts between the Oghuz and the Pecheneks and Kipchaks and an outer covering of references to the 14th-century campaigns of the Akkoyunlu Confederation. Cemal Kafadar agrees that it was no earlier than the 15th century since "the author is buttering up both the Akkoyunlu and the Ottoman rulers".[Note 1] However, in his history of the Ottoman Empire, Stanford Jay Shaw (1977) dates it in the 14th century.[Note 2] Professor Michael E. Meeker argues for two dates, saying that the versions of the stories we have today originated as folk stories and songs no earlier than the 13th century and were written down no later than the early the 15th century.[Note 3] At least one of the stories (Chapter 8) existed in writing at the beginning of the 14th century, from an unpublished Arabichistory, Dawadari's Durar al-Tijan, written in Egypt some time between 1309 and 1340.
A precise determination is impossible to come by due to the nomadic lifestyle of the early Turkic people, in which epics such as Dede Korkut passed from generation to generation in an oral form. This is especially true of an epic book such as this, which is a product of a long series of narrators, any of whom could have made alterations and additions, right down to the two 16th-century scribes who authored the oldest extant manuscripts. The majority of scholars of ancient Turkic epics and folk tales, such as Russian-Soviet academician Vasily Bartold and British scholar Geoffrey Lewis, believe that the Dede Korkut text "exhibits a number of features characteristic of Azeri, the Turkish dialect of Azerbaijan".
1999 Stamps of Azerbaijan commemorating the 1300th Anniversary of Kitabi Dede Gorgud
The majority of the Turkic peoples and lands described in the Book of Dede Korkut were part of the Soviet Union from 1920 until 1991, and thus most of the research and interest originated there. The attitude towards the Book of Dede Korkut and other dastans related to the Turkic peoples was initially neutral.
Turkish historian Hasan Bülent Paksoy argues that after Stalin solidified his grip on power in the USSR, and especially in the early 1950s, a taboo on Turkology was firmly established. He observed that the first full-text Russian edition of the Book of Dede Korkut, by Azerbaijani academicians Hamid Arasli and M.G.Tahmasib and based on the Barthold translation of the 1920s, was published on a limited basis only in 1939 and again in 1950. He asserts, "Turkic scholars and literati (who raised the same issues) were lost to the Stalinist 'liquidations' or to the 'ideological assault' waged on all dastans in 1950-52." According to Paksoy, this taboo of the early 1950s was also expressed in the "Trial of Alpamysh" (1952-1957), when "all dastans of Central Asia were officially condemned by the Soviet state apparatus".
Nevertheless, the publication of dastans did not wholly cease during that period, as editions of Alpamysh were published in 1957, 1958 and 1961, as they had been in 1939, 1941, and 1949; the entry on dastans in the second edition of the Great Soviet Encyclopedia (volume 13, 1952) does not contain any "condemnation" either. Despite the liberalization of the political climate after the denunciation of Stalinism by Nikita Khrushchev in February 1956, the same "Barthold" edition of the Book of Dede Korkut was re-published only in 1962 and in 1977. Problems persisted all the way to perestroika, when the last full edition in Azerbaijani language was sent for publication on July 11, 1985, but received permission for printing only on February 2, 1988.
In 1998, the Republic of Azerbaijan and UNESCO nominated, and in 2000 celebrated, the "One thousand three hundredth anniversary of the epic Azerbaijani legend Kitab-i Dede Qorqud". In 2000, the General Director of UNESCO remarked: "Epics - and I have in mind in particular that of the Turkish-speaking peoples attributed to Dede Korkut, perpetuated by oral tradition up to the 15th century before being written down...are vectors of the historical, geographical, political, social, linguistic and literary references of the peoples whose history they relate. Although many of these epics have already been noted down, the oral and gestural skills of the storytellers and griots who keep them alive should also be immortalized without delay. The matter is urgent."
^"It was not earlier than the 15th century. Based on the fact that the author is buttering up both the Akkoyunlu and Ottoman rulers, it has been suggested that the composition belongs to someone living in the undefined border region lands between the two states during the reign of Uzun Hassan (1466-78). G. Lewis on the hand dates the composition 'fairly early in the 15th century at least'."
^"The greatest folk product of the 14th century was the prose collection of Dede Korkut, the oldest surviving examples of Oghuz Turkmen epic. Dede Korkut relates the struggles of Turkmens with the Georgians and Abkhaza Circassians in the Caucasia as well as with the Byzantine Empire of Trebizond, adding stories of relationships and conflicts within Turkomen tribes."
^"The Book of Dede Korkut is an early record of oral Turkic folktales in Anatolia, and as such, one of the mythic charters of Turkish nationalist ideology. The oldest versions of the Book of Dede Korkut consist of two manuscripts copied in the 16th century. The twelve stories that are recorded in these manuscripts are believed to be derived from a cycle of stories and songs circulating among Turkic peoples living in northeastern Anatolia and northwestern Azerbaijan. According to Lewis (1974), an older substratum of these oral traditions dates to conflicts between the ancient Oghuz and their Turkish rivals in Central Asia (the Pecheneks and the Kipchaks), but this substratum has been clothed in references to the 14th-century campaigns of the Akkoyunlu Confederation of Turkic tribes against the Georgians, the Abkhaz, and the Greeks in Trebizond. Such stories and songs would have emerged no earlier than the beginning of the 13th century, and the written versions that have reached us would have been composed no later than the beginning of the 15th century. By this time, the Turkic peoples in question had been in touch with Islamic civilization for several centuries, had come to call themselves "Turcoman" rather than "Oghuz," had close associations with sedentary and urbanized societies, and were participating in Islamized regimes that included nomads, farmers, and townsmen. Some had abandoned their nomadic way of life altogether."
^Karl Reichl, (2011), Medieval Oral Literature, p. 687
^Felix J. Oinas, (1978), Heroic Epic and Saga: An Introduction to the World's Great Folk Epics, p. 312
^Barthold (1962)""The book of my grandfather Korkut" ("Kitab-i dedem Korkut") is an outstanding monument of the medieval Oghuz heroic epic. Three modern Turkic-speaking peoples - Turkmens, Azerbaijanis and Turks - are ethnically and linguistically related to the medieval Oghuzes. For all these peoples, the epic legends deposited in the "Book of Korkut" represent an artistic reflection of their historical past."
^Mahsun Ats?z, (2020), A Syntactic Analysis on Gonbad Manuscript of the Book of Dede Korkut, p. 189. "Another
linguistic stratum, though restricted, can be determined as the orthographical, lexical and grammatical structures peculiar to Eastern Turkish. These Eastern Turkish features along with dialectal features evidently related to Turkish dialects of ?ran and Azerbaijan distinguish Gonbad manuscript from Dresden and Vatikan manuscipts."
^Mahsun Ats?z, (2020), A Syntactic Analysis on Gonbad Manuscript of the Book of Dede Korkut, p. 189. "(in Turkish) Bu yeni yazman?n Sirderya ile Anadolu co?rafyas? aras?nda yaz?lm olabilece?ini, tahminen 16.-18. yüzy?llarda ba?ka bir nüshadan veya sözlü gelenekten yaz?ya geçirilmi? olabilece?ini belirtelim."
^Mahsun Ats?z, (2020), A Syntactic Analysis on Gonbad Manuscript of the Book of Dede Korkut, p. 189
^ abcdProf. H.B.Paksoy (ed.), "Introduction to Dede Korkut" (As Co-Editor), Soviet Anthropology and Archeology, Vol. 29, No. 1. Summer 1990; and, "M. Dadashzade on the Ethnographic Information Concerning Azerbaijan Contained in the Dede Korkut dastan", Soviet Anthropology and Archeology, Vol. 29, No. 1. Summer 1990. Reprinted in H. B. Paksoy (Ed.), Central Asia Reader: The Rediscovery of History (New York/London: M. E. Sharpe, 1994), ISBN1-56324-201-X (Hardcover); ISBN1-56324-202-8 (pbk.)
^ abMichael E. Meeker, "The Dede Korkut Ethic", International Journal of Middle East Studies, Vol. 24, No. 3 (Aug., 1992), 395-417. "According to Lewis (1974), an older substratum of these oral traditions dates to conflicts between the ancient Oghuz and their Turkish rivals in Central Asia (the Pecheneks and the Kipchaks), but this substratum has been clothed in references to the 14th-century campaigns of the Akkoyunlu Confederation of Turkic tribes against the Georgians, the Abkhaz, and the Greeks in Trebizond."
^Stanford Jay Shaw, History of the Ottoman Empire and Modern Turkey, Cambridge University, 1977, pg 141.
^"Report by Comrade M[ir] D[zhafar Abbasovich] Bagirov at 18th Congress of Azerbaidzhan Communist Party on the Work of the Azerbaidzhan Communist Party Central Committee," Current Digest of the Russian Press No. 24, Vol. 23 (July 28, 1951), 8.